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Since then, Overmono have been named ‘Best Live Act’ at the prestigious DJ Mag Best of British Awards, taken their custom audio-visual live show to the most credible festivals across the globe, including Glastonbury, Movement Festival, Dekmantel and to sold-out crowds in London, LA and NYC as part of their debut headline tour last year. And, they have produced innovative releases including their instalment of their ‘Fabric Presents’ DJ mix series and collaborations with the likes of Joy Orbison.\u003c\/p\u003e\n\n\u003cp\u003eNow, Overmono return to present their most ambitious release to date. Across the twelve-track project, Overmono journey through a powerful distillation of their musical career so far; incorporating “So U Kno” alongside new music that propels them beyond the dancefloor. \u003cem\u003eGood Lies\u003c\/em\u003e remoulds and interweaves captivating vocal cuts into a series of multi-genre electronic sounds that flits effortlessly between euphoria and melancholy.\u003c\/p\u003e\n\n\u003cp\u003eTalking about their debut album \u003cem\u003eGood Lies\u003c\/em\u003e, Overmono says: “Across the last two years, we have spent so much time on the road, making music whenever we could. Moving around all the time was always really inspiring and got us experimenting a lot and having fun with how we created chords or chopped and pitched vocals. This album is really a letter of love to the journey so far and marks where we want to take things. 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Major musical touchpoints included Stravinsky’s ‘Rite Of Spring’, Pink Floyd and Nina Simone’s rendition of ‘Sinnerman’ and references for the world of The Worm included 14th century texts The Canterbury Tales and The Decameron, Aleksey German’s 2013 sci-fi film Hard To Be A God, Bergman’s The Seventh Seal and Tarkovsky’s Andrei Rublev and the hopeful narrative arc of 90s mecha anime series ‘Neon Genesis Evangelion’. \u003c\/p\u003e\n","brand":"HMLTD","offers":[{"title":"Default Title","offer_id":44576290767128,"sku":"LUCKY161CD","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/products\/LUCKY161CD_20HMLTD_20The_20Worm_20Mock_20Up_7ec7fd1c-386e-47e2-bce8-0493c840cd52.png?v=1686616738"},{"product_id":"party-gator-purgatory-cd","title":"Party Gator Purgatory: CD","description":"\u003cp\u003eTemps is a 40-strong international music collective, consisting of artists across multiple genres, fronted by a cartoon alligator.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing such geniuses as Quelle Chris, John Dieterich, Joana Gomila, Laia Vallès and Seb Rochford, Temps’ ten-track debut \u003cem\u003ePARTY GATOR PURGATORY\u003c\/em\u003e was produced, curated and devised by UK stand-up comedian James Acaster. 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The duo’s grasp of house music history is showcased as they create a slick and nostalgic journey through the genre’s hidden gems – making it fabric’s most challenging licensing project to date, with much of the music available digitally for the first time. Louis and Ben see the project as an ode to those underappreciated tunes that made a huge impact on them. Their exclusive ‘Higher Elevation’ blends in with the rest as an everlasting house cut with its delicate dreamy keys, fluffy bass and a groovy loop. 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The album was produced by Ali Chant (Yard Act, Katy J Pearson, Squirrel Flower) at Toybox Studios, Bristol. \u003cbr\u003e\n\u003cbr\u003e\n \u003c\/p\u003e\n","brand":"Cloth","offers":[{"title":"Default Title","offer_id":44593464082712,"sku":"ROCKACT153CD","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/ROCKACT153CD_CD_MOCKUP_copy.png?v=1749788883"},{"product_id":"less-cd","title":"Less: CD","description":"\u003cp\u003eLondon slowcore band deathcrash have today announced their new album Less, due March 17th via untitled (recs). Recorded at the UK’s most remote studio in the Outer Hebrides, Less follows their critically acclaimed 2022 album, Return with a statement in reduction that turns out to be as powerful and potent as it is tender and introspective.