{"title":"Heavy Metal","description":"","products":[{"product_id":"bad-magic-seriously-bad-magic-vinyl-2lp","title":"Bad Magic - Seriously Bad Magic: Vinyl 2LP","description":"\u003cp\u003eThe iconic Godfathers of heavy metal, released their 23rd (and final) studio album\u003cem\u003e Bad Magic\u003c\/em\u003e in 2015. Instantly hailed as one of the best the beloved trio had recorded in many years, \u003cem\u003eBad Magic: Seriously Bad Magic\u003c\/em\u003e enjoys a bonus-packed refresh, adding two previously unreleased tracks from those furious sessions: “Bullet in Your Brain” and “Greedy Bastards” as well as a snarling, fangs-out live performance from that subsequent tour at the giant Fuji Rock Festival in Japan in 2015.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eFans will also get “War, Love, Death and Injustice”, an audio interview with Lemmy conducted by Motörhead expert Robert Kiewik during the tour, and should the desire to have a chat with Lem or anyone beyond this mortal coil arise, the box-set will exclusively contain a Murder One ouija board (complete with the Ace of Spades planchette to spell out the conversation).\u003c\/p\u003e\n","brand":"Motorhead","offers":[{"title":"Default Title","offer_id":44653640712472,"sku":"505419726048","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/1062584-1_86695_1000x1000_bb549f26-e738-4971-9764-ef1614d956e7.png?v=1751999589"},{"product_id":"bad-magic-seriously-bad-magic-vinyl-box-set","title":"Bad Magic - Seriously Bad Magic: Vinyl Box Set","description":"\u003cp\u003eThe iconic Godfathers of heavy metal, released their 23rd (and final) studio album\u003cem\u003e Bad Magic\u003c\/em\u003e in 2015. Instantly hailed as one of the best the beloved trio had recorded in many years, \u003cem\u003eBad Magic: Seriously Bad Magic\u003c\/em\u003e enjoys a bonus-packed refresh, adding two previously unreleased tracks from those furious sessions: “Bullet in Your Brain” and “Greedy Bastards” as well as a snarling, fangs-out live performance from that subsequent tour at the giant Fuji Rock Festival in Japan in 2015.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eFans will also get “War, Love, Death and Injustice”, an audio interview with Lemmy conducted by Motörhead expert Robert Kiewik during the tour, and should the desire to have a chat with Lem or anyone beyond this mortal coil arise, the box-set will exclusively contain a Murder One ouija board (complete with the Ace of Spades planchette to spell out the conversation).\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e2LP+ - 2CD and LP Box Set. Contents: CD Album with Bonus Disc (Digipak), 12” Double Vinyl Album in Gatefold, exclusive Lemmy – War, Love, Death and Injustice audio interview on 12” vinyl and exclusive edition Motörhead – Murder One Ouija Board and Planchette.\u003c\/p\u003e\n","brand":"Motorhead","offers":[{"title":"Default Title","offer_id":44653644611864,"sku":"505419726059","price":89.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/1062586-1_86697_1000x1000_035cba74-26db-476e-8002-3c0e8140abf3.png?v=1749508087"},{"product_id":"the-black-album-remastered-vinyl-2lp","title":"The Black Album (Remastered): Vinyl 2LP","description":"\u003cp\u003e2LP widespine sleeve with spot matt varnish on outer sleeve. 2 x 180g black vinyl in white polylined inner sleeves plus double-sided 12” lyrics insert. \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLP 1 \/ SIDE ONE    \u003c\/p\u003e\u003col\u003e\n\u003cli\u003eEnter Sandman\u003c\/li\u003e\n\u003cli\u003eSad But True\u003c\/li\u003e\n\u003cli\u003eHolier Than Thou\u003c\/li\u003e\n\u003c\/ol\u003e\u003cp\u003eLP 1 \/ SIDE TWO    \u003c\/p\u003e\u003col\u003e\n\u003cli\u003eThe Unforgiven\u003c\/li\u003e\n\u003cli\u003eWherever I May Roam\u003c\/li\u003e\n\u003cli\u003eDon't Tread On Me\u003c\/li\u003e\n\u003c\/ol\u003e\u003cp\u003eLP 2 \/ SIDE THREE    \u003c\/p\u003e\u003col\u003e\n\u003cli\u003eThrough the Never\u003c\/li\u003e\n\u003cli\u003eNothing Else Matters\u003c\/li\u003e\n\u003cli\u003eOf Wolf and Man\u003c\/li\u003e\n\u003c\/ol\u003e\u003cp\u003eLP 2 \/ SIDE FOUR    \u003c\/p\u003e\u003col\u003e\n\u003cli\u003eThe God That Failed\u003c\/li\u003e\n\u003cli\u003eMy Friend of Misery\u003c\/li\u003e\n\u003cli\u003eThe Struggle Within\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Metallica","offers":[{"title":"Default Title","offer_id":44659701940504,"sku":"BLCKND8R1","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-121044.jpg?v=1753875071"},{"product_id":"senjutsu-limited-edition-trifold-red-black-marble-vinyl-3lp","title":"Senjutsu: Limited edition Trifold Red \u0026 Black Marble Vinyl 3LP","description":"Parlophone Records proudly announces the release of IRON MAIDEN's 17th studio album “Senjutsu” on September 3rd, their first in 6 years. It was recorded in Paris with the longtime producer Kevin Shirley and co-produced by Steve Harris.