{"title":"3 For £50","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eBulk up your collection without breaking the bank.\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eHandpick three items from our curated selection and grab the lot for just £50.\u003cbr\u003e\u003cbr\u003eFrom signed titles to books and CDs, it’s the most cost-effective way to refresh your rotation and grow your music collection.\u003c\/p\u003e","products":[{"product_id":"ive-felt-better-daniel-avery-remix-plastic-future-skee-mask-remix-vinyl-12-single","title":"I've Felt Better (Daniel Avery Remix) \/ Plastic Future (Skee Mask Remix): Vinyl 12\" Single","description":"\u003cp\u003eIn November 2022, GOLD PANDA released his long-awaited album \"The Work\". It includes the two singles \"I've Felt Better (Than I Do Now)\" \u0026amp; \"Plastic Future\". These were remixed by Gold Panda's friend and companion Daniel Avery and the one and only Skee Mask respectively.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eOn Side A, British techno producer Daniel Avery turned “I’ve Felt Better\" on its head. With a perfect balance of light and shadow, it now races at top speed like a techno bullet train through a blizzard and a multitude of barren landscapes, while the listener sits in an empty wagon, safe from the threat of nature just inches away. On Side B, Skee Mask, the enigmatic versatile electronic producer gives 'Plastic Future' a totally new identity. Known for his rolling rhythms combined with electronic soundscapes, Skee Mask slams the breaks on this remix in a big way. It's a magic combination that begs the question how did it take these 2 producers so long to collaborate like this? A match made in heaven!\u003c\/p\u003e\n","brand":"Gold Panda","offers":[{"title":"Default Title","offer_id":44593073881368,"sku":"SLANG50536","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/products\/a87e62c9-7ea4-1214-20d0-cc818859d966.png?v=1686617148"},{"product_id":"c-mon-you-know-limited-clear-vinyl-lp","title":"C’mon You Know: Limited Clear Vinyl LP","description":"\u003cp\u003eWe’ve come to expect big things from Liam Gallagher, but today he reveals plans for 2022 that are biblical even by his colossal standards. He is set to release his new album ‘C’mon You Know’ on May 27th as he looks to score a fourth consecutive #1 UK record. He also celebrates the 25th anniversary of Oasis’ era-defining gigs at Knebworth Park with the news that he’ll return there to play the biggest show of his solo career to date on June 4th. Tickets go on sale 10am Friday 8th October at LiveNation.co.uk. ‘C’MON YOU KNOW’ follows the huge success of Liam’s previous studio albums ‘As You Were’ (2017) and ‘Why Me? Why Not.’ (2019), which established his iconic status for a whole new generation. His ‘MTV Unplugged’ also went straight to #1 on the Official Album Chart. Between his triumphs as a solo artist and his phenomenal success with Oasis, Liam has spent a combined total of almost six months at #1 across eleven chart-topping albums. More details regarding ‘C’MON YOU KNOW’ will follow. The Knebworth Park show will see Liam return to the site where Oasis famously played two unforgettable nights there in 1996. The 25th anniversary of the shows was marked with the release of the feature-length documentary ‘Oasis Knebworth 1996’, which NME described as “an era-defining gig that will live forever.” The Knebworth Park gig will be the biggest show of Liam’s solo career to date. It follows his triumphant return to touring this summer with headline sets at Reading, Leeds and TRNSMT alongside a free gig for NHS staff at The O2. Liam says, \"I'm absolutely buzzing to announce that on 4th June 2022 I'll be playing Knebworth Park. It's gonna be biblical. C'mon You Know. LG x\"  \u003c\/p\u003e","brand":"Liam Gallagher","offers":[{"title":"Default Title","offer_id":44659607798040,"sku":"190296396878","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-137860.png?v=1749669192"},{"product_id":"transmission-deluxe-vinyl-12-single","title":"Transmission: Deluxe Vinyl 12\" Single","description":"Joy Division recorded only two albums before singer Ian Curtis tragically took his own life in 1980. But what the Manchester quartet lacked in longevity, they more than made up for in quality. The two albums were pioneering and helped shape the sound and mood of the alternative music that followed in the band's wake. \n\nOn the same day as the Closer 40th re-release, these three non-album singles 'Transmission,' 'Atmosphere' and 'Love Will Tear Us Apart' will be reissued with 2020 remastered audio. Since the demise of Factory records, these singles have never been repressed or reissued before and are cut on 180g vinyl, featuring the original artwork on heavyweight board. 'Transmission' will feature an embossed sleeve. \n","brand":"Joy Division","offers":[{"title":"Default Title","offer_id":44732110831896,"sku":"190295274627","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-103285.jpg?v=1759792863"},{"product_id":"the-groover-50th-anniversary-7-vinyl-picture-disc-single","title":"The Groover (50th Anniversary): 7\" Vinyl Picture Disc Single","description":"\u003cp\u003eAs part of our T. Rex “1973” year campaign, alongside the “Whatever Happened To The Teenage Dream?” 5LP and 4CD box sets, and the “Songwriter: 1973” LP, Demon Records will be issuing T. Rex’s 1973 singles as highlycollectable limited edition 7” picture discs, with photos from the Keith Morris archive.\u003c\/p\u003e\n\n\u003cp\u003eThe second release is “The Groover”, originally released in early June 1973. It peaked in the UK charts at number 4, while 10cc (“Rubber Bullets”), Fleetwood Mac (“Albatross”) and Suzi Q (“Can The Can”) occupied the top three positions. “The Groover” stayed in the charts for nine weeks.\u003c\/p\u003e\n\n\u003cp\u003eNeither “The Groover” or its B-side “Midnight” appeared on the “Zinc Alloy” album, released in January 1974.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n","brand":"T. Rex","offers":[{"title":"Default Title","offer_id":44851098550552,"sku":"DEMSING18","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/T-REX_7-Inch_Picture_Disc-TheGroover-Exploded.png?v=1759790405"},{"product_id":"late-march-death-march-etched-vinyl-7-single","title":"Late March, Death March: Etched Vinyl 7\" Single","description":"\u003cp\u003eThis 7” single is housed in a picture sleeve and pressed on black vinyl. The B-side features an exclusive etched design.\u003c\/p\u003e\n","brand":"Frightened Rabbit","offers":[{"title":"Default Title","offer_id":44862860460312,"sku":"505419723194","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/Late_March_Death_March.jpg?v=1746744326"},{"product_id":"shellshock-vinyl-12-single","title":"Shellshock: Vinyl 12\" Single","description":"\u003cp\u003eAs part of the \u003cem\u003eLow Life Definitive Edition\u003c\/em\u003e release campaign, New Order are delighted to announce the reissue of the 12” singles.\u003c\/p\u003e\n\n\u003cp\u003ePeter Saville says of \u003cem\u003eSub-Culture\u003c\/em\u003e \"LABEL ONLY was specified in 1985 due to time pressure around the original release and as a consequence, a sleeve design for the re-release has no actual precedent. However, exploring the principle 'the solution is in the problem’ has led to the subliminal evocation of a sleeve that is still LABEL ONLY”.\u003c\/p\u003e","brand":"New Order","offers":[{"title":"Default Title","offer_id":44916785021208,"sku":"190295139087","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-144785.jpg?v=1748035071"},{"product_id":"foregone-limited-digipack-cd","title":"Foregone: Limited Digipack CD","description":"\u003cp\u003eIn Flames represent the best of metal’s past, present, and future. In Flames are as vital and even more energized today than when they unleashed classics like Come Clarity and Clayman in decades past. \u003c\/p\u003e\n\n\u003cp\u003eThe band built a stunning reputation with devastating, crowd-moving, inspired performances around the world at every major rock and metal festival imaginable, headlining multiple treks, and touring with the likes of Slipknot, Megadeth, Judas Priest, Killswitch Engage, Within Temptation, and Lamb Of God. They regularly headline some of the biggest stages and festivals in the world. \u003c\/p\u003e\n\n\u003cp\u003eForegone, the furious fourteenth studio album, combines the greatest aggressive, metallic, and melodic strengths of their landmark records with the seasoned songwriting of their postmodern era.\u003c\/p\u003e\n\n\u003cp\u003eThe melodic guitars, crushing riffs, and high-speed tempos that define much of the In Flames catalog first crystalized on their second album, The Jester Race (1996), complete with hints of the catchy choruses to come. Whoracle (1997) is the rawest and arguably heaviest In Flames album from the 90s. Metal Hammer declared melodeath masterpiece Colony (1999) “an undisputed fireball of an album.”\u003c\/p\u003e\n\n\u003cp\u003eClayman (2000) introduced synths and more prominent clean vocals, without sacrificing the band’s intensity. Reroute to Remain (2002) took the groove element further. Soundtrack to Your Escape (2004) expanded the rock bombast. Come Clarity (2006) is a perfect metalcore slab. A Sense of Purpose (2008) delivered some of the band’s best and most eclectic songs. The gothic groove metal of Sounds of a Playground Fading (2011) paved the way for the unapologetic Active Rock hooks of Siren Charms (2014) and Battles (2016). Fans of the aggressive side of In Flames praised I, the Mask (2019). Foregone masterfully, if improbably, manages to serve all sides of the In Flames fanbase, with powerful force.\u003c\/p\u003e\n\n\u003cp\u003eA sense of pride, accomplishment, and continued vitality are evident every time the band takes the stage, and all over Foregone. Melodic death metal pioneers and innovative purveyors of groove, the artistry, influence, stature, and future of In Flames loom as large as the heavy metal horizon itself. \u003c\/p\u003e","brand":"In Flames","offers":[{"title":"Default Title","offer_id":45064657928472,"sku":"406562965140","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-141245.png?v=1747954688"},{"product_id":"heimdal-limited-edition-cd-blu-ray","title":"Heimdal: Limited Edition CD + Blu-Ray","description":"\u003cp\u003eIn true Enslaved fashion, the Bergen voyagers’ 16th album, “Heimdal”, is both a departure and a communion with roots forged over three decades ago in the turbulent birth throes of Norway’s black metal scene. Founded in 1991 by the then precociously young Ivar Bjørnson and Grutle Kjellson, Enslaved were determined to set out on a different course from their Satanic, church-burning peers, turning their attention towards Viking lore and writing the majority of the lyrics for their 1994 debut album, “Vikingligr Veldi“, in Icelandic for its proximity to Old Norse.