\u003cbr\u003e\n \u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e“The mission statement was to be super minimal,” \u003c\/em\u003esays deathcrash singer Tiernan Banks. \u003cem\u003e“Just simple and beautiful guitar parts and to be really bare. To be….less.” \u003c\/em\u003e\u003cbr\u003e\n\u003cbr\u003e\nSwiftly following Return, the band initially had no plans to make a full length. “The last thing we felt like doing was making another album,” says bassist Patrick Fitzgerald. \u003cem\u003e“It was like, ‘let's do this little EP that's aesthetically quite different and pared down’.” \u003c\/em\u003eLess was always planned to be a statement in reduction but it soon became apparent that the songs the band were writing were significant, personal and, despite the intentions to strip things back, bigger. \u003cem\u003e“As time went on, we started putting much more emotional weight into it and it became more important to us,”\u003c\/em\u003e says Banks.\u003cbr\u003e\n\u003cbr\u003e\nThe result is a record that is as powerful and potent as it is tender and introspective, with arrangements that manage to feel refined yet detailed and with a deep emotional resonance at the core of the record. Banks’ voice shifts from hushed whispers to guttural screams, one minute tapping into the kind of fragile beauty that artists like Elliott Smith managed so well, on tracks such as ‘Duffy’s’ before unleashing a doom metal growl in thundering unison with the band on ‘Empty Heavy’.\u003cbr\u003e\n\u003cbr\u003e\nThe record has confirmed early press support from a number of UK publications, including a 4-page print feature in Loud \u0026amp; Quiet, a feature in Line of Best Fit, and early indications of support from Stereogum and a number of other U.S. publications too. A radio campaign will also be run for the second single ‘Duffy’s’ and we expect support from BBC 6 Music, Apple Music and other tastemaker stations.\u003c\/p\u003e\n","brand":"deathcrash","offers":[{"title":"Default Title","offer_id":44593474928920,"sku":"UR12CD","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/products\/dccd.png?v=1686616789"},{"product_id":"un-cd","title":"Un...CD","description":"\u003cp\u003eDicky Continental is Rich Thair – drummer and co-founder of pioneering band Red Snapper. The album – \u003cem\u003eUn\u003c\/em\u003e, is the sound of Rich’s live drums and percussion, field recordings from travels, dirty breaks and samples from his chaotic record collection. The two singles taken from the album (Make Them Disappear and Split) both feature the luxurious vocals of Jo Sims. There’s a live string quartet, broken piano and the sounds of malfunctioning vintage equipment from Rich’s studio for a unique sonic soundscape.\u003c\/p\u003e\n","brand":"Dicky Continental","offers":[{"title":"Default Title","offer_id":44593504813336,"sku":"AJXCD677","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/95572843.png?v=1746744841"},{"product_id":"divine-machines-cd","title":"Divine Machines: CD","description":"\u003cp\u003eFrom \u003cem\u003eOK Computer\u003c\/em\u003e to \u003cem\u003eScreamadelica\u003c\/em\u003e, history has shown that a band’s third album is when shit starts to get real. When, after an introductory debut and a second that tests new waters, the particular alchemy of a group stamps its personality in ways that no other configuration of individuals can do; when the outside voices have been tempered and all that’s left is a perfect cocktail of confidence, skill and momentum. It’s a theory that’s been proven time and time again, and one that Newcastle trio Demob Happy are underlining with \u003cem\u003eDivine Machines\u003c\/em\u003e: a third album that harnesses their delicate tightrope of heaviness and melody, sweetness and riffs, and rides it up to the stratosphere.