{"title":"2020-NOW","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe current sound of the zeitgeist. Explore the latest releases, limited editions, and brand-new music from this decade.\u003c\/p\u003e","products":[{"product_id":"my-soft-machine-limited-edition-green-vinyl-lp","title":"My Soft Machine: Limited Edition Green Vinyl LP","description":"\u003cp\u003eTwice Grammy-nominated, Mercury Prize and BRIT Award-winning artist Arlo Parks is returning with her second album, \u003cem\u003eMy Soft Machine\u003c\/em\u003e, due 26th May on Transgressive Records.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMy Soft Machine\u003c\/em\u003e is a deeply personal body of work; a narration of Parks’ experiences as she navigates her 20’s and the growth intertwined. 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During an oppressive grieving period, the studio offered the band a sanctuary from real life. The resulting project, given such vibrant life here, draws its strength from a shared understanding and empathy. Life has many great aspects to it and despite the lows, we should be mindful and grateful to celebrate the highs at every turn. Through our hardships, we will emerge stronger - everything is going to be ok. \u003c\/p\u003e\n","brand":"GoGo Penguin","offers":[{"title":"Default Title","offer_id":44593810047256,"sku":"19658776991","price":34.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/GGPEIGTBO_packshot_deluxe_vinyl_sleeves_v1_281_29_28002_29.jpg?v=1749598492"},{"product_id":"the-valley-of-vision-limited-edition-silver-colour-vinyl-lp","title":"The Valley Of Vision:  Limited Edition Silver Colour Vinyl LP","description":"\u003cp\u003e\u003cem\u003eThe Valley Of Vision\u003c\/em\u003e is the follow up project to Manchester Orchestra's masterpiece,\u003cem\u003e A Black Mile To The Surface\u003c\/em\u003e. These songs stemmed from \u003cem\u003eBlack Mile\u003c\/em\u003e but the band switched things up creatively and holed themselves up in a home studio in Muscle Shoals. This is another excellent piece of work from the band which really showcases how they are becoming important record makers both through Andy Hull's song writing and their innovation of sound in the studio. Manchester Orchestra are the best Rock Band in America and \u003cem\u003eThe Valley Of Vision\u003c\/em\u003e continues to prove that to us. \u003c\/p\u003e\n","brand":"Manchester Orchestra","offers":[{"title":"Default Title","offer_id":44594169446680,"sku":"7251738","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/MO_THE-VALLEY-OF-VISION_packshot-front1.png?v=1745447900"},{"product_id":"council-skies-vinyl-lp-bonus-7-single","title":"Council Skies: Vinyl LP + Bonus 7\" Single","description":"\u003cp\u003e\u003cem\u003eCouncil Skies\u003c\/em\u003e is the highly anticipated fourth studio album from Noel Gallagher’s High Flying Birds released on 2nd June 2023. 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Even though we’d always been anxious and argued quite a lot whenever we were working on a record, this was the first time it ever felt like maybe things really had come to an end.”Instead, The National “managed to come back together and approach everything from a different angle, and because of that we arrived at what feels like a new era for the band,” according to guitarist\/pianist Bryce Dessner, whose bandmates also include his brother Aaron (guitar\/piano\/bass) as well as brothers Scott Devendorf (bass, guitar) and Bryan Devendorf (drums).\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eFirst Two Pages of Frankenstein \u003c\/em\u003echannels the group’s revitalized chemistry into a body of work that beautifully balances elegant musicality with the National’s more idiosyncratic impulses. Tracks such as “Grease in Your Hair” and “Ice Machines” were road-tested in 2022 before they were recorded, allowing the band to hone the material in real time (another song, “Weird Goodbyes” featuring Bon Iver’s Justin Vernon, was released as a standalone track last August). “To me the power of this record has to do with the intentionality and structure of the music meeting with a lot of accidental magic,” says Aaron Dessner.\u003c\/p\u003e\n\n\u003cp\u003eSwift duets with Berninger on the luminous “The Alcott,” continuing her recent string of collaborations with members of The National on her chart-topping albums \u003cem\u003efolklore\u003c\/em\u003e and \u003cem\u003eevermore\u003c\/em\u003e and Aaron Dessner’s Big Red Machine project. The song finds Berninger and Swift inhabiting the roles of a couple attempting to resurrect a troubled relationship, forging a finely drawn story nearly novelistic in scope. “It’s about two people with a long history returning to a place and trying to relive a certain moment in time,” says Berninger. “It’s got the feeling of a last-ditch effort to hold onto the relationship, but there’s a hint of something positive where you can see the beginnings of a reconnection.”\u003c\/p\u003e\n","brand":"The National","offers":[{"title":"Default Title","offer_id":44594632032536,"sku":"4AD566LPE","price":31.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/NationalRed.png?v=1749670372"},{"product_id":"rat-saw-god-vinyl-lp","title":"Rat Saw God: Vinyl LP","description":"\u003cp\u003eA Wednesday song is a quilt. 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The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It’s not really bright enough to see in front of you, but in that stretch of inky void – somehow – you see everything.\u003cbr\u003e\n\u003cbr\u003e\nThe songs on \u003cem\u003eRat Saw God\u003c\/em\u003e don’t recount epics, just the everyday. They’re true, they’re real life, blurry and chaotic and strange – which is in-line with Hartzman’s own ethos: “Everyone’s story is worthy,” she says, plainly. “Literally every life story is worth writing down, because people are so fascinating.”