\u003c\/p\u003e\n\n\u003cp\u003eIf subsequent albums, “Frost” and “Eld” – spelling out the dynamic, combinative properties of ice and fire – remain incandescent marker points for Norway’s black metal scene, they were signposts too. Contained within their fevered, sloshing riffs and pomp-infused atmospheres were swells of anticipation and an embryonic sense of destiny. They were tantalising glimpses of the wide-open spaces that have become Enslaved’s guiding principle as they’ve come to straddle the extreme and progressive worlds, with their restless spirit the source of an ongoing journey of wide-eyed discovery.\n2020’s “Utgard” album was the beginning of a new phase for the band, delving deeper into the esoteric nature of Nordic mythology, but finding more precise jump-off points for a leap into the unknown. More streamlined than its multi-layered predecessors, “In Times” and “E”, if only to prise open new expanses to explore, its ruminations on the shadowy, titular land of the Norse Jotun ice giants found parallels with the psychological states of the unconscious, and the pilgrimage into our own hearts of darkness that’s the start of the route to all self-knowledge. Of course, even themes of introspection were transformed into kaleidoscopic sonic adventurism, ranging from blackened, frostbitten charges, through lush, billowing, groove-bolstered updrafts to view-above-the-cloudline vistas and even dives into syncopated, krautrock-inspired wormholes.\u003c\/p\u003e\n\n\u003cp\u003eFor Enslaved, each stage of a journey plants a seed for the next. After 2021’s interim EP, “Caravans To The Outer Worlds”, “Heimdal” offers another tangential act of discovery, another embarkation point for a solemn, expectant and exhilarating passage through the realms of the senses.“Heimdal” is named after arguably the most mysterious entity in Nordic mythology. Most famously known as the gatekeeper between the nine Norse realms, he’s a source of constant speculation, as scholars continue to offer new interpretations of his origins, and his purpose.\u003c\/p\u003e\n\n\u003cp\u003eThe father\/son relationship between the Heimdal and Odin figures mirrors the journey Enslaved have been on for 30 years: the dialogue between older and younger versions of oneself, and whether they are separate, or bound as one. As Ivar says, “It feels like yesterday we were 15 or 18 years old, driving around Haugesund throwing eggs at people during a rehearsal break, and then what the fuck, we have kids? It's sort of a mid-life Ragnarok – not a crisis, but a turning of the corner. Whether it’s the security you now have, or because you’re now dying in a sense more than growing up, that search for uncertainty becomes even more pressing.”\u003c\/p\u003e\n\n\u003cp\u003eThat dialogue between older and younger selves is apparent on “Heimdal” musically too. As far out as the album reaches, you’ll find homages to Enslaved’s formative influences, from bracing, German thrash riffs to the propulsive backbeat of Led Zeppelin. But they’re the motor for fresh, and often unexpected pastures.\u003c\/p\u003e\n\n\u003cp\u003eBeginning with the creaking of ropes, the lapping of waves, and the blowing of a horn, “Behind The Mirror”, is a mix of wanderlust and Grutle’s flint-edged prophetic sermons. “Congelia” rides the crest of the most furious of waves, while “Kingdom” is a tumbling, psychedelic odyssey with a heart-in-mouth, up-is-down momentum that only labelmates Oranssi Pazuzu could match. But it’s the constant shifting and counterpoints of “Heimdal”’s overall dynamics that give it such a sense of immersion and wholeness.\u003c\/p\u003e\n\n\u003cp\u003eIf you find yourself not knowing where “Heimdal” is going to take you next, that is very much the point. The album is bookended by “Behind The Mirror” and the title track itself, both of which reflect each other conceptually, in terms of being in thrall to their own of transitional states.\u003c\/p\u003e\n\n\u003cp\u003e“I would say that Heimdal is an album that points towards new beginnings and a dawn that’s on the other side of the apex of the land,” Ivar explains. “You don’t know what’s on the other side, but you go there. It’s a continuation of the ‘Utgard’ concept. Of course, you have to go into the darkness, that’s all metal and good, but the consequence is that you have to go into the dawn and see what the new day brings.”\n“Heimdal” is reflection of paths travelled, a promise of a new beginning, and a rite of passage between the two. Truly an album for all times.\u003c\/p\u003e\n","brand":"Enslaved","offers":[{"title":"Default Title","offer_id":45064730870040,"sku":"406562966180","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-145245.png?v=1749787794"},{"product_id":"of-kingdom-and-crown-limited-edition-digipack-cd","title":"ØF KINGDØM AND CRØWN: Limited Edition Digipack CD","description":"\u003cp\u003eUndisputed masters of murderous riffs, pugnacious grooves and ferocious hooks since 1991, Machine Head are long established as one of the most influential and incendiary bands in the metal world.\u003c\/p\u003e\n\n\u003cp\u003eFrom genre-expanding triumphs like 1994’s debut, Burn My Eyes, 1999’s The Burning Red to the planet-conquering might of 2007’s The Blackening, to the new life injected in 2014’s Bloodstone and Diamonds, Machine Head have carved a singular path across the globe for over three decades now with no end in sight. Whether it be marathon 3 hour live performances, or millions of albums sold worldwide, and accolades both big and small, there aren’t too many “distractions” clouding up the vision of Guitarist\/Vocalist\/Founder Robb Flynn these days.\u003c\/p\u003e\n\n\u003cp\u003eIn 2022, Machine Head are back with their most crushing and complete album yet. ØF KINGDØM AND CRØWN is an hour-long conceptual monolith, rich in colour and dynamics but hell-bent on destruction. Set in a futuristic wasteland where the sky is always crimson red, ØF KINGDØM AND CRØWN tells the tale of two characters, both faced with incalculable trauma, whose stories become bloodily entwined as this deep, dark record progresses.\u003c\/p\u003e\n\n\u003cp\u003e“The album and concept was loosely inspired by the Japanese anime series Attack On Titan,” says Robb, “in the sense that in that series, there is no “good” or “bad” guy… both sides believe they’re doing the right thing, but both are committing atrocities and evil.”\u003c\/p\u003e\n\n\u003cp\u003eAlbum opener, “SLAUGHTER THE MARTYR,” sets the tone for not only the record, but the aural and psychological exploration the listener is about to embark on.  From the first dissonant note, its certain this is not only fresh canvas spelled out with lead vocalist Robb Flynn and bassist Jared MacEachern's soaring vocal harmonies, but its intent is as furious as anything the band has ever come up with. This track also begins the journey of our protagonists.\u003c\/p\u003e\n\n\u003cp\u003eFurther exploration of the damaged psyche blasts forth on “CHØKE ØN THE ASHES ØF YØUR HATE,” a searing back and forth dose of Thrash Metal that could only come from the roots of the Bay Area.  Unrelenting in its attack, the breakneck pace only solidifies this as one of many standouts on ØF KINGDØM AND CRØWN.\u003c\/p\u003e\n\n\u003cp\u003eFrom the adrenaline rush of exorcising their inner demons to the innate feeling of solitude and regret comes “UNHALLØWED.”  A dramatic introspective of questioning one’s motives and the fallout when the debts our expended emotions come to collect.  Hopeless, lost, and isolated, protagonist #2 begins the transformation from victim to victimizer over the melodic chaos courtesy of guitarist Vogg Kiełtyka.  Radicalized, paranoid, and armed with a dead-end stare, the mental onslaught ignites with the song, “KILL THY ENEMIES.”  The whiplash inducing thoughts pair up nicely with some of the thickest grooves on the album.\u003c\/p\u003e\n\n\u003cp\u003eThe album ends with arguably the finest song Machine Head have ever written: “ARRØWS IN WØRDS FRØM THE SKY”, the grandiose but emotionally visceral climax to the finest and most ferocious album of the band’s 30 year career.\u003c\/p\u003e\n\n\u003cp\u003eA perennially vital force in heavy music, Machine Head have continued their exhilarating evolution, while never losing the furious spirit of their old school, underground roots \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Machine Head","offers":[{"title":"Default Title","offer_id":45066302423320,"sku":"406562964950","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-134236.png?v=1746745362"},{"product_id":"five-fruit-signed-exclusive-clear-vinyl-lp","title":"Five Fruit: Signed Exclusive Clear Vinyl LP","description":"\u003cp\u003eSigned Exclusive Colour 1LP (colour TBC).\u003c\/p\u003e\u003cp\u003eSteam Down have released an incredible new single ‘EMPOWER’, which is available now on Decca. It’s the first taste of the hugely influential London collective’s debut, ‘Five Fruit’, which will see a release on September 24th\u003c\/p\u003e\u003cp\u003eAfter years of building a truly engaged community - and taking London’s melting-pot to the world’s stage - ‘EMPOWER’ marks a thrilling new musical chapter for Steam Down. Uplifting, urgent and emotive, the track affirms the power of the listener, the strength of collective hopefulness, and the textures of London’s inner-city subculture. 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Originally released via Bandcamp, this project is an evolving body of work featuring a collection of songs recorded between 2015 and 2018.  Showcasing a deft songwriting flair and touching on musical inspirations that run the gamut from Sparklehorse to Madlib, Julia Holter to Danny Brown and Tom Waits, the collection first appeared in 2019. The record’s next chapter saw Tokyo’s renowned Big Love Records pressing the album to vinyl at the start of 2020, exclaiming “A genius appears! The first hero of the 2020s!” Now expanded to include four new songs –“Everybody’s Dying To Meet You”, “Are You Doing This To Hurt Me”, “What You Do To Me” and “When I Taste The Pavement”– it will get a limited vinyl release (1000 for the world) via Young Turks on Nov 6th.","brand":"Ethan P. Flynn","offers":[{"title":"Default Title","offer_id":45214254924056,"sku":"YT195LP","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-108662.png?v=1747089594"},{"product_id":"back-to-mono-white-vinyl-lp","title":"Back to Mono: White Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003ePlease Note: All signed copies have sold out - this is an unsigned copy of the album\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLimited Edition of 1000 only - 180g Heavy White Vinyl with bonus CD copy of the album\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBoyd Rice \/ NON announces the release of a new album, Back To Mono, in October 2012. Back To Mono is a return to Boyd Rice’s noise roots, and the first new album since 2002’s Children Of The Black Sun.