\n\nThis was preceded on Thursday, July 15, by the much-celebrated animated video for the first single \"The Writing On The Wall\", produced by BlinkInk based on a concept by Bruce Dickinson with two former Pixar executives. This is part of a one-off teaser campaign and worldwide ‘treasure hunt’ for clues to the title and concept of the track.\n\nFor \"Senjutsu\" - loosely translated \"Tactics and Strategy\" - the band once again used the services of Mark Wilkinson to create the spectacular cover art with a samurai theme based on an idea by Steve Harris. With a playing time of just under 82 minutes, \"Senjutsu\", like the predecessor \"The Book Of Souls\", becomes a double CD \/ triple vinyl album.\n\nSteve says: “We decided to record again at Guillaume Tell Studio in France, because this place simply has such a relaxed vibe. The setup there perfectly meets our needs; the building used to be a cinema and has a very high ceiling, which gives a fantastic acoustic sound. We recorded this album in the same way as “The Book Of Souls”, namely that we write, rehearse and record a song together, while we still have everything fresh in our minds. There are some very complex songs on this album that required a lot of hard work to get their sound the way we wanted it to, so the process was a bit of a challenge, but Kevin is very good at it, the essence of the band. capture and I think it was worth the effort! I'm very proud of the result and can not expect the fans to hear it. \"\n\nLead singer Bruce Dickinson continues: “We are all really upset about this album. We recorded it at the beginning of 2019 during a break of the Legacy tour, in order to be able to do as many tours as possible and still have a long lead-up to the release, in order to prepare a good work of art and something special as a video. Of course, the pandemic has delayed things even further - so much for plans in advance, or should one rather say ‘strategies’ !? The songs are very varied, and some of them are quite long. In addition, there are one or two songs that deviate quite a bit from our normal style, and I believe Maiden fans will be surprised - positive, as I hope! ”\n\n\n","brand":"Iron Maiden","offers":[{"title":"Default Title","offer_id":44659758203160,"sku":"190296718632","price":79.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-127629.jpg?v=1751022505"},{"product_id":"war-against-all-limited-edition-transparent-blue-vinyl-lp","title":"War Against All: Limited Edition Transparent Blue Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eUK Only Exclusive\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIMMORTAL, from the Norwegian town Bergen, established themselves as one of the most important black metal bands in the world. Formed by Demonaz (guitars) and Abbath (bass\/vocals) in 1990, the band released the first three albums,\u003cem\u003e Diabolical Fullmoon Mysticism\u003c\/em\u003e, \u003cem\u003ePure Holocaust\u003c\/em\u003e and \u003cem\u003eBattles In The North\u003c\/em\u003e during the years 1992-1995. The very first records established and defined the musical style the band got known for. The band then released the \u003cem\u003eBlizzard Beasts\u003c\/em\u003e album in 1997. Shortly after, Demonaz was diagnosed with a shoulder injury. He still continued to work with the band, but stopped playing guitar live. Abbath changed from bass to guitar, and the band continued with different bass players over the years, releasing the albums \u003cem\u003eAt The Heart Of Winter\u003c\/em\u003e (1999), \u003cem\u003eDamned In Black\u003c\/em\u003e (2000) and \u003cem\u003eSons Of Northern Darkness\u003c\/em\u003e (2002).