\u003cbr\u003e\n\u003cbr\u003e\nBut the thing about \u003cem\u003eRat Saw God\u003c\/em\u003e - and about any Wednesday song, really - is you don’t necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it’s all in the details – how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen – but it’s mostly the way those tiny moments add up into a song or album or a person.\u003c\/p\u003e\n","brand":"Wednesday","offers":[{"title":"Default Title","offer_id":44594654249240,"sku":"DOC328LP","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/doc328.wednesday.ratsawgod.lp.mock.black.jpg?v=1749668568"},{"product_id":"rat-saw-god-limited-edition-clear-sunspot-colour-vinyl","title":"Rat Saw God: Limited Edition Clear Sunspot Colour Vinyl","description":"\u003cp\u003eA Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. 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Understated but devastating, Debris' success led to a transformation as the songs were brought to the stage.\n\nAn innate performer, Forsyth found herself channelling something she hadn’t yet fully come to understand, and it was here that the voice found on Debris began to probe outwards and discover a physical form. It’s a form that fully takes shape on her second album Limbs.\n\nAnyone who saw Forsyth perform in the brief window after Debris was released and before shows ground to a halt can testify to the show’s power. In pin-drop silence, enraptured audiences watched as Forsyth inhabited a new body. No stranger to portraying characters in her career as an actor, this was something different. \n\nLimbs is a record of reckoning with that change. After the initial purge of Debris, those feelings of trauma and fear remain but there’s also a life to live. “Save me from the chair where sadness lies,” she sings on opener ‘Fires’, wrestling the need to be creative within the routine of daily life. Where Debris was composed and recorded in close proximity to instrumentalist and arranger Matthew Bourne,  Limbs deploys a more expansive palette .With Forsyth at the centre, collaborator Ross Downes acts as another limb, remotely producing the pulses and drones which feed back into the voice. Bourne this time is enlisted to “Bring some of the soil of Debris” into Limbs. The result is clearer and more spacious. If Debris sounded like it was buried under the earth-Forsyth’s voice repressed and breathless-Limbs brings some of that live presence.\n","brand":"Keeley Forsyth","offers":[{"title":"Default Title","offer_id":44659286868248,"sku":"BAY124V","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-137934.jpg?v=1746393285"},{"product_id":"bob-vylan-presents-the-price-of-life-vinyl-lp","title":"Bob Vylan Presents The Price of Life: Vinyl LP","description":"\u003cp\u003eBob Vylan are a two-piece band that mix punk, rock, grime, rap amongst other genres, to create a unique style of music that speaks openly on a wide range of topics. After releasing their critically acclaimed album 'We Live Here' in 2021 the london based duo, consisting of producer\/vocalist Bobby and drummer\/spiritual inspiration Bobbie, went on to play a sold out UK headline tour (with support from Witch Fever and ZAND) in the summer, played at Reading and Leeds and ALT LDN festivals, been main support to Biffy Clyro and supported The Offspring in arenas across the UK. and now Bob Vylan’s hugely anticipated forthcoming new album 'Bob Vylan Presents The Price Of Life', is set for release through their own Ghost Theatre record label on April 22nd, 2022.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eSpeaking on the new project, frontman Bobby explains a bit more about the album, it's themes and ideas for this next phase for BOB VYLAN, \"This project is a concept album that has a recurring theme of money and the \"cost\" of things we place value on. Tracks blend into each other and lyrics in one track pull your attention back to a statement made in a previous track or set you up for a song to come. The album has allowed us the space to showcase different sides of our personalities. We don’t want to give the same thing over and over again, so we’re tackling topics in a different way this time. It’s serious and funny, it’s communal and obnoxious, it’s many things at any given time, and it’s a concept project. It explores the idea of paying your way through life and the expense of living in a society that places money above all else. It explores the places we’ve come from and the extremes we’ve seen people go to in order to survive. It also looks at the nuances around money in our society, the less obvious connections, like the world of advertising and art having to align with advertisers' values in order to be given a platform, as well as the price of healthy eating, the cost of technology not necessarily on our pockets but on our lives.\"\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eThis band are all about community, and for them, their live show is a place where they can really express that. 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(Pitchfork, NPR, and The Guardian admiringly named it one of 2019’s best.) While Titanic Rising was an observation of doom to come, And in the Darkness, Hearts Aglow is about being in the thick of it: a search for an escape hatch to liberate us from algorithms and ideological chaos. “We’re in a fully functional shit show,” Mering says. “My heart is a glow stick that’s been cracked, lighting up my chest in an explosion of earnestness.” And in the Darkness, Hearts Aglow opens with the wistful, winsome “It's Not Just Me, It's Everybody,” a song about the interconnectivity of all beings, despite the fraying of society around us. “I was asking a lot of questions while writing these songs. Hyper-isolation kept coming up,” Mering says. “Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal.” Other tracks follow in kind. The lullaby-like “Grapevine” chronicles the splintering of a human connection. The otherworldly dirge “God Turn Me into a Flower” serves as allegory about our collective hubris. “The Worst Is Done” is an ominous warning, set against a deceivingly breezy pop melody. “Chaos is natural. 