{"title":"Hardcore \u0026 Punk","description":"","products":[{"product_id":"goo-vinyl-lp","title":"Goo: Vinyl LP","description":"\u003cp\u003eGoo is the sixth studio album by American alternative rock band Sonic Youth. It was originally released on June 26, 1990 and was Sonic Youth's debut release on a major record label, after the band signed to Geffen Records following the release of Daydream Nation (1988). It was recorded over a short period in early 1990 at Sorcerer Sound Recording Studios and Greene St.\u003c\/p\u003e\u003cdiv class=\"more-info\"\u003eRecording with Daydream Nation producer Nick Sansano and additional producer Ron Saint Germain. The album's sound diverged considerably from their earlier material and is often considered \"their most accessible album\", with elements of experimental rock, garage punk, alternative rock and hard rock. Lead single \"Kool Thing\" charted in the United States, United Kingdom and Ireland. Upon its release, Goo was a moderate commercial\/marketing success, peaking at No. 96 on the Billboard 200 in the United States and charting in the Netherlands, New Zealand and the UK. Critical reception to the album was positive. To support its release, Sonic Youth toured Europe and North America twice in 1990.\u003cdiv class=\"more-info\"\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. Dirty Boots\u003cbr\u003e2. Tunic (Song For Karen)\u003cbr\u003e3. Mary-Christ\u003cbr\u003e4. Kool Thing\u003cbr\u003e5. Mote\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. My Friend Goo\u003cbr\u003e2. Disappearer\u003cbr\u003e3. Mildred Pierce\u003cbr\u003e4. Cinderella's Big Score\u003cbr\u003e5. Scooter And Jinx\u003cbr\u003e6. 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This was the sound of 1983 New York City, nothing like the jangly roots of college radio rock starting to formulate in Athens, Georgia. It sounded like no one else on Earth, for that matter. The raw, Wharton Tiers 8-track production is dark, the Kim Gordon- scrawled cover figure art of Thurston Moore is dark, Lee Ranaldo’s back cover photo-collage and Catherine Ceresole’s crumpled-xeroxed images that adorned the inside are dark. It’s an album that moves Sonic Youth forward from their first EP almost by devolving backwards into true ugly, lo-fi primitivity. The bareboned arsenal of junkpile guitars and implementation of alternate tunings was growing, and so were the songs that matched the individual attributes of each instrument: certain ones groan and growl a specific way that the band started to realize itself could become the compositional germ of a song. Herein is the threshold of a new explosion of the band’s creativity, replacing the comparatively cleaner buzz of the Sonic Youth EP with guitars that spew fractured, uglier chunks of sound everywhere, held down by menacing minimalist basslines (actually played by Thurston on half of this LP, and for the only time ever on “Protect Me You,” Lee) and the brutal-yet-controlled metronomic drumming of Jim Sclavunos, augmented with replacement drummer Bob Bert’s notable bashing on “Making the Nature Scene” and grotty no-fi live rendition of “I Wanna Be Your Dog.” Hearing the crashedwindow intro of “Inhuman” and subway-brake screech of “The World Looks Red,” you can attest that while Sonic Youth’s guitars are not quite yet being utilized in the totally controlled, lyrical fashion seen later on albums like Evol, Daydream Nation et al., they were well aware of the colors and tonalities that were unfolding and the possibilities presented. Also, they were getting a grasp on adding colors to the chaos with tempered, simmering moments like Gordon’s “Shaking Hell” and Renaldo’s chimy, home-taped “Lee is Free.” “Making the Nature Scene” and “The World Looks Red” even toss in glints of hip-hop vocal approach way ahead of its time, albeit through a blender. While its confrontationalism might have put off some critics, time has rewarded Confusion with a truly distinctive air and atmosphere in the Sonic discography, enough to have Moore declare it his fave along with the band’s swan-song The Eternal. 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The Canadian hardcore legends have been known for their epic scale in the past, so it might be a surprise that Fucked Up’s sixth studio album is their shortest to date, written and recorded in the confines of one literal day (hence the title). Don’t mistake size for substance, though: The band’s sound has only gotten bigger, more hard-charging, with even denser thickets of melody.