\u003c\/p\u003e\n\n\u003cp\u003eHailed as an influence by the likes of Marilyn Manson, Marc Almond and Wes Eisold from Cold Cave, Rice’s contributions are both seismic and unquantifiable. Boyd Rice \/ NON’s first release was what is known as the Black Album (1975). \u003ci\u003e\"When I started to compose and perform noise music in the ‘70s there simply were no other noise groups.\"\u003c\/i\u003e As noise became more commonplace, Rice moved into more subtle and complex recordings.\u003c\/p\u003e\n\n\u003cp\u003eCredited with having developed a pioneering sampler; the ‘Noise Manipulation Unit’ Boyd delved into California’s avant-garde scene in the late 1970s.\u003c\/p\u003e \n\n\u003cp\u003eSays Rice, \u003ci\u003e\"I was doing sample-based music about a decade before the advent of samplers, when everyone else was using bass, guitars, keyboards and drums.  It has been said that I invented the first sampler.  Perhaps I did. At the time I called it the N.M.U. (or noise manipulation unit). It allowed me to essentially sample numerous tracks of noise and mould them into rudimentary rhythms.  This was my principle instrument for a good many years and can be heard on Back to Mono, in the late 70’s archival recordings.\"\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003eRice was to become the one of the first signings to Miller’s revolutionary Mute label and a 30-year partnership began with the issue of ‘Knife Ladder.’ By including a version of Warm Leatherette on ‘Back To Mono’ Rice has completed his Noise odyssey: \u003ci\u003e\"I bought that single fifteen minutes before meeting Daniel. And that meeting changed my life.\"\u003c\/i\u003e\u003c\/p\u003e","brand":"Non \/ Boyd Rice","offers":[{"title":"Default Title","offer_id":45214281236760,"sku":"STUMM338","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-32616.jpg?v=1746831044"},{"product_id":"cancel-the-sun-vinyl-lp","title":"Cancel The Sun: Vinyl LP","description":"\u003cp\u003e\"There’s something different about The Rails on their brilliant third album. It’s not just the\nsound of the record, which is harder, tougher and rockier than ever before. Cancel The Sun\nis melodic and immediate, a record that brings together the musical pasts of Kami\nThompson and James Walbourne – her family heritage, as the daughter of Linda and\nRichard Thompson, and sister of Teddy; his as guitarist for Son Volt, The Pogues and The\nPretenders – in a record that sounds like a pure version of themselves. You could spend\nhours casting around for a term to describe it, but maybe the best one would be pinched\nfrom an Eliza Carthy album title: Anglicana – music that might originate in America, but is\nclearly and resolutely English.\"\u003c\/p\u003e","brand":"The Rails","offers":[{"title":"Default Title","offer_id":45214558847256,"sku":"9615LP","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-93129.jpg?v=1747954752"},{"product_id":"collection-agency-blue-vinyl-lp","title":"Collection Agency: Blue Vinyl LP","description":"\u003cp\u003eThe 10-track release, Collection Agency, is Curren$y’s first project of 2021. The album marks his 11th solo\nstudio album, and 90th overall project. Even more impressively, the quality has remained consistent\nthroughout his prolific career. The Louisiana rapper links up with several notable producers on the project\nincluding DJ.Fresh, Harry Fraud, Rsonist of The Heatmakerz, Trauma Tone, Purps, \u0026amp; Black Metaphor. We\nalso see an appearance by longtime friend and collaborator, Larry June. At just under 24 minutes, Curren$y\ndelivers another unforgettable round of smooth joints and cruising music.\u003c\/p\u003e\n","brand":"Curren$y","offers":[{"title":"Default Title","offer_id":45214643224856,"sku":"ERE630","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-118385.png?v=1746482253"},{"product_id":"crawler-lp","title":"Crawler (LP)","description":"\u003cp\u003eIDLES return with their new album “CRAWLER” – an album of reflection and healing amid a worldwide pandemic that stretched the planet’s collective mental and physical health to the breaking point.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eFrontman Joe Talbot says, “We want people who’ve gone through trauma, heartbreak, and loss to feel like they’re not alone, and also how it is possible to reclaim joy from those experiences.” IDLES albums have always been anchored by these overarching themes, but the ability of the band to juxtapose beauty and rage with humor and drama has never felt more satisfying than on “CRAWLER.”\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eThese stories are vividly brought to life through IDLES’ most soul-stirring music to date, recorded with co-producers Kenny Beats (Vince Staples, Freddie Gibbs) and IDLES guitarist Mark Bowen. There are, of course, numerous moments that will inspire absolute mayhem in a packed concert venue, but there are also fresh textures and experiments that push IDLES into thrilling new territory. “I don't really see us as a ‘rock band’ and working with Kenny [Beats] freed us of the idea of genre,” Talbot enthuses. “On this album, our dissolution of ego was helped by Kenny’s humble nature and willingness to learn. He has boundless passion for making the best song possible. Not the best ‘rock’ song — the best song possible.” He continues, “It was writing selfishly that helped make it possible. Reflecting. Telling my own story. Not trying to tell everyone else's story. Not trying to fix the world — just talking about how I am fixing mine.”\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFormats:\u003c\/strong\u003e Vinyl LP\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Partisan Records\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOriginal Release Date:\u003c\/strong\u003e 12 November 2021\u003c\/p\u003e\n","brand":"IDLES","offers":[{"title":"Default Title","offer_id":45214737793304,"sku":"00720841301417","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-125999.png?v=1749788643"},{"product_id":"cuntry-covers-vol-1-limited-edition-baby-blue-vinyl-lp","title":"Cuntry Covers Vol. 1: Limited Edition Baby Blue Vinyl LP","description":"\u003cp\u003eBria is an intimate and incisive labour of love from multi-instrumentalists Bria Salmena and Duncan Hay Jennings. Catapulted by a deep sense of dread and confusion in the depths of 2020, Salmena decided to forgo writing her own music. “I wanted to listen for what might reflect my life back to me,” she says, “six tracks that could be my mirror.” The result is a pointillistic knockout of an EP that weaves a landscape both luscious and a little rogue; showing us exactly what good songs can do.\u003c\/p\u003e\n\u003cp\u003eBria’s internal turbulence seemed to mirror last year’s external instability. When Jennings and back-up singer Jaime McCuaig moved to The Outside Inn, a hobby farm in Hockley Hills, Ontario, Bria soon joined. The farm’s living-room-turned-studio proved an ideal setting for the long-time friends to compile a record of handpicked country covers. They went searching for songs that could speak to our everyday loneliness; outside and in. Cuntry Covers Vol. 1 houses it all: well-worn favourites and lesser-known gems. The record opens with “Green Rocky Road,” as performed by Greenwich Village legend Karen Dalton. Jennings’ twangy guitar carries Bria’s original inflection and richly textured vocals, complete with dreamy overlay. “Dreaming My Dreams With You,” a rendition of the Waylon Jennings hit, is followed by John Cale’s “Buffalo Ballet,” a lyrical journey through Abilene, Texas, the endpoint of the Chisholm Trail. Engineered and mixed by Jennings, each song brings desire and sexuality front and centre, with all the swagger you’d expect  – and more. Bria hopes the record will be understood as a small contribution to the subversion of a genre with deep patriarchal roots. Mistress Mary’s “I Don’t Wanna Love Ya Now,” from the 1969 album Housewife, served as the original inspiration. “It was the first song Duncan and I worked on,” Bria notes. “It definitely set the tone for the other tracks we picked.” Bria’s voice – described as wavering between “sultry and howitzer” – shines on “Fruits Of My Labour,” written and performed by country great, Lucinda Williams. The Walker Brothers’ “The Sun Ain’t Gonna Shine Anymore” is a harmonic (and hypnotic) standout. A musical explorer who moves fluidly between styles, Bria doesn’t consider herself a country artist: “I feel as though I’m a visitor here, paying respect to a style that has informed a part of my musical identity. Country music, as much as any other art form, should be an arena for representation, expression and provocation. I have a ton of reverence for artists who came before me and challenged the primarily white-heterosexual status quo.” Salmena and Jennings have toured for years as members of Toronto four-piece FRIGS, whose 2018 debut Basic Behaviour was long-listed for the Polaris Music Prize. Making a mark in diverse genres from country to punk, both play as permanent members of Orville Peck’s band. Cuntry Covers was recorded on the territories of the Anishnaabe, the Haudenosaunee, the Wendat and the Mississaugas of the Credit. The release also features contributions from FRIGS drummer Kris Bowering and vocals by Ali Jennings. Bria's first release is a gorgeous debut, a homage to the songs that brought solace and relief in the stillness of last year.   - Zoe Imani Sharpe\u003c\/p\u003e","brand":"BRIA","offers":[{"title":"Default Title","offer_id":45214743101720,"sku":"SP1456","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-121918.png?v=1749163393"},{"product_id":"debris-signed-exclusive-vinyl-lp","title":"Debris: Signed Exclusive Vinyl LP","description":"The songs comprising Keeley Forsyth’s debut, are, she states simply, “like blocks of metal that drop from the sky”. Minimal arrangements place that elemental voice front and centre. Nerves are quietly frayed over its running time; an intimate document of personal change, we’re held in limbo until the final note is left to ring. Debris explores the darker corners of domestic life, balancing the need to create with the responsibilities that come with a family, a partner and a career. Seismic ruptures behind closed doors. “There was a lot going on in my life that was heavy and hard,” she adds. “Songs were made under that moment.”Born and raised in Oldham in the north-west of England, Forsyth first made her name as an actor. Her enigmatic voice is so indelible even she is sometimes provoked to refer to it as a third person, like the characters she’s inhabited as an actor, this time populating songs sharing tales of the high and low tides, of freedom and entrapment, and of hard-won triumphs. “They’ve been in my mind for a while,” she concludes. “I have sung them to my children, and at home alone, and making this album has been an opportunity for me to discover the voice and being who sings these songs. It has changed me, and will continue to. I recognise my life again.”