\u003c\/p\u003e\n","brand":"Demob Happy","offers":[{"title":"Default Title","offer_id":44593505075480,"sku":"LIB237CD","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/Demob_Happy_-_Divine_Machines_-CD.jpg?v=1745622400"},{"product_id":"so-much-for-stardust-cd","title":"So Much (For) Stardust: CD","description":"\u003cp\u003eGRAMMY Award-nominated and multi-platinum selling rock band \u003cstrong\u003eFall Out Boy \u003c\/strong\u003ehave\u003cstrong\u003e \u003c\/strong\u003eannounced that their eighth studio album \u003cstrong\u003e\u003cem\u003eSo Much (For) Stardust\u003c\/em\u003e\u003c\/strong\u003e will arrive \u003cstrong\u003eMarch 24\u003csup\u003eth\u003c\/sup\u003e 2023 \u003c\/strong\u003eand\u003cstrong\u003e \u003c\/strong\u003eprovided the first glimpse of the new music with the release of the record’s first single \u003cstrong\u003e“Love From The Other Side.” \u003c\/strong\u003e\u003cem\u003eSo Much (For) Stardust \u003c\/em\u003emarks a homecoming for the band on multiple fronts; the first of which found the band reuniting with renowned producer Neal Avron, whom they’ve worked with on three previous albums (\u003cem\u003eFrom Under the Cork Tree\u003c\/em\u003e, \u003cem\u003eInfinity on High\u003c\/em\u003e, \u003cem\u003eFolie à Deux\u003c\/em\u003e). Additionally, \u003cstrong\u003e\u003cem\u003eSo Much (For) Stardust \u003c\/em\u003e\u003c\/strong\u003ewill be released on Fueled By Ramen\/Elektra – Fall Out Boy’s first album with the label since their 2003 debut album\u003cem\u003e Take This to Your Grave\u003c\/em\u003e, which celebrates its 20th anniversary on May 6\u003csup\u003eth\u003c\/sup\u003e. Anticipation for the record started brewing in November, after a mysterious \u003ca href=\"https:\/\/www.dropbox.com\/s\/kklj1bp5jqg20dw\/ChicagoTribune_11.28.22.png?dl=0\"\u003ead\u003c\/a\u003e appeared in the \u003cem\u003eChicago Tribune \u003c\/em\u003eand continued building with multiple \u003ca href=\"https:\/\/sendingmylovefrompinkseashellbeach.com\/\"\u003eteaser\u003c\/a\u003e \u003ca href=\"https:\/\/sendingmylovefromtheotherside.com\/\"\u003esites\u003c\/a\u003e in December, the latter of which featured a clay animation video titled “\u003ca href=\"https:\/\/www.youtube.com\/watch?v=3hIbmRbeNL0\"\u003eA Claymation Fall Out Boy Celebration\u003c\/a\u003e” on Christmas that included a quick audio preview of \u003cstrong\u003e“Love From The Other Side” \u003c\/strong\u003efor eagle-eared fans. On January 11\u003csup\u003eth\u003c\/sup\u003e, the band \u003ca href=\"https:\/\/www.instagram.com\/p\/CnR9Nfxj6MB\/?hl=en\"\u003eofficially revealed\u003c\/a\u003e the single’s release date just days before they took the stage at the 2023 iHeartRadio ALTer EGO on Saturday in Los Angeles, CA. \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eSo Much (For) Stardust\u003c\/em\u003e\u003c\/strong\u003e is Fall Out Boy’s first new studio album since 2018’s \u003cem\u003eM A  N  I  A, \u003c\/em\u003ewhich garnered a GRAMMY nomination for Best Rock Album and marked their third consecutive and fourth overall #1 album in the US and their third consecutive #2 album in the UK.\u003c\/p\u003e\n\n\u003cp\u003eMost recently, Fall Out Boy embarked on \u003cstrong\u003eTHE HELLA MEGA TOUR\u003c\/strong\u003e alongside Green Day \u0026amp; Weezer, playing live in front of over 1 million fans on a sold-out global stadium tour. The UK leg included numerous sold out stadium gigs in Summer 2022 – including renowned venues like London’s Stadium, Glasgow’s Bellahouston Park and Huddersfield’s John Smith’s Stadium. Critical and fan acclaim poured in, with \u003cem\u003eUSA Today \u003c\/em\u003ehailing it “the most stacked line-up of any rock tour in 2021,” \u003cem\u003eBillboard \u003c\/em\u003enoting that each night was “serving up a buffet of hits in front of one of the largest concert crowds,” and \u003cem\u003eRolling Stone \u003c\/em\u003ecalling it “wildly entertaining.”\u003c\/p\u003e\n","brand":"Fall Out Boy","offers":[{"title":"Default Title","offer_id":44593576411416,"sku":"75678630682","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/falloutcd.png?v=1749668948"},{"product_id":"big-picture-cd","title":"Big Picture: CD","description":"\u003cp\u003eA gorgeous and gripping portrait of Fenne’s last two years, \u003cem\u003eBig Picture\u003c\/em\u003e was pieced together in an effort to self-soothe. Tracked live in co-producer Brad Cook’s North Carolina studio, the album delineates the phases of love and becomes a map of comfort vs claustrophobia. Though its creation took place amid personal and global turmoil, the ruminative yet candid Big Picture is Fenne’s most cohesive, resolute work to date, both lyrically and sonically. “This isn’t a sad