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e“I wanted to see what I could record in literally one day.” That singular idea came to mind for guitarist Mike Haliechuk in the closing months of 2019. 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I like to imagine the sound of cicadas as a metaphor for our strange life in the subculture we all just live these weird little hidden lives under the dirt, and then once in a generation, one of us gets to bust out of the dirt and intone their song so loud that it can be heard all over.”\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eOne Day\u003c\/em\u003e is an undeniable work of confidence from a band that continues to operate at the top of their game, making music that’s guaranteed to last a lifetime and beyond.\u003c\/p\u003e\n","brand":"Fucked Up","offers":[{"title":"Default Title","offer_id":44659356991768,"sku":"MRG801LP","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/duckedup.png?v=1748043125"},{"product_id":"bright-lights-of-america-limited-edition-solid-red-vinyl-2lp","title":"Bright Lights of America: Limited Edition Solid Red Vinyl 2LP","description":"The Bright Lights of America is the seventh album released by American punk rock band Anti-Flag. 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There, they released their major label debut \u003cem\u003eCoral Fang\u003c\/em\u003e the year after. The album was primarily influenced by grunge and lyrically was inspired by the fallout of Brody Dalle's marriage and the media attention it. It became their mainstream breakthrough.The album spawned three charting singles, “Drain The Blood”, “The Hunger” and “Beat Your Heart Out” and was received largely positive reviews from critics.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eCoral Fang\u003c\/em\u003e featured explicit artwork by Tim Presley, but as many US retailers refused to stock the album, the band created an additional “safe” cover. This edition of \u003cem\u003eCoral Fang\u003c\/em\u003e features its original explicit artwork and is available as a limited edition of 5000 individually numbered copies on white coloured vinyl. It also includes an insert.\u003c\/p\u003e","brand":"The Distillers","offers":[{"title":"Default Title","offer_id":44916183728408,"sku":"MOVLP2488V","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-93193.jpg?v=1747090545"},{"product_id":"9th-walnut-vinyl-lp","title":"9th \u0026 Walnut: Vinyl LP","description":"\u003cp\u003ePut simply, this is the DESCENDENTS' earliest material, representing a \"lost\" pre-MGTC album. Most of these songs have not been heard—until now.\u003c\/p\u003e\n\u003cp\u003eFormed in L.A.'s South Bay in 1978, DESCENDENTS began as a power trio featuring bassist Tony Lombardo, drummer Bill Stevenson, and guitarist Frank Navetta (d. 2008). The band recruited vocalist Milo Aukerman in 1980 and began establishing themselves as major players in the Southern California Punk movement. 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There are, of course, numerous moments that will inspire absolute mayhem in a packed concert venue, but there are also fresh textures and experiments that push IDLES into thrilling new territory. “I don't really see us as a ‘rock band’ and working with Kenny [Beats] freed us of the idea of genre,” Talbot enthuses. “On this album, our dissolution of ego was helped by Kenny’s humble nature and willingness to learn. He has boundless passion for making the best song possible. Not the best ‘rock’ song — the best song possible.” He continues, “It was writing selfishly that helped make it possible. Reflecting. Telling my own story. Not trying to tell everyone else's story. 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Our record collections and playlists carry us through any hardships, adversities, and trouble the world throws our way. When you press play, the pain just goes away. It’s why we listen in the first place. \n\nAnd that’s what Dropkick Murphys set out to do - and definitely accomplished - on the new album Turn Up That Dial. They boot in the front door of 2021 with a record that punches you square in the face and says, in the words of Ken Casey, “Get up, get out of those sweatpants you’ve been wearing for the last year...better times are ahead – LET’S F-in’ GO!!”\n\nOver the last two years, following a surgery, bassist\/co-lead vocalist Casey stopped playing, passing bass duties to longtime friend and road crew member Kevin Rheault. With Casey off his leash and free to roam the front of the stage with co-lead vocalist Al Barr, a new, powerful dynamic has ignited between the two. 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Sonically constructed to capture the feeling of a hip-hop record (Kenny Beats even helped with programming on several tracks), the songs double down on the vitriolic sneer and blunt social commentary of their past work. Not far beneath the surface of their self-admitted sloganeering lies a deeply complex and brutally relevant album that chews up clichés and spits them out as high art for the masses. Active presence and self-acceptance also stand at the core of ‘Ultra Mono,’ with much of the songwriting done on-the-spot in the recording booth, and the phrase “I am I” serving as a lyrical and spiritual mantra throughout.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eUltimately ‘Ultra Mono’ is a celebration of community, one that IDLES have been striving to build upon since their start, something bigger than themselves. 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Choice collection of B-sides, rarities, alternate takes and previously unreleased tracks dating\nback to 1993. Geffen Records CD release December 12, 2006. New York’s most influential avant-garde rock band, Sonic Youth, follow\nup their critically acclaimed 2006 release, Rather Ripped, with a special set sure to please fans and completists. The Destroyed Room:\nB-Sides And Rarities, a collection of near-hidden Sonic Youth gems hand-picked by the band, brings together songs from throughout\nthe band’s tenure at Geffen Records. Focusing on tracks previously available only on limited-edition compilations, vinyl-only releases,\nor as B-Sides or international singles, The Destroyed Room also features material that has never before been released. This deluxe,\ndouble-vinyl LP edition is being released on the band’s own Goofin Records imprint with a CD version available via Geffen. \u003c\/p\u003e","brand":"Sonic Youth","offers":[{"title":"Default Title","offer_id":45332597932312,"sku":"GOO12LP","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-142025.jpg?v=1747086601"},{"product_id":"sister-vinyl-lp-2","title":"Sister: Vinyl LP","description":"\n\u003cp\u003e\u003cb\u003eRestock of this classic 1987 album is one of the band’s most beloved releases. Includes a cover of Crime’s “Hot Wire My Heart”.\u003c\/b\u003e\u003c\/p\u003e \n\n\u003cp\u003eThere is no album in the entire corpus of indie rock—not Loveless, not Surfer Rosa, not Psychocandy— that reaches the heights of invention, joy, and magic of Sonic Youth’s sublime fifth album.... The haunted reveries of Sister remain with you for years, even if you only hear them once…. Sister is the sonic manifestation of refracted light. It’s a record that changes you.” Stereogum. One of Sonic Youth’s most beloved albums, 1987’s Sister incorporated the dissonance of their earlier releases into more traditional song structures. It’s an innovative and thrilling work assuredly delivered by a band at the peak of their powers.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003cbr\u003e\n1. Schizophrenia \u003cbr\u003e\n2. Catholic Block \u003cbr\u003e\n3. Beauty Lies in the Eye \u003cbr\u003e\n4. Stereo Sanctity\u003cbr\u003e\n5. Pipeline \/ Kill Time\u003cbr\u003e\n6. Tuff Gnarl \u003cbr\u003e\n7. Pacific Coast Highway \u003cbr\u003e\n8. Hot Wire My Heart\u003cbr\u003e \n9. Cotton Crown \u003cbr\u003e\n10. White Cross\u003cbr\u003e\n11. 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Fitting that their storied career would bookend with a panoramic view of New York City where it all began 30 years before, having left in their wake one of one of the most powerfully influential careers in rock music. \u003cbr\u003e\n\u003cbr\u003e\nFollowing incredible sets from Kurt Vile and Wild Flag, the band took the stage. As the sun went down over the city, Sonic Youth ripped through a 17 song set that spanned from deep cuts off their first studio album and highlighting many other albums all the way through to their last, like a band with everything to prove. Or as Brooklyn Vegan’s Andrew Sacher said at the time: “While most bands who are thirty years into their career are either fading away or living off of the nostalgia of their older material, Sonic Youth continue to sound and perform as fresh as ever.”\u003cbr\u003e\n\u003cbr\u003e\n\u003cu\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/u\u003e\u003cbr\u003e\n\u003cbr\u003e\n1. 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The album is the band’s first back as a duo since releasing side projects Baby Dave and LARRY PINK THE HUMAN. Recorded over a year between The Tunbridge Wells Forum, Laurie’s garden studio, on tour, and finished at The Libertine’s Studio, the songs on ‘HEAVY JELLY’ paint specific snapshots of the world around the band and amps up their sound and presence to something bolder and brighter than ever.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA1. All Things\u003cbr\u003eA2. Punk’s Dead\u003cbr\u003eA3. Act Violently\u003cbr\u003eA4. Isaac Is Typing…\u003cbr\u003eA5. Bin Juice Disaster\u003cbr\u003eA6. Worms on Tarmac\u003c\/p\u003e\u003cp\u003eB1. John Wick\u003cbr\u003eB2. Mirror Muscles\u003cbr\u003eB3. Working Title\u003cbr\u003eB4. The Mushroom and The Swan\u003cbr\u003eB5. 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Sims, and drummer Mac McNeilly — have returned with a record teeming with the kind of madness needed to beat down today’s AOR mediocrity and piss-perfect pop drivel alike.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eSince their inception in Chicago in 1987, the Jesus Lizard has thrilled audiences all over the planet. The impeccable rocket-thrust rhythm section of Sims and McNeilly was the perfect launchpad for Denison’s jagged yet clean-toned riffing and Yow’s mercurial vocalizations manifesting as everything from panicked citizen, reality escapee or wounded sea mammal. the Jesus Lizard’s fury carried on through six studio albums, two live recordings and a brace of singles and EPs.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eOn Rack, the Jesus Lizard have returned reconstituted, refreshed and positively revving. No tepid, bland tracks to show how they’ve “matured” as songwriters. 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It stretches from classic punk to the glammy strut of recent single ‘U Should Not Be Doing That’ to the stormy balladry of ‘Big Dreams’ (which is a sonic gear shift worthy of the title).  \u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eCartoon Darkness is about climate crisis, war, AI, tip-toeing on the eggshells of politics, and people feeling like they're helping by having a voice online when we’re all just feeding the data beast of Big Tech, our modern day god. It’s about the fact that our generation is spoon-fed information. We look like adults, but we’re children forever cocooned in a shell. We’re all passively gulping up distractions that don’t even cause pleasure, sensation or joy, they just cause numbness. \u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eEverything is such hard work, everything is heartbreaking, but everything is beautiful. I want to celebrate. I want to put my phone down and see someone's facial expression change with what they say. I want to people-watch. 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Now in limited blue vinyl.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Iggy Pop","offers":[{"title":"Default Title","offer_id":49643454562584,"sku":"7537191","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/Lust_For_Life.png?v=1776156604"},{"product_id":"fallen-star-orange-with-black-sun-burst-vinyl-lp","title":"Fallen Star: Orange with Black Sun Burst Vinyl LP","description":"\u003ctable class=\"mce-item-table\"\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eARTIST OVERVIEW\u003c\/strong\u003e\u003cstrong\u003e:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eMetal is more than just music, it’s lifestyle. 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Now it’s a safe space for artists right across the sonic spectrum, including their friends Svalbard, whose vocalist Serena Cherry features on the new album’s ‘Last Laugh’.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eFOR FANS OF:\u003c\/strong\u003e Lorna Shore, Venom Prison, Gojira, Slipknot, Hatebreed, Machine Head, Killswitch Engage.\u003c\/div\u003e\n\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e","brand":"Employed To Serve","offers":[{"title":"Default Title","offer_id":49677806797080,"sku":"SPINE800736P","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/ETS_FallenStar_Sunburst_Vinyl.png?v=1747435969"}],"url":"https:\/\/recordstore.co.uk\/collections\/hardcore-punk.oembed?page=3","provider":"Recordstore","version":"1.0","type":"link"}