\n\nWith sparse arrangements by pianist and composer Matthew Bourne and producer Sam Hobbs, Keeley Forsyth’s music is centred around a singular, emotionally raw and magnetic vocal delivery. For fans of Nico, Scott Walker, Aldous Harding, Karen Dalton, Susanna and The Magical Orchestra, Jenny Hval, PJ Harvey, Cat Power, Mary Margaret O’Hara and Fever Ray.","brand":"Keeley Forsyth","offers":[{"title":"Default Title","offer_id":45214793269528,"sku":"BAY116V","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-111805.png?v=1746746372"},{"product_id":"dont-let-the-ink-dry-signed-exclusive-ink-splatter-vinyl-lp","title":"Don't Let The Ink Dry: Signed Exclusive Ink Splatter Vinyl LP","description":"\u003cb\u003eRed + Blue Ink Splatter Vinyl LP, strictly limited to 300 copies worldwide, sleeve signed by Eve Owen.\u003c\/b\u003e\n\nThe debut album from British singer\/songwriter Eve Owen, Don’t Let the Ink Dry, is a work of raw sensitivity and uncontained imagination, brought to life over the course of three transformative years. During that time, the 20-year-old artist spent her summer holidays writing and recording in New York with The National’s Aaron Dessner, immersing herself in a creative exploration that provided welcome refuge from her sometimes-troubled school life. As she discovered an entirely new sense of freedom and belonging, Owen devised a sonic language all her own: frenetic yet delicate, mercurial yet nuanced enough to capture the most ephemeral of feelings. Produced by Dessner at Long Pond Studio (a converted old farmhouse deep in the Hudson Valley), Don’t Let the Ink Dry finds Owen embracing her affinity for folk music while pursuing the endless possibilities in electronic experimentation.\n\n“I’ve often felt a bit uncomfortable in myself, and I love how that came out in the music,” says Owen. “I don’t really care for songs that flow just right or have a perfect cadence—I’d rather there be some sort of unnerving element to them. I think Aaron and I are both attracted to weirdness in music, and we instinctively went after that without really even talking about it.” For his part, Dessner reflects on the first day of their collaboration: “Eve came up to visit the studio for a day a few years ago when she was 16. I thought we would record one song but we ended up working on several in just one day. By the next morning she had written a few more songs based on her experience the previous day. This prolific songwriting continued throughout our work together. Every morning there would be new songs, written sometimes overnight. I’ve been lucky to work with some incredibly talented artists and it was clear to me immediately that Eve was deeply gifted, expressing herself with such force and sincerity on essentially her first proper recording day at Long Pond. I was spellbound.”\n","brand":"Eve Owen","offers":[{"title":"Default Title","offer_id":45214912512280,"sku":"37D9LPC1","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-125112.png?v=1748044033"},{"product_id":"dont-let-the-ink-dry-vinyl-lp","title":"Don't Let The Ink Dry: Vinyl LP","description":"The debut album from British singer\/songwriter Eve Owen, Don’t Let the Ink Dry, is a work of raw sensitivity and uncontained imagination, brought to life over the course of three transformative years. During that time, the 20-year-old artist spent her summer holidays writing and recording in New York with The National’s Aaron Dessner, immersing herself in a creative exploration that provided welcome refuge from her sometimes-troubled school life. As she discovered an entirely new sense of freedom and belonging, Owen devised a sonic language all her own: frenetic yet delicate, mercurial yet nuanced enough to capture the most ephemeral of feelings. Produced by Dessner at Long Pond Studio (a converted old farmhouse deep in the Hudson Valley), Don’t Let the Ink Dry finds Owen embracing her affinity for folk music while pursuing the endless possibilities in electronic experimentation. \n \n“I’ve often felt a bit uncomfortable in myself, and I love how that came out in the music,” says Owen. “I don’t really care for songs that flow just right or have a perfect cadence—I’d rather there be some sort of unnerving element to them. I think Aaron and I are both attracted to weirdness in music, and we instinctively went after that without really even talking about it.” For his part, Dessner reflects on the first day of their collaboration: “Eve came up to visit the studio for a day a few years ago when she was 16. I thought we would record one song but we ended up working on several in just one day. By the next morning she had written a few more songs based on her experience the previous day. This prolific songwriting continued throughout our work together. Every morning there would be new songs, written sometimes overnight. I’ve been lucky to work with some incredibly talented artists and it was clear to me immediately that Eve was deeply gifted, expressing herself with such force and sincerity on essentially her first proper recording day at Long Pond. I was spellbound.”\n","brand":"Eve Owen","offers":[{"title":"Default Title","offer_id":45214916772120,"sku":"37D9LP","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-103032.png?v=1747091046"},{"product_id":"dressed-up-for-the-letdown-vinyl-lp","title":"Dressed Up For The Letdown: Vinyl LP","description":"Richard Swift confidently composed yet another original masterpiece; employing an archaic attitude of tempered restraint on a fresh collection of ten songs, without appearing shamelessly retro or kitschy. Playing a vast majority of the instruments himself, by virtue Swift has created something that is characteristically his. And considering his rough-around-the edges exterior, one could rightly assume that Swift desires the listener to accept him as an ordinary honest man with some honest songs - unmasked blemishes and all. Yet when one engages with Swift on this narrow-road-less-travelled, one immediately ignores the subtle imperfections shadowed by the all-consuming white light of well-crafted pop songs in an analogue heaven.","brand":"Richard Swift","offers":[{"title":"Default Title","offer_id":45214941184280,"sku":"SC133LP","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-88624.jpg?v=1747950244"},{"product_id":"drunk-tank-pink-vinyl-lp","title":"Drunk Tank Pink: Vinyl LP","description":"There are moments on Drunk Tank Pink where you almost have to reach for the sleeve to check this is the same band who made 2018’s Songs Of Praise. Such is the jump Shame have made from the riotous post-punk of their debut to the sprawling adventurism and twitching anxieties laid out here. The South Londoner’s blood and guts spirit, that wink and grin of devious charm, is still present, it’s just that it’s grown into something bigger, something deeper, more ambitious and unflinchingly honest.\n\nThe genius of Drunk Tank Pink is how these lyrical themes dovetail with the music. Opener Alphabet dissects the premise of performance over a siren call of nervous, jerking guitars, its chorus thrown out like a beer bottle across a mosh pit. \n\nSongs spin off and lurch into unexpected directions throughout here, be it March Day’s escalating aural panic attack or the shapeshifting darkness of Snow Day. There’s a Berlin era Bowie beauty to the lovelorn Human For A Minute while closer Station Wagon weaves from a downbeat mooch into a souring, soul-lifting climax in which Steen elevates himself beyond the clouds and into the heavens. Or at least that’s what it sounds like. \n\nFrom the womb to the clouds (sort of), Shame are currently very much in the pink.","brand":"Shame","offers":[{"title":"Default Title","offer_id":45214969790744,"sku":"DOC204LP","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-112388.jpg?v=1746745685"},{"product_id":"dust-of-yesterday-vinyl-lp","title":"Dust of Yesterday: Vinyl LP","description":"Songwriter and fingerstyle guitarist, Jason McNiff releases his 7th full length album, Dust Of Yesterday, on April 16th. Produced and engineered by Roger Askew (Joe Strummer, Wilko Johnson, Christy Moore) the album was recorded throughout the summer and autumn of 2020 in Roger's home studio in Eastbourne, UK. It features McNiff's signature acoustic guitar work throughout with significant contributions from Beth Porter (of Eliza Carthy's band) on cello and Basia Bartz (most London based folk bands) on violin. \n \nHis first album since leaving London - McNiff is now based in Hastings - Dust of Yesterday is an elegy on moving away from a beloved place and a lament for lost youth. We are treated to a musical tour of McNiff's life to date, from his 8-year residency as a Flamenco guitarist in a Spanish bar in Waterloo (Damaged Woman) to hopping the northbound train from King's Cross, hiding in the lavatory up to Nottingham (A Load Along). All the songs on Dust of Yesterday, in one way or another, speak of the past. But it is not bleary-eyed nostalgia. \n\n\"I read somewhere that it is possible to literally change the past and I became very interested in this idea. It so happened around the same time that I discovered the Greek\/Egyptian poet, Cavafy. In his poems he would talk about the past, but the memory is not a thing of the past, but something that is still part of him in the present. I could relate to that.\"\n\nMusically, Jason is influenced by the British acoustic guitarists (Jansch, Graham, Wizz Jones) and the great folk\/rock troubadours of the 60s and 70s. He loves Mark Knopfler in the early days; the English teacher turned reluctant rock star, singing about Leeds and Newcastle and sounding like JJ Cale. For McNiff, the lyrics are central, and he has been especially captivated by those considered poets and writers as well as musicians. He loves literature and cites Hemingway, Chekhov and the aforementioned Cavafy, as major influences in his work. ( He has 'translated' Hemingway's 'For Whom the Bell Tolls' into a song on a previous album, 'Nobody's Son')\n","brand":"Jason McNiff","offers":[{"title":"Default Title","offer_id":45214981226776,"sku":"TR2020LP","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-117980.png?v=1749165303"},{"product_id":"everythings-delicious-whats-on-the-tv-exclusive-random-colour-vinyl-lp","title":"Everything's Delicious \u0026 What's On The TV?: Exclusive Random Colour Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eRecycled random colour vinyl, sleeve signed by William Blackaby. Image is a digital mock-up, colours will vary. LP pressing limited to 300 copies worldwide.\u003c\/strong\u003e Blackaby aka London songwriter and multi-instrumentalist William Blackaby - offers-up his first two EPs - What's On The TV? and Everything's Delicious - on limited edition, random coloured recycled 12\" vinyl, out 21st May 2021. William Blackaby’s songs trace the non-linear, confusing journey of childhood and personal growth within the framework of indie and folk. His is music about slowly, steadily coming to terms with yourself, where you’ve been, and where you might tentatively be heading. Starting out as a drummer before acting as the songwriter in his last band, William took up the Blackaby moniker, making “the conscious decision to be less poetic” with his lyrics. At odds with the traditional romanticisation of songwriting and creative inspiration, it’s a statement of intent that marks him out as a unique songwriter, whose words get straight under your skin. “Instead of making it rhyme, I’d just write the thing that’s on my mind,” he says of the change in strategy. It’s a process that makes his songs hit instantly, tapping into universal feelings and showing him to be an intimately relatable songwriter.\u003c\/p\u003e","brand":"Blackaby","offers":[{"title":"Default Title","offer_id":45215120228632,"sku":"HIH105","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-115110.png?v=1747088240"},{"product_id":"fame-and-fortune-coloured-vinyl-lp","title":"Fame and Fortune: Coloured Vinyl LP","description":"\u003cb\u003e\u003cli\u003eLimited colour vinyl FOR FIRST pressing\u003c\/li\u003e\n\u003cb\u003e\n\n\u003c\/b\u003e\u003c\/b\u003e\u003cp\u003eRock and roll is dead in New York City. Long live New York City rock and roll. Mick's Jaguar is bringing noisy, wild, unafraid big rock back to NYC. Crazy rents, corporatized venues, and kids listening to DJ's: it's hard being a band in this town.\u003c\/p\u003e\n\n\u003cp\u003eThis isn't LA and Mick's Jaguar is a product of their environment: a windowless dungeon practice space 20 feet below the trash covered sidewalk of the Lower East Side. Rats, grime, the sounds of the city; Mick's Jaguar gleefully pillages the history of rock music to create thoroughly modern, but classic rock and roll. Not quite punk, but not metal either, this is hard rock and roll that's been put through the brain blenders of 6 musicians who pair their Judas Priest shirts with Steely Dan hats. They claim no musical lineage to New York - they just live there. If you need to compare them to something, the night AC\/DC played CBGB's would be about as close as you can get.\u003c\/p\u003e\n\n\u003cp\u003eThe group formed as a drunken Rolling Stones cover band, and after a few years of mainlining Stones songs and playing sporadic shows marred by violence and sprayed by beer, they started writing originals that attracted the attention of RidingEasy Records. And their new album, Fame and Fortune, sounds absolutely nothing like the Stones. The three guitarists — yes three guitars — open the album with a riff of buzzsaw intensity that would make a Ramoneproud. But then like Jim Morrison sashaying into a wine shop, it drunkenly careens into a big sounding rock and roll album somewhere in between Van Halen and Tres Hombres. Guitar solos abound, Thin Lizzy harmonies soar, the bass and drums make a groove that will shake the asses on the dance floor and put a rumble in your loins. Songs about life, death, cars, blood, murder, sex, drugs and booze are the world of Mick's Jaguar. Don't forget - this is what rock and roll is all about. Listen close and you'll hear hat tips to your bands, Mick's Jag knows their history and likes to rip it apart.\u003c\/p\u003e\n\n\u003cp\u003eRecorded in Brooklyn at Figure 8 Recording by engineering wizard Philip Weinrobe, and fueled by a steady diet of Allen’s Coffee Brandy, the Fame And Fortune sessions resulted in only one hospital visit and it just might be your favorite album of 1978, 1988, or 2018. This is music that's made for listening to while driving fast in your car, and while relaxing at the local strip club. It's okay to have fun. Cute indie bands make everyone puke. That shit stops now. Let there be rock.\u003c\/p\u003e\n","brand":"Micks Jaguar","offers":[{"title":"Default Title","offer_id":45215228297496,"sku":"EZRDR91","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-82092.jpg?v=1746392979"},{"product_id":"first-taste-vinyl-lp","title":"First Taste: Vinyl LP","description":"\u003cp\u003e\"It’s a year and a half since the release of Freedom’s Goblin. A winter of rain has buried the recent times of drought. Now voices from the garden cry of desire and disaster, but outside the gates, rebirth is happening.\u003c\/p\u003e\n \n\u003cp\u003e“Our salivating makes it all taste worse,” croons Ty Segall in the first salvo of First Taste. He’s talking about us: how we’re the masters of our own destiny, tellers of our own prophecy, makers of our own sickened choices. It’s a warning, but this time, the finger is pointing back at him too. He’s one with us.\u003c\/p\u003e\n\n\u003cp\u003eContradictions are rife. First Taste is an introspective set after the extroversions of Freedom’s Goblin — yet just as steeped in party beats somehow, even as Ty trails through his back pages, reflecting on family, re-encountering pasts, anticipating futures. Feeling, like it was the first time, the duplexity of core truths. Lines of struggle wind through the songs. “My life is a mystery \/ I’d look inside but I can’t see,” as one goes — and yet, such promisingly oblique reflections act to unravel the onion, lifting the veil. Ty skates through oneness, self-esteem, the parents — all the joys of a rain-filled childhood — while reaching outward in the here and now, feeling for a shared pulse. To go on, we need to feel it.\u003c\/p\u003e\n \n\u003cp\u003eThese are serious indoor moods, but with Ty, there’s a moment that always comes, a joke or something to crack the bubble and let some air in. It all comes together with volcanic energy — who knows what it means? One disaster ends another; mudslides down the hills into gaping canyons, freeways blocked, the sky filled with smoke. Then we go on.\u003c\/p\u003e\n \n\u003cp\u003eMeanwhile, the sounds — what are they? This production is INSANE, far-out, stranger than known, tones and rhythms that expand before our ears. These colors are weird. Together, they float like a flag, flashing binary lines like sirens to our eyes. There’s tons of drums, and acoustic . . . . things of all kinds. Horns, synth pads. Pianny. Boiling overtime, Ty’s creative juices suggested that First Taste be written and executed with some radical new instrumentation — koto, recorder, bouzouki, harmonizer, mandolin, saxophones and brass, voices, and sure, a sprinkling of keys. And the drumkit(S!), a position Ty occupies whenever it’s heard on the left speaker, while Freedom Band drummer (and SO much more) Charles Moothart plays the kit on the right side. Those two get DOWN together. Whatever the mood is, the pedal is pushed cleanly to the metal — and that means to the max of the lightest ballads ever, OR through the most raging rocks yet. Ty’s vocal prowess, always a highlight, sits in fresh relief against his mutant orchestra, spooling tension through some of his most patient songs, his feral scream in complete control. Taking us through it.\u003c\/p\u003e\n \n\u003cp\u003eFirst Taste is arch, full of high-energy jams, with a thing in each mix always insistently different. Ty’s song design’s all over the place — not even a surprise anymore — but unlike the freewheeling feast style of Freedom’s Goblin, these twelve numbers form a tightly revolving cycle of song and sound that focuses thoughts. First Taste isn’t really the first for Ty, or you or me. But for the latest, it’s a remarkably fresh taste. Maybe it’s the first for today — and when tomorrow is today, then too.\u003c\/p\u003e","brand":"Ty Segall","offers":[{"title":"Default Title","offer_id":45215278563608,"sku":"DC738","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-91678.jpg?v=1749598890"},{"product_id":"floating-ghost-hotel-vinyl-lp","title":"Floating Ghost Hotel: Vinyl LP","description":"\u003cp\u003eConjuring the dynamic energy of 80s neo-rockabilly bands like The\nShakin' Pyramids, The Rockats, and The Stray Cats, the occult macabre of\nScreamin' Jay Hawkins, the avant-garde of early New Wave, and the\noutsider punk ethos of The Violent Femmes, Slink Moss Explosion's\nspectral sounds will bring you a little closer to the otherworld.\u003c\/p\u003e\n\n\u003cp\u003eThe origins of these neo- rockabilly mavericks can be traced to some 30- odd years ago in Hyde Park on Chicago's Southside, when two young musicians took their rough-hewn love of underground rockabilly and polished it into a mystical diamond. Founded by Slink Moss (aka \"Mr. Moss\") and veteran producer and musician Jimmy Sutton (aka \"Mr. Bones\") of the JD McPherson Band, this sideband has grown into a venerable supergroup with the addition of ace guitarist Joel Paterson (\"Mr. X\") and special guests Scott Ligon of NRBQ (\"Von Tork\") and Alex Hall (\"Mr. A\"). Many years in the making, their new full-length record 'Floating\nGhost Hotel' includes freshly re-mastered favorites like the upbeat rockers \"Honey Bee Bop\" (which appears in the feature flm 'Waitress') and \"Pass It Around\" as well as a handful of never-before-released songs recorded by Alex Hall at Sutton's celebrated all-analog studio, Hi-Style Studios. But you'd be remiss to expect an easily classifable record of straightforward rockabilly; the album's twelve tracks include haunting ballads, blues boogies, and even a dash of post- punk and supernatural poetry. With 'Floating Ghost Hotel', Slink Moss Explosion has emerged from the shadows of legend and myth to divine with the rock 'n roll gods\nand explode us into the future, one curious hip-shaker and spine tingling howl at a time.\u003c\/p\u003e","brand":"Slink Moss Explosion","offers":[{"title":"Default Title","offer_id":45215286395160,"sku":"HSV706","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-131914.jpg?v=1749669378"},{"product_id":"forever-turned-around-limited-edition-forest-brown-vinyl-lp","title":"Forever Turned Around: Limited Edition Forest Brown Vinyl LP","description":"\u003cp\u003e\"Forever Turned Around came together over several sessions across the country. Though Julien Ehrlich is Whitney’s lead singing drummer while Max Kakacek is the lead guitarist, when writing, both transcend their roles to piece together each offering lyrically and compositionally. “The way it ends up working is one of us comes up with a basic idea for a song and the other person serves as the foil to complicate that idea. We ask, ‘What can we change to make it more interesting?’” says Kakacek. Challenging each other is the core of their songwriting partnership.\u003c\/p\u003e\n\n\u003cp\u003eIt’s these risks and experiments that make Forever Turned Around a triumph. Take opener “Giving Up,” which started from a stream-of-conscious revelation when Ehrlich improvised the chorus while Kakacek played Wurlitzer. What began as a nod to Neil Young’s Live at Massey Hall 1971 in an afternoon turned into a heart-rending and relatable song about the ups and downs of long-term relationships. Over twinkling piano, Ehrlich sings, “Though we started losing touch \/ I’ve been hanging on because \/ You’re the only one I love.” He explains, “In a relationship, you don’t stay at the same level at all times. You go through weeks where you’re closed off.”\u003c\/p\u003e\n\n\u003cp\u003eAfter a session with producers Bradley Cook (Hand Habits, Hiss Golden Messenger) and Jonathan Rado (Weyes Blood, Father John Misty) helped color in the arrangements, the album truly revealed itself when they reunited with original rhythm guitarist Ziyad Asrar in his basement Chicago studio—the same place where they hashed out much of their critically acclaimed 2016 debut, Light Upon The Lake. “Getting down there was so important because we’ve always used that basement for music. The comfort and familiarity mattered but having Ziyad be a buffer between us was so helpful,” says Ehrlich. With Asrar, songs like “Song For Ty” and “Forever Turned Around” effortlessly came together.\u003c\/p\u003e\n\n\u003cp\u003eRestlessness is at the heart of Whitney’s resonant and stunning sophomore album Forever Turned Around. As Ehrlich and Kakacek realized life can change almost instantly. Priorities shift, relationships evolve, home can become far away, and even when luck momentarily works out, there’s still that underlying search for something better. Happiness can be fleeting but this album proves that even when it feels like time is turning on its head and there’s either a moment of clarity or crippling doubt, there’s still beauty in figuring it all out.\u003c\/p\u003e","brand":"Whitney","offers":[{"title":"Default Title","offer_id":45215309398296,"sku":"SC377LPC1","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-91661.jpg?v=1749165018"},{"product_id":"former-things-signed-exclusive-vinyl-lp","title":"Former Things: Signed Exclusive Vinyl LP","description":"\u003cp\u003eBlack vinyl in printed inner in signed exclusive gatefold sleeve. 12” size 4 page lyric booklet and download card insert.\u003cbr\u003e\n\u003cbr\u003e\nFormer Things is the follow up to acclaimed 2015 album Hinterland which garnered praise from The Guardian, The Quietus, The Financial Times and more. The soundworld of Former Things was entirely crafted by LoneLady during her time spent in Somerset House Studios Rifle Range, an 18th century shooting range that has now been adapted into an experimental performance space. The album was inspired by a seismic move for LoneLady who left her native Manchester, decamping to London’s Somerset House Studios in search of a new cityscape to inspire her poised machine funk. First single “There Is No Logic” went onto the A list at BBC 6 Music. Alongside this, LoneLady is set to tour the UK in September 2021 as well as at the beginning of 2022.\u003c\/p\u003e\n","brand":"Lonelady","offers":[{"title":"Default Title","offer_id":45215314444568,"sku":"WARPLP331","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-119294.png?v=1747950695"},{"product_id":"full-circle-nightmare-vinyl-lp","title":"Full Circle Nightmare: Vinyl LP","description":"\u003cp\u003eEver since his debut album ‘Dolls Of Highland’ was released on Sub Pop in 2016, Kyle Craft has been a critic’s dream. Based in Portland, he serves up all the observational, storytelling talent with none of the attitude that so often comes with male singer-songwriter territory. “I’ve found my place,” he says. “I’m not one of those people that approaches music for anyone other than myself. My favorite part about music is when it’s just me and a notebook.” Speaking of, his second album ‘Full Circle Nightmare’ is entirely autobiographical. Sonically, thematically, lyrically, it’s a huge leap forward from his 2016 release.\u003c\/p\u003e\n\u003cp\u003eThe title ‘Full Circle Nightmare’ refers to a moment where Craft saw his life for what it is and told himself to be satisfied. “But that’s nightmarish to me,” he laughs. He described his debut record as: “like walking down this long hall of bizarre characters and surreal experiences, moving through the spider web of love and loss.” This album is when you get to the end of that hallway, turn around and see all the stuff you’ve been through, then walk through the door, close it and start a new chapter in an even crazier hallway. A straight-up rollicking rock \u0026amp; roll album, it traverses all the different nuances of the genre; from the bluegrass twang of ‘Exile Rag’ to the gothic style of ‘Gold Calf Moan’, it’s a timeless piece that could exist in any of the past five decades.\u003c\/p\u003e\n\u003cp\u003eIn terms of contemporary peers, Craft likes to stay in his own lane. He’s an old soul who sticks to his tried and tested influences. Social media is not his game - it’s just not interesting to him. He’s not fussed about preaching his politics or discussing the status quo either. “I don’t really like writing a time piece. I don’t wanna get trapped in the ‘Donald Trump era of Kyle Craft’, you know? I’m a very off-the-grid sort of person. As much as I am traveling across this giant place sometimes I just feel so outside of it. Also, I’m not necessarily a stand-up citizen so it’s hard for me to say: here’s Kyle Craft’s America, ladies and gentlemen.”\u003c\/p\u003e\n\u003cp\u003eThe ironic thing is that ‘Full Circle Nightmare’ sounds exactly like ‘Kyle Craft’s America’. That is what he’s built for us: the story of one man’s trials and tribulations to find his passion and voice for art and creativity in this vast opportunistic country. Where did he find it? Among the historic riches of America’s most honest sounds.\u003c\/p\u003e","brand":"Kyle Craft","offers":[{"title":"Default Title","offer_id":45215342756120,"sku":"SP1221","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-78371.jpg?v=1747954209"},{"product_id":"fun-city-limited-pink-vinyl-lp","title":"Fun City: Limited Pink Vinyl LP","description":"Bright Light Bright Light's ‘Fun City’ is a pop-prolific musical map nodding to disco, electronica, boogie, balladry and even musical theatre. Opener Touchy, a duet with Australian queer auteur Brandon MacLean, Rod imagines is 'like being in the Moulin Rouge when a troupe of drag kings come out wearing feather boas and top hats.' The record shimmies further into the twilight, tagging a compendium guestlist of artists spelling out the past and future of the LGBTQ+ experience. It is a record about honouring our responsibility to one another in sketchy, antagonistic times.","brand":"Bright Light Bright Light","offers":[{"title":"Default Title","offer_id":45215348982040,"sku":"YSKWN5","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-104590.jpg?v=1759790463"},{"product_id":"game-winner-deluxe-edition-vinyl-ep","title":"Game Winner: Deluxe Edition Vinyl EP","description":"\u003cp\u003eJoey Dosik didn’t set out to make a conceptual mini album about\nbasketball. It was his first love before music and some of his earliest\nmemories are of attending Lakers games but he’d never thought to\nlook to the sport for inspiration. However, when Joey blew out his\nknee during his regular pick-up game and had to undergo\nreconstructive ACL surgery, he found himself confined to the couch,\nwatching a lot of television and waiting to resume his normal life. He\ngravitated toward basketball and when he started recording again he\nfound it seeping into his writing. The result is ‘Game Winner’, a brisk,\nemotive collection of songs loosely inspired by the language and lore\nof the game.\u003c\/p\u003e\n\u003cp\u003eThe common thread in the six songs - as well as the four bonus\ntracks - is musicality and song craft: the two pillars of Joey’s sound.\n“The most important thing is the song,” explains Joey. “Songwriting\nwon’t go out of style.” It’s that approach, one that thinks beyond\nstyle, that gives the title track its magic. Minimal and almost languid,\n‘Game Winner’ has a confidence that’s hard to place in time, an ease\nthat meets a buzzer-beater just as well as it meets a Sunday\nmorning. Basketball may have been Joey’s first love but the sport is\nalso the perfect metaphor for where he’s ended up musically, always\nstriving to stay timely and timeless, to bring deep, foundational\nelements in sync with innovation and imagination.\u003c\/p\u003e","brand":"Joey Dosik","offers":[{"title":"Default Title","offer_id":45215359435032,"sku":"SC363LP","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-78963.jpg?v=1747865998"},{"product_id":"in-mind-vinyl-lp","title":"In Mind: Vinyl LP","description":"\u003cp class=\"recommended-shortdesc\" style=\"display:none;\"\u003eAfter some really rather great records, Real Estate on their fourth have finally made the perfect jangle pop album. Their most quintessential record yet.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003cbr\u003e\n1. Darling\u003cbr\u003e\n2. Serve the Song\u003cbr\u003e\n3. 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In his short career, Justin released eight albums and one EP that all manage to sound classic and yet inventive. \n\nJustin's father, Steve Earle, pays tribute to his son by recording an album of songs written by Justin titled, J.T.  The album consists of ten Justin Townes Earle songs as well as one song written by Mr. Earle shortly after Justin's passing. J.T. features fan favorites such as \"Harlem River Blues,\" \"Far Away In Another Town\" and \"Champagne Corolla\" along with lyrically heavy songs like, \"The Saint of Lost Causes\" and \"Turn Out My Lights.\"\n\nJ.T. is a loving tribute to a loved son and beautiful songsmith who left this earth too early.  But in his wake, Justin left a wealth of beauty.  All proceeds from this release will be put into a trust for Justin’s 3 year old daughter, Etta.","brand":"Steve Earle \u0026 The Dukes","offers":[{"title":"Default Title","offer_id":45215810486552,"sku":"NW5492LP","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-113613.png?v=1749788398"},{"product_id":"memory-device-vinyl-lp","title":"Memory Device: Vinyl LP","description":"Though most debuts are the culmination of a lifetime of influences and experiences, few artists succeed in mapping their musical journey quite as vividly as Baba Ali has on Memory Device. Tracing his Nigerian heritage, an adolescence absorbing No Wave and the hip hop on NYC’s Hot 97, time immersed in the techno scene in Berlin, and the experimental punk spirit of his current base in London, Memory Device is an enthralling introduction to a musician who resolutely defies pigeonholing.\n\nWritten during lockdown, and recorded with Al Doyle (LCD Soundsystem, Hot Chip) in East London, Memory Device is both a dizzyingly inventive exploration of Baba’s complex musical DNA, and a thought-provoking treatise on the collective angst of modern existence; a dance record dealing in small ‘p’ politics that, spiritually, has been three decades in the making.","brand":"Baba Ali","offers":[{"title":"Default Title","offer_id":45216238502168,"sku":"MI697LP","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-118786.png?v=1746483325"},{"product_id":"milk-teeth-vinyl-lp","title":"Milk Teeth: Vinyl LP","description":"The long awaited and highly anticipated second full length album from the excellent Milk Teeth. They've been through some line-up and label changes but they've made it through and are sounding stronger than ever with their infectious and gritty, grungy soaked indie-punk tunes.","brand":"Milk Teeth","offers":[{"title":"Default Title","offer_id":45216267862296,"sku":"19439706101","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-100829.jpg?v=1747950562"},{"product_id":"mondo-beat-clear-vinyl-lp","title":"Mondo Beat: Clear Vinyl LP","description":"\u003cp\u003e'Mondo Beat’: Chris Carter’s second solo album, originally released in\n1985. Includes the haunting classic track ‘Moonlight’. Pressed on coloured vinyl and includes a code for hi-res digital downloads.\u003c\/p\u003e","brand":"Chris Carter","offers":[{"title":"Default Title","offer_id":45216352403736,"sku":"CCLP2","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-89541.jpg?v=1747950644"},{"product_id":"night-beats-play-the-sonics-boom-rsd-2019-vinyl-lp","title":"Night Beats play The Sonics’ ‘Boom’ (RSD 2019): Vinyl LP","description":"\u003cp\u003eNight Beats feat. The Sonics – Night Beats play The Sonics’ ‘Boom’ “Few artists loom larger in the garage-rock legend than THE SONICS. With raunchy, cult classics such as “SHOT DOWN” and “HE’S WAITIN” off their 1966 album, BOOM, the pioneering band staked their claim on rock ‘n roll, putting the Pacific Northwest scene on the map and cementing their place as heroes for future generations. Those that followed include Danny Lee Blackwell’s NIGHT BEATS, a group with its own underground origins as well as a direct, fuzz and feedback-coated link between the impact of THE SONICS and their own potent sound. It’s this connection that led NIGHT BEATS to record BOOM in its entirety, a proper homage to their musical forbearers. Blackwell, along with an arsenal of ace musicians manage to maintain the spirit of original recordings like “CINDERELLA,” “DON’T YOU JUST KNOW IT,” and a particularly unhinged version of “LOUIE LOUIE,” while injecting their own brand of earth-quakin’ soul-shakin, maximum R\u0026amp;B. Blackwell takes the lead on vocals and guitar, interpreting Gerry Rosalie’s mean scream with ease. Mike Brandon holds things down on drums as his partner in crime, bass genius Nate Ryan, while Julien O’neill grooves things up on keys and Joe Santa Maria wails on the horns. Finishing touches come from Marlon Rabenreither on acoustic guitar, plus Cole Alexander and Dan Gerbang on backing vocals—all working together to keep THE SONICS’ legacy intact, even as they tear the whole place down. Next time you hear a loud boom and your windows rattle, it’s probably a sonic boom alright; but on the other hand, it might just be “THE SONICS BOOM.”\u003c\/p\u003e","brand":"Night Beats feat. The Sonics","offers":[{"title":"Default Title","offer_id":45216483377432,"sku":"HVNLP167","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-90078.jpg?v=1746745395"},{"product_id":"o-m-days-limited-edition-eco-wax-vinyl-lp","title":"O.M. 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This involved the giant – also known as Tommy Hill Figure - being created on Dawson’s Hill. “Ben’s been digging deeper and deeper into ancient myths, the green man, all the stuff that’s been co-opted by organised religion,” Rundell explains. All this chimed with him because he is a magnet for signs and symbols. He has been ever since his Mod-loving parents named him after the RAF roundel symbol.\n","brand":"Raf Rundell","offers":[{"title":"Default Title","offer_id":45216523321624,"sku":"HVNLP181C","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-113431.png?v=1748042552"},{"product_id":"on-all-fours-limited-transparent-pink-vinyl-2lp","title":"On All Fours: Limited Transparent Pink Vinyl 2LP","description":"\u003cp\u003eGoat Girl’s new album “On All Fours” was produced by Dan Carey (Kae Tempest, Black Midi, Fontaines D.C., Franz Ferdinand) in South London in early 2020. This new record sees the band veer away from the confrontational lyricism of their debut \u0026amp; indicates Goat Girl’s maturing perspectives in discussing the world's injustices and social prejudices, using the music to explore global, humanitarian, environmental and mindful wellbeing.\u003cbr\u003e\n\u003cbr\u003e\nThroughout, “On All Fours”, Goat Girl’s Frequent use of sci-fi synthesisers, off-beat chord progressions, analogue drum machines, diverse vocal styles and distinct, gritty guitars fuse a musical language that expresses both former characteristics and newer developments of the band’s sound and vision On All Fours.\u003c\/p\u003e\n","brand":"Goat Girl","offers":[{"title":"Default Title","offer_id":45216549732632,"sku":"RT154LPE","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-109417.jpg?v=1759796477"},{"product_id":"only-smith-burrows-is-good-enough-vinyl-lp","title":"Only Smith \u0026 Burrows Is Good Enough: Vinyl LP","description":"Over nine years on from the distinctly wintery Funny Looking Angels, old mates Tom Smith and Andy Burrows return with a distinctly un-wintery follow up album ‘Only Smith \u0026amp; Burrows Is Good Enough’\n \nRecorded in Nashville with Grammy Award winning producer Jacquire King ‘Only Smith \u0026amp; Burrows Is Good Enough’ is packed with songs for all seasons including the Summer ’20 single ‘All The Best Moves’ and new single ‘Old TV Shows’.  As a whole this is uncontrived, timeless, adult pop music that wears it’s heart on it’s sleeve.\n \nThe adventure that started nine years ago as two drinking buddies popping into each other’s houses and home studios, putting down an idea here and a melody there, developed into a set of songs with a Christmas theme, then a theoretical album, then, following help from their friends a real album with a raucous tour of Xmas shows in Winter 2012.\n \nThe interim has been anything but idle with Smith on duty with Editors, and the band’s star rising to unprecedented heights since their inception at the onset of the noughties. Meanwhile Burrows has released several solo albums, seen collaborations on soundtracks including The Snowman and The Snowdog and last year composing the soundtrack for Ricky Gervais’ critically acclaimed After Life.\n","brand":"Smith \u0026 Burrows","offers":[{"title":"Default Title","offer_id":45216591151384,"sku":"PIASR5040LP","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-110100.png?v=1759762934"},{"product_id":"our-two-skins-vinyl-lp","title":"Our Two Skins: Vinyl LP","description":"\u003cp\u003eLosing someone close to you creates an almost phantom limb-like effect. Often, it feels like they’re a phone call away. But that instant between when you reach for the phone and when your brain delivers the new reality to you is a strange, momentary eternity. It’s both an uncompromising void and maybe as close as you’ll ever come to communing with that loved one again. On her new song “Sandwiches,” Gordi harnesses all the sadness and glory of this feeling into a soaring, post-new wave anthem. One of the first true Gordi “guitar songs,” it shimmers with the lush-yet-fragile momentum of The Cranberries’ classic “Dreams.”\u003c\/p\u003e\n\n\u003cp\u003eGordi wrote “Sandwiches” as a tribute to the matriarch of her family. Her late grandmother was, in Gordi’s words, “a great feeder of people.” So when she fell ill, Gordi and her mother took it upon themselves to nourish the visitors gathered around her hospital bed. As they passed around sandwiches, “someone called out that she was gone.”\u003c\/p\u003e\n \n\u003cp\u003eThe gravity of the moment was poignant for its softness and mundanity. Gordi approaches the totality of a loved one’s life as measured in the small memories that stay with us. She sings, “When I think of you a movie-reel of moments plays \/ We’ll be in the car or after mass on Saturdays \/ You’ll be walking down the driveway, you’ll be in your chair \/ You’ll say ‘See you round’ or ‘Say your “Three”’ \/ And now you’re everywhere.”\u003c\/p\u003e\n \n\u003cp\u003eGordi called on long-time collaborators and Bon Iver production duo Chris Messina and Zach Hanson to make “Sandwiches” at her family home in Canowindra, Australia — an old cottage littered with some of Sophie’s favorite pieces of musical arsenal combined with some flown in from Eau Claire, Wisconsin. The tiny farm town where her family has lived for over a century, Canowindra, and the heart of the matriarch, is embedded in this song. “Her whole life was in Canowindra…we made it in a house that’s a hundred meters from her house.”\u003c\/p\u003e","brand":"Gordi","offers":[{"title":"Default Title","offer_id":45216632865048,"sku":"JAG358LP","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-101262.png?v=1746744284"},{"product_id":"penelope-three-vinyl-lp","title":"Penelope Three: Vinyl LP","description":"Penelope Three is the third and final instalment of Australian-born Brighton-based musician Penelope Trappes’ trilogy. She completes her ambitious and other-worldly triptych with an album of healing, on which she looks to release herself from fear and into love, evoked in Penelope’s signature ambient gothic dreamlands that are equal parts shoegaze pop and surrealist soundscapes.\n\nCrucially, for this final part of the trilogy, Penelope has returned to focus on her voice, her first and original instrument.\n\nOn Penelope Three, Trappes wears her breadth of life experiences with pride; pain, joy, love, loss, and the freedom in accepting change and acknowledging lessons learnt. It is a celebration of womanhood and a testament to the wisdom acquired through living and allowing oneself to live. Amplifying these past themes and fusing them with the complex characters that have draped Trappes psyche – past, present and future - to challenge perceptions of female identity.”","brand":"Penelope Trappes","offers":[{"title":"Default Title","offer_id":45216685883672,"sku":"HTH144","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-116182.jpg?v=1747088568"},{"product_id":"petunia-signed-exclusive-vinyl-lp","title":"Petunia: Signed Exclusive Vinyl LP","description":"A few years ago, Bob Weir was telling a writer about his process, and how the notion of constantly becoming—of life being lived in a state of flux—doesn’t just apply to the ever-changing self, but to the things the self creates. Speaking of the song “Saint of Circumstance,” which he’d been playing live for 40 years, Weir said, “I’m just starting to scratch the surface of what I can do with that.” This idea of a song as a living, breathing thing, a liquid portrait that sloshes to the borders of whatever frame is fixed upon it, is at the center of Edwin and Andy White’s work as Tonstartssbandht. Through constant touring, the brothers’ songs both take shape and change shape, becoming something a little different every night as they explore the possibilities inherent within them. With time, attention, and intention, these songs—long, languid, full of open musical questions and temporary answers—become distinct objects, and the process begins again. On Petunia, the brothers’ 18th album and second for Mexican Summer, they bring us to the earliest moments of this process, showing off a barn full of hatchlings already decked with splendid plumage. \n\nWhere most Tonstartssbandht albums come together slowly over years, recorded on the fly whenever the Whites have a few spare moments on the road, Petunia was largely written and recorded in their home city of Orlando in 2020. Many of the tracks had been played live, but in extremely rough form (“skeletons of songs,” as Andy puts it), and hadn’t yet developed into any kind of mature stage. With plenty of time on their hands thanks to the lockdown, and no shows to play, Andy and Edwin decided to pack some flesh onto those skeletons and bring them to life on their own. Petunia is the first Tonstartssbandht album to be created in a sustained manner and in a consistent environment, written and recorded in a single place over a focused period of time. \n\nAs a result, Petunia feels like a unified aesthetic statement. Using little more than a 12-string guitar and a drum kit, Andy and Edwin weave together the gentle headiness of Laurel Canyon and the sweaty pacing of Cologne; like a gyroscope, its constant motion produces the illusion of stillness—and that stillness gives it a sense of intimacy and introspection, something that’s further illuminated by the new emphasis placed on the brothers’ vocals. Taking cues from The Zombies and the falsetto-feathered singing of ’70s funk and reggae, Andy and Edwin stitch their voices together so easily, and with such generosity, it’s virtually impossible to see the seams. And it allows the quiet wisdom of the lyrics—what Andy self-deprecatingly calls “generic broad platitudes that I still think resonate when I say them”—to slip in almost unnoticed, delivering their emotional truths while preparing a feather bed for you to collapse into. “All roads will lead to the heart of town, when you’ve been running too long,” he sings in the album’s opening moments. “Being at peace only slows you down, but you’ve been running so long now.” In “Smilehenge,” he packs his bags, sweeps up the apartment, and says goodbye to an old life and an old love.","brand":"Tonstartssbandht","offers":[{"title":"Default Title","offer_id":45216697188632,"sku":"MEX2521","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/image_of_MEX2521.png?v=1759789443"},{"product_id":"positive-mental-health-music-limited-edition-transparent-pink-vinyl-lp","title":"Positive Mental Health Music: Limited Edition Transparent Pink Vinyl LP","description":"Freud’s process of therapy was famously labelled the ‘Talking Cure’ - through the act of conversation participants received cathartic relief. Positive Mental Health Music (PMHM), the debut album from South East London band Tiña, stems from this idea. Lead singer\/songwriter Josh Loftin explains that he used the songs to “work through a mental breakdown”, and that for him “writing is like solving a mystery”. \n \nThe 11 track LP provides an honest and intimate portrait into this process of self-examination, covering themes of anxiety, depression, love, sex, isolation, fear and failure. Yet, PMHM is anything but a difficult listen: the tracks are catchy, lively - even danceable at times. Loftin’s cooing vocals, his lyrics poetic yet slightly self-mocking, sit atop a blend of psych-pop keys, drums and guitars, all guided by the shepherding hand of producer Dan Carey. \n \nAfter singles ‘I Feel Fine’ and ‘Dip’, Positive Mental Health Music is the first ever LP to be released on Carey’s Speedy Wunderground label. ","brand":"Tiña","offers":[{"title":"Default Title","offer_id":45216725762328,"sku":"SWP2V","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-104936.png?v=1747950644"},{"product_id":"pure-misery-limited-edition-fuchsia-vinyl-ep","title":"Pure Misery: Limited Edition Fuchsia Vinyl EP","description":"\u003cp\u003e12\" Vinyl of Humour's debut EP \u003cem\u003epure misery\u003c\/em\u003e in Fuschia\u003c\/p\u003e","brand":"Humour","offers":[{"title":"Default Title","offer_id":45216774029592,"sku":"SOYOUNG9","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-145534.png?v=1746829537"},{"product_id":"roman-roads-iv-xi-vinyl-lp","title":"Roman Roads IV - XI: Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eLimited edition of only 350 worldwide x 180g heavy clear vinyl with bonus CD copy of the album\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMute are pleased to announce the signing of Land Observations, and news of the debut release, Roman Roads IV - XI, out on 3 September 2012.\u003c\/p\u003e\n\n\u003cp\u003eLand Observations is the solo project of James Brooks, which debuted at the Short Circuit presents Mute festival at the Roundhouse in May 2011.\u003c\/p\u003e \n\n\u003cp\u003eBrooks’ previous band, Appliance, released four critically acclaimed albums on Mute before disbanding. Since then, Brooks has developed his visual and audio art with various shows across the UK, North America and Europe (his current exhibition, The Information Exchange, is at Domobaal, London, WC1 until August 2012). Throughout, music has remained a constant, with Brooks now connecting his conceptual approaches to instrumental musical compositions.\u003c\/p\u003e \n\n\u003cp\u003eAttempts to develop a new project alongside the visual art meant that Brooks did a lot of home recording at his flat in Hackney, East London. Land Observations, developed out of an interest in the former Roman roads that lay just a short walk from his front door - roads of communication and conquest that stretch from the old City of London and out across parts of Britain, Europe and beyond.\u003c\/p\u003e\n\n\u003cp\u003eLand Observations sees Brooks exploring the power of minimalism via layered, repetitive electric VI string guitar to create warm, evocative instrumentals. Although Brooks spent considerable time researching Roman Roads - with each of the compositions responding to the psychogeography of an individual road - this isn't just an historical project, or an attempt to look only into the past. There is an obvious fascination with Roman Roads as man made structures, with their bold lines carving through the landscape, creating an album that's a reflection on the broader ideas of travel, momentum and progress.\u003c\/p\u003e\n\n\u003cp\u003eRoman Roads IV - XI is released on Mute on CD, vinyl and download, with packaging featuring original drawings by Brooks. The album was recorded at the Bridge and Tunnel Mobile, Berlin and engineered and mixed by Mark Bihler and James Brooks.\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F51539886\u0026amp;show_artwork=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Land Observations","offers":[{"title":"Default Title","offer_id":45216973127960,"sku":"LSTUMM345","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-24728.jpg?v=1746483346"},{"product_id":"roman-roads-iv-xi-vinyl-lp-1","title":"Roman Roads IV - XI: Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003e180g heavy vinyl with bonus CD copy of the album\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMute are pleased to announce the signing of Land Observations, and news of the debut release, Roman Roads IV - XI, out on 3 September 2012.\u003c\/p\u003e\n\n\u003cp\u003eLand Observations is the solo project of James Brooks, which debuted at the Short Circuit presents Mute festival at the Roundhouse in May 2011.\u003c\/p\u003e \n\n\u003cp\u003eBrooks’ previous band, Appliance, released four critically acclaimed albums on Mute before disbanding. Since then, Brooks has developed his visual and audio art with various shows across the UK, North America and Europe (his current exhibition, The Information Exchange, is at Domobaal, London, WC1 until August 2012). Throughout, music has remained a constant, with Brooks now connecting his conceptual approaches to instrumental musical compositions.\u003c\/p\u003e \n\n\u003cp\u003eAttempts to develop a new project alongside the visual art meant that Brooks did a lot of home recording at his flat in Hackney, East London. Land Observations, developed out of an interest in the former Roman roads that lay just a short walk from his front door - roads of communication and conquest that stretch from the old City of London and out across parts of Britain, Europe and beyond.\u003c\/p\u003e\n\n\u003cp\u003eLand Observations sees Brooks exploring the power of minimalism via layered, repetitive electric VI string guitar to create warm, evocative instrumentals. 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The album was recorded at the Bridge and Tunnel Mobile, Berlin and engineered and mixed by Mark Bihler and James Brooks.\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F51539886\u0026amp;show_artwork=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Land Observations","offers":[{"title":"Default Title","offer_id":45216976470296,"sku":"STUMM345","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-25558.jpg?v=1749668513"},{"product_id":"sad-happy-vinyl-lp","title":"Sad Happy: Vinyl LP","description":"\u003cp\u003eAn album of our times, ‘Sad Happy’ is formed of two diametrically distinctive sides – the first half of the record contains the Sad tracks, the latter the Happy tracks.  Released on March 13th via Prolifica Inc \/ [PIAS], the album will be available on CD, standard single LP and a limited edition gold 2LP where the album is physically split in to Sad and Happy LPs.\u003c\/p\u003e\n\n\u003cp\u003eLead single ‘Jacqueline’ is unveiled today as the first taste of ‘Sad Happy’. Listen here. An infectious, Soweto flavoured groove, ‘Jacqueline’ is another bold slice of bright, life-affirming pop from the pen of Kieran Shudall, who is establishing himself as one of Britain’s most prolific young songwriters. With it’s infectious chorus and refrain of ‘Good times are coming around the bend’, Jacqueline is at once instantly recognisable and also another bold sonic leap forward for Circa Waves. It’s a song that’ll sit effortlessly amongst a setlist already brimming with anthems.\u003c\/p\u003e\n\n\u003cp\u003e‘Sad Happy’ was written and produced in full by Kieran Shudall, and mixed by Grammy winners Dan Grech-Marguerat and Matt Wiggins. Today’s album announcement comes a little over six months after the release of April’s Top Ten Charting UK Album ‘What’s It Like Over There’. The prolific nature of Kierans’ writing, coupled with Circa Waves relentless appetite for playing live and their own label imprint, are cementing the Liverpool four piece’s reputation as one of the UK’s most dynamic and exciting bands.\u003c\/p\u003e","brand":"Circa Waves","offers":[{"title":"Default Title","offer_id":45217012285720,"sku":"PROINC3V","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-98009.png?v=1746831352"},{"product_id":"saturday-night-sunday-morning-vinyl-lp","title":"Saturday Night, Sunday Morning: Vinyl LP","description":null,"brand":"Jake Bugg","offers":[{"title":"Default Title","offer_id":45217059275032,"sku":"19439862881","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-120380.png?v=1748043275"}],"url":"https:\/\/recordstore.co.uk\/collections\/3-for-50.oembed?page=8","provider":"Recordstore","version":"1.0","type":"link"}