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With the release of Heavy Elevator in September 2021, Edinburgh-based Hawk established himself as a writer of heartfelt, headstrong, unashamedly literate songs to stimulate both pulse and psyche. Heavy Elevator offered words to savour and tunes to relish. The songs were filmic and romantic, blending wit, wisdom, resignation and beauty with a kind of sceptical joie de vivre, delivered in a rich baritone that has drawn comparisons to everyone from Jarvis Cocker to Scott Walker. A singer of style and guile peddling accessible intelligence: what’s not to love? Heavy Elevator established a powerful artistic imprimatur which nonetheless felt neither defining nor confining. While the album has been justly lauded, Hawk’s next steps have moved the story considerably further forward. 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The artwork of the band’s third full-length, Waterslide, Diving Board, Ladder To The Sky, is a surreal image that evokes the ducks and dives, slippery slopes and existential angst of life in recent times. “To me, the feelings of joy, fear and endlesses coexist together,” says Dana. “You’re never just happy or unhappy.” \u003c\/p\u003e\n\n\u003cp\u003eFollowing Every Bad’s release in 2020, Margolin was quickly becoming regarded as one of the most magnetic band leaders around. But if Every Bad established Dana’s bravery in laying herself bare, her band’s third record takes that to anthemic new heights. While there are moments of guttural release, she also finds soft power on songs. “I used to think I had to be loud to be heard,” she admits, “but now I’m definitely less afraid of being gentle.” \u003c\/p\u003e\n\n\u003cp\u003eThe band’s first new single, ‘Back To The Radio’, sets out their stall, a lurching call to arms that contrasts Dana’s lyrics of panic and closing herself off. This song is just one of example in WDBLTTS that explores something that has long been an important part of Porridge Radio’s process: playfulness. “I think the album needed to have that balance,” Dana explains. \u003c\/p\u003e\n\n\u003cp\u003eBalance: that’s the word the album seems to be eternally striving for – joy, fear and endlessness in harmony but also self-acceptance. Dana is more aware of how she’s creating a persona as her star continues to rise, and how she’s singing personal songs that now belong to other people which gives her purpose. She says, “I wrote these songs for myself, but I think everyone wants to feel like what they’re doing is useful in some way. 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An unashamedly soulful and heartfelt album, where the drums set the scene throughout to transport the listener to a place of celebration and awakening.\u003c\/p\u003e\n","brand":"Young Fathers","offers":[{"title":"Default Title","offer_id":44659347259672,"sku":"ZEN285A","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-143612.jpg?v=1746483745"},{"product_id":"heavy-heavy-indies-exclusive-red-vinyl-lp","title":"Heavy Heavy: Indies Exclusive Red Vinyl LP","description":"\u003cp\u003eMercury Prize winning Edinburgh trio Young Fathers are back following 2018’s standout \u003cem\u003eCocoa Sugar\u003c\/em\u003e. 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Buoyed by its success, Nick Buxton (drums), Tom Dowse (guitar), Lewis Maynard (bass) and Florence Shaw (vocals) returned to rural Wales in late 2021, partnering once more with Parish and engineer Joe Jones. Working from a position of trust in the same studio and with the same team, imposter syndrome and anxiety was replaced by a fresh freedom and openness to explore beyond an already rangy sonic palette, a newfound confidence in their creative vision. A longer period in the studio afforded the time to experiment, improvise, play, sharpen their table tennis skills. \u003c\/p\u003e\n\n\u003cp\u003eStumpwork was inspired by a plethora of events, concepts, and political debacles, be they represented in the icy mess of ambient elements reflecting a certain existential despair, or the surprising warmth in celebrating the lives of loved ones lost through the previous year. 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So much has changed, continues to change, and promises to change some more. And in this world of constant change, we yearn for the familiarity of a constant. Thankfully, one constant remains the unique, jubilant, unassailable bond that sews this brilliant London band together and what that does for their music, too. Another such constant is their collective ear for melody and knack for writing smart, sharp, and infectious indie-pop knockouts.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eLike so many records landing in store and on streaming services right now, Here Is Everything was conceived during the weight and worry of lockdown in a pandemic. Worlds were turned upside down and inside out. Lives became seismically different, whilst every day a carbon copy of the last. So, whilst Covid pulled the duvet tightly up over our heads and sat on it whilst we muffle-screamed that we could not breathe, it was also the unlikely backdrop to welcoming new life. 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