album — it’s about as uplifting as my way of doing things will allow,” she says. “These songs explore worry and doubt and letting go, but those themes are framed brightly.” With confidence and quiet strength, each track provides an insight into Fenne’s ever-changing view of love and, ultimately, its redefinition — love as a process, not something to be lost and found. While the album was written alone in Fenne’s Bristol flat – a fact intentionally reflected in its compact sonic quality – Big Picture was transformed from a solitary venture into a unifying collaboration during the recording process when she was joined by her touring band, Melina Dutere of Jay Som (mixing), Christian Lee Hutson (guitar and co production), and Katy Kirby (vocals). Notably, these 10 songs are Fenne’s first and only to have been written over the course of a relationship; 2018’s On Hold and 2020’s BREACH both confront the pain of retrospection, saying goodbye to a love that’s gone. \u003cem\u003eBig Picture\u003c\/em\u003e does the exact opposite — rooted firmly in the present, it traces the narrative of two people trying their hardest not to implode, together. “This album is an observation of the way I think about love, the self[1]examination that comes with closeness and the responsibilities involved in being a big part of someone else’s small(er) world,” summarizes Fenne. “It was written in a place of relative emotional stability – stability that felt unstable because of its newness, but also because of the global context. 2020 was the year of letting go, but we’d all already let go of so much and nothing felt like mine anymore. 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Recorded largely at Center for Sound, Light, and Color Therapy in Portland and mixed by John McEntire, Garden Party features guest appearances by Moon Duo bandmates John Jeffrey on drums and Sanae Yamada on synths, as well as Rose City Band live performers Hasenberg on keyboards and Walker on pedal steel.\u003c\/p\u003e\n\n\u003cp\u003eWith the musicians in his life in mind, Ripley’s porch has opened up for each player to step into. Despite being tracked primarily as a solo endeavor the recordings capture the twists and bends of a fully realized ensemble, and in a nod to bands such as the Grateful Dead it doesn’t stop there. “The songs won’t really be finished until we play them on the road,” says Johnson. Like all great music, \u003cem\u003eGarden Party\u003c\/em\u003e taps into the listener’s emotional center and takes them to their happy place – their sunny spot. The album is an invitation to recalibrate, a joyous ride where the band’s sounds surround and embrace you. 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In the making of their third studio album \u003cem\u003eThe Sun\u003c\/em\u003e, Natalie Closner and her sisters, twins Meegan Closner and Allison Closner focused their soul-searching songwriting on the quietly damaging forces that keep us from living fully in our truth (e.g., gaslighting, cultural conditioning, unconscious yet painfully limiting self-beliefs).\u003c\/p\u003e\n\n\u003cp\u003eThe follow-up to Good Luck, Kid—a 2019 release that reached #4 on Billboard’s Heatseekers Albums chart—The Sun builds from its predecessor’s cinematic pop and imbues a thrilling new energy into each elegantly sculpted track. 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Humanity remains addicted to pollution. People are downing horse dewormer because some goober on television told them it cured COVID. The apocalypse is stupider than anyone could’ve predicted.\u003c\/p\u003e\n\n\u003cp\u003eFortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album, Plastic Eternity, which was recorded over nine days at Crackle \u0026amp; Pop! in Seattle with longtime producer Johnny Sangster\u003c\/p\u003e\n\n\u003cp\u003eFrom taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix (“Cry Me An Atmospheric River”) to a driving rock and roll song about taking drugs meant for livestock (“Here Comes the Flood”) to a classic punk attack on treating humans like livestock (“Human Stock Capital”), Plastic Eternity is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020’s. 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