\u003c\/p\u003e\n\n\u003cp\u003eIn 2003 the band was put on ice, but returned to the stage in 2007 and did several headline appearances and tours of Australia, New Zealand and USA. All Shall Fall was released in 2009, followed by further massive festival shows and additional concerts worldwide. In 2015, IMMORTAL and ex-singer\/guitarist Abbath went separate ways. In 2018, IMMORTAL returned with Demonaz performing guitars again, and also as the band´s vocalist, and released its 9th studioalbum, Northern Chaos Gods, which was very well received by both fans and the press. Come 2023, IMMORTAL sees Demonaz releasing \u003cem\u003eWar Against All\u003c\/em\u003e, the band´s 10th studio album. The record, composed and performed by Demonaz, composed and performed by Demonaz, features some session members like earlier recordings. The album was produced by Arve Isdal, and recorded at Conclave \u0026amp; Earshot Studio in Bergen, Norway by Herbrand Larsen and Arve Isdal. 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Founded in 1991 by the then precociously young Ivar Bjørnson and Grutle Kjellson, Enslaved were determined to set out on a different course from their Satanic, church-burning peers, turning their attention towards Viking lore and writing the majority of the lyrics for their 1994 debut album, “Vikingligr Veldi“, in Icelandic for its proximity to Old Norse.\u003c\/p\u003e\n\n\u003cp\u003eIf subsequent albums, “Frost” and “Eld” – spelling out the dynamic, combinative properties of ice and fire – remain incandescent marker points for Norway’s black metal scene, they were signposts too. Contained within their fevered, sloshing riffs and pomp-infused atmospheres were swells of anticipation and an embryonic sense of destiny. They were tantalising glimpses of the wide-open spaces that have become Enslaved’s guiding principle as they’ve come to straddle the extreme and progressive worlds, with their restless spirit the source of an ongoing journey of wide-eyed discovery.\n2020’s “Utgard” album was the beginning of a new phase for the band, delving deeper into the esoteric nature of Nordic mythology, but finding more precise jump-off points for a leap into the unknown. More streamlined than its multi-layered predecessors, “In Times” and “E”, if only to prise open new expanses to explore, its ruminations on the shadowy, titular land of the Norse Jotun ice giants found parallels with the psychological states of the unconscious, and the pilgrimage into our own hearts of darkness that’s the start of the route to all self-knowledge. Of course, even themes of introspection were transformed into kaleidoscopic sonic adventurism, ranging from blackened, frostbitten charges, through lush, billowing, groove-bolstered updrafts to view-above-the-cloudline vistas and even dives into syncopated, krautrock-inspired wormholes.\u003c\/p\u003e\n\n\u003cp\u003eFor Enslaved, each stage of a journey plants a seed for the next. After 2021’s interim EP, “Caravans To The Outer Worlds”, “Heimdal” offers another tangential act of discovery, another embarkation point for a solemn, expectant and exhilarating passage through the realms of the senses.“Heimdal” is named after arguably the most mysterious entity in Nordic mythology. Most famously known as the gatekeeper between the nine Norse realms, he’s a source of constant speculation, as scholars continue to offer new interpretations of his origins, and his purpose.\u003c\/p\u003e\n\n\u003cp\u003eThe father\/son relationship between the Heimdal and Odin figures mirrors the journey Enslaved have been on for 30 years: the dialogue between older and younger versions of oneself, and whether they are separate, or bound as one. As Ivar says, “It feels like yesterday we were 15 or 18 years old, driving around Haugesund throwing eggs at people during a rehearsal break, and then what the fuck, we have kids? It's sort of a mid-life Ragnarok – not a crisis, but a turning of the corner. Whether it’s the security you now have, or because you’re now dying in a sense more than growing up, that search for uncertainty becomes even more pressing.”\u003c\/p\u003e\n\n\u003cp\u003eThat dialogue between older and younger selves is apparent on “Heimdal” musically too. As far out as the album reaches, you’ll find homages to Enslaved’s formative influences, from bracing, German thrash riffs to the propulsive backbeat of Led Zeppelin. But they’re the motor for fresh, and often unexpected pastures.\u003c\/p\u003e\n\n\u003cp\u003eBeginning with the creaking of ropes, the lapping of waves, and the blowing of a horn, “Behind The Mirror”, is a mix of wanderlust and Grutle’s flint-edged prophetic sermons. “Congelia” rides the crest of the most furious of waves, while “Kingdom” is a tumbling, psychedelic odyssey with a heart-in-mouth, up-is-down momentum that only labelmates Oranssi Pazuzu could match. But it’s the constant shifting and counterpoints of “Heimdal”’s overall dynamics that give it such a sense of immersion and wholeness.\u003c\/p\u003e\n\n\u003cp\u003eIf you find yourself not knowing where “Heimdal” is going to take you next, that is very much the point. The album is bookended by “Behind The Mirror” and the title track itself, both of which reflect each other conceptually, in terms of being in thrall to their own of transitional states.\u003c\/p\u003e\n\n\u003cp\u003e“I would say that Heimdal is an album that points towards new beginnings and a dawn that’s on the other side of the apex of the land,” Ivar explains. “You don’t know what’s on the other side, but you go there. It’s a continuation of the ‘Utgard’ concept. Of course, you have to go into the darkness, that’s all metal and good, but the consequence is that you have to go into the dawn and see what the new day brings.”\n“Heimdal” is reflection of paths travelled, a promise of a new beginning, and a rite of passage between the two. Truly an album for all times.\u003c\/p\u003e\n","brand":"Enslaved","offers":[{"title":"Default Title","offer_id":44916754678040,"sku":"406562966181","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-145239.png?v=1751999365"},{"product_id":"of-kingdom-and-crown-limited-silver-vinyl-2lp","title":"ØF KINGDØM AND CRØWN: Limited Silver Vinyl 2LP","description":"\u003cp\u003eUndisputed masters of murderous riffs, pugnacious grooves and ferocious hooks since 1991, Machine Head are long established as one of the most influential and incendiary bands in the metal world.\u003c\/p\u003e\n\n\u003cp\u003eFrom genre-expanding triumphs like 1994’s debut, Burn My Eyes, 1999’s The Burning Red to the planet-conquering might of 2007’s The Blackening, to the new life injected in 2014’s Bloodstone and Diamonds, Machine Head have carved a singular path across the globe for over three decades now with no end in sight. Whether it be marathon 3 hour live performances, or millions of albums sold worldwide, and accolades both big and small, there aren’t too many “distractions” clouding up the vision of Guitarist\/Vocalist\/Founder Robb Flynn these days.\u003c\/p\u003e\n\n\u003cp\u003eIn 2022, Machine Head are back with their most crushing and complete album yet. ØF KINGDØM AND CRØWN is an hour-long conceptual monolith, rich in colour and dynamics but hell-bent on destruction. Set in a futuristic wasteland where the sky is always crimson red, ØF KINGDØM AND CRØWN tells the tale of two characters, both faced with incalculable trauma, whose stories become bloodily entwined as this deep, dark record progresses.\u003c\/p\u003e\n\n\u003cp\u003e“The album and concept was loosely inspired by the Japanese anime series Attack On Titan,” says Robb, “in the sense that in that series, there is no “good” or “bad” guy… both sides believe they’re doing the right thing, but both are committing atrocities and evil.”\u003c\/p\u003e\n\n\u003cp\u003eAlbum opener, “SLAUGHTER THE MARTYR,” sets the tone for not only the record, but the aural and psychological exploration the listener is about to embark on.  From the first dissonant note, its certain this is not only fresh canvas spelled out with lead vocalist Robb Flynn and bassist Jared MacEachern's soaring vocal harmonies, but its intent is as furious as anything the band has ever come up with. This track also begins the journey of our protagonists.\u003c\/p\u003e\n\n\u003cp\u003eFurther exploration of the damaged psyche blasts forth on “CHØKE ØN THE ASHES ØF YØUR HATE,” a searing back and forth dose of Thrash Metal that could only come from the roots of the Bay Area.  Unrelenting in its attack, the breakneck pace only solidifies this as one of many standouts on ØF KINGDØM AND CRØWN.\u003c\/p\u003e\n\n\u003cp\u003eFrom the adrenaline rush of exorcising their inner demons to the innate feeling of solitude and regret comes “UNHALLØWED.”  A dramatic introspective of questioning one’s motives and the fallout when the debts our expended emotions come to collect.  Hopeless, lost, and isolated, protagonist #2 begins the transformation from victim to victimizer over the melodic chaos courtesy of guitarist Vogg Kiełtyka.  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Many of the same val- ues that made The Mars Volta’s previous albums so ground-breaking, so acclaimed, are still present here, but they are employed in different, adroit ways. The Caribbean rhythms that powered their blistering earlier records still flourish across The Mars Volta – they aren’t the foreground now, but they ripple underneath each of these tracks.\u003c\/p\u003e\n\n\u003cp\u003eSimilarly, the big rock moves and proggy complexities of their landmark releases have given way for more sonic subtlety, for immediacy and directness. 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With 5 long years passed since the most recent studio album, ATONEMENT, ACTS OF GOD vigorously showcases IMMOLATION’s ability to consistently create fascinating sounds, while still keeping their feet firmly rooted in the old school, New York Death Metal for which they are renowned.\u003c\/p\u003e\n\n\u003cp\u003eEmblazoned with a haunting new masterpiece by artist Eliran Kantor, ACTS OF GOD displays a trifecta of angelic beings desperately trying to prevent one another’s flesh from melting in a blackened light from above. The muted colors and ethereal images will ring familiar to fans of IMMOLATION’s previous album covers. “We wanted this cover to feel much darker; more melancholy and hopeless. The music has always been very dark, and a lot of Kantor’s work had the feeling that we were going for; the semi-surreal colliding with a classic, almost renaissance feel,” explains founder and vocalist\/bassist Ross Dolan. “It’s unnerving. 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Firmly aligned with Nuclear Blast Records, the often coveted sound of IMMOLATION has reemerged from the depths of a cursed and cruel world to illuminate our minds and ears with exquisite, sonic destruction.\u003c\/p\u003e\n","brand":"Immolation","offers":[{"title":"Default Title","offer_id":45059913253144,"sku":"406562963411","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-129966.png?v=1752000799"},{"product_id":"cancer-culture-vinyl-lp","title":"Cancer Culture: Vinyl LP","description":"\u003cp\u003eAcross eight studio albums, DECAPITATED grew from the adolescent dream of teenagers from a small Central European town to one of the leaders of the metal genre. Each successive album further expands the band’s sound with genre-bending authenticity and integrity. As Metal Injection rightfully observed, “any self-respecting death metalhead knows the name well.” \u003c\/p\u003e\n\n\u003cp\u003eDECAPITATED’s music is a weapon forged by four young men from a historic medieval-fortified town in Poland, which catapulted them to the top of a worldwide subculture. Like a rose in the devil’s garden, the DECAPITATED story builds triumph from tragedy. The gleeful grotesquery of extreme metal imagery and rifftastic bludgeoning beckons listeners to uncover broader truths.Upon the release of 2017’s Anticult, Metal Hammer declared DECAPITATED “a serious successor to the likes of Pantera and Lamb Of God – a band who can draw new legions into the metal world as its new champions.” Their diverse follow-up, 2022’s Cancer Culture, delivers on that promise. \u003c\/p\u003e\n\n\u003cp\u003eInstantly recognizable devastation and deceptively sinister hooks abound. Freshly minted DECAPITATED anthems like “Last Supper,” “Hello Death,” “Just Cigarette,” “No Cure,” “Iconoclast,” and “Cancer Culture” shimmer with sonically sharp production and unrelenting bombast. There’s also a newly increased emphasis on melody, even venturing into darkly romantic territory. Wacław \"Vogg\" Kiełtyka (guitar), Rafał \"Rasta\" Piotrowski (vocals), Paweł Pasek (bass), and James Stewart (drums) are at the top of their game, delivering the goods at peak performance. Jinjer vocalist Tatiana Shmayluk and Machine Head frontman Robb Flynn make guest appearances. \u003c\/p\u003e\n \n\u003cp\u003eSet on the descending plains of a mountain range amid a dense forest, Krosno boasts a 14th-century Gothic church, a Subcarpathian museum, and stunning artisan glassware. In this Polish town, teenage music student Wacław \"Vogg\" Kiełtyka discovered records from bands like Morbid Angel, Cannibal Corpse, Metallica, and Machine Head. The guitarist and his younger brother, drummer Witold “Vitek” Kiełtyka, cofounded DECAPITATED in 1996, inspired by a wide range of technical death, blackened thrash, and local heroes, like KAT and the world-renowned Vader. Death and black metal reigned supreme in the Polish scene of the 1990s, where Behemoth originated as well. In fact, a Vader song called “Decapitated Saints” inspired the band’s moniker.\u003c\/p\u003e\n\n\u003cp\u003eThe organic musical chemistry between the Kiełtykas was akin to the brotherly connectivity and vibe driving Pantera, Gojira, and the classic era of Sepultura. In 2006, Kerrang! praised the first three DECAPITATED albums - Winds of Creation (2000), Nihility (2002), and The Negation (2004) – as “superbly conceived and executed eruptions of technical brilliance and razor-sharp songwriting that turned these youthful Poles into one of the genre’s most widely respected bands.” That year’s Organic Hallucinosis further perfected Vogg’s penchant for blending extremity with catchy hooks. \u003c\/p\u003e\n\n\u003cp\u003eThe rule-breaking ferocity and invention of the first four albums reinvigorated death metal, as DECAPITATED inspired a new generation of bands who followed suit. Sadly, this era came to a shocking end in late 2007. While touring Russia, the band’s bus collided with a large truck near the border with Belarus. Both Vitak and then-singer Adrian “Covan” Kowanek sustained severe head injuries. Tragically, Vitak passed away in a Russian hospital a few days later. He was just 23.Vogg summoned the courage to continue, in honor of his brother and what they created, and returned with a new incarnation of DECAPITATED and the fiercely adventurous comeback album, Carnival is Forever (2011) featuring new vocalist Rafał \"Rasta\" Piotrowski. Blood Mantra (2014) introduced bassist, Paweł Pasek. Blabbermouth declared it “perhaps the most poised and gutsy” DECAPITATED album, adding “its courageous bends make it a turbulent but pleasurable ride.” \u003c\/p\u003e\n\n\u003cp\u003eCancer Culture sounds brilliant, modern, and tasty. “There is no place for any fake, plastic, bullshit drum machine or anything like that,” Vogg insists. “It’s all organic, pure, and clear, showing the true face of the band. Vogg and company entrusted the Cancer Culture mix to David Castillo at Sweden’s Fascination Street Studios \/ Studio Gröndahl (Sepultura, Carcass, Opeth, Katatonia), and legendary American producer Ted Jensen (Metallica, Slipknot, Pantera, Machine Head, Korn). \u003c\/p\u003e\n\n\u003cp\u003eThe devoted supporters who traveled to see DECAPITATED on international tours with the likes of Lamb Of God, Meshuggah, Soulfly, Fear Factory, and Suffocation over the years will recognize the ever-present pummeling backbone. Longtime fans and newcomers alike will connect to the variety of atmospheric depth throughout Cancer Culture’s ten boundlessly energetic and creative tracks.\u003c\/p\u003e\n\n\u003cp\u003e“If you told me 25 years ago, in my neighborhood in the South of Poland, that I would be in Machine Head, sharing riffs with Robb Flynn,” Vogg marvels. “It’s simply incredible. It means that everything is possible in your life. That gives me the faith to believe that I can achieve even more in my career. The dreams we have when we are kids, things we can barely imagine, can happen.” Flynn contributes a hauntingly beautiful vocal to the Cancer Culture track “Iconoclast.” “Clean vocal singing is a really new thing in DECAPITATED,” Vogg notes. “It’s really unique and amazing.” \u003c\/p\u003e\n\n\u003cp\u003eDriven by Vogg’s passion and integrity, the dual emphasis on creative invention and technical prowess maintains DECAPITATED’s stature as genre-leaders in 2022 and beyond. The band’s supporters continually demonstrate confidence and absolute certainty DECAPITATED will deliver. \u003c\/p\u003e","brand":"Decapitated","offers":[{"title":"Default Title","offer_id":45059937763608,"sku":"406562960521","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-132630.png?v=1747949588"},{"product_id":"cancer-culture-limited-edition-gatefold-red-vinyl-lp","title":"Cancer Culture: Limited Edition Gatefold Red Vinyl LP","description":"\u003cp\u003eAcross eight studio albums, DECAPITATED grew from the adolescent dream of teenagers from a small Central European town to one of the leaders of the metal genre. Each successive album further expands the band’s sound with genre-bending authenticity and integrity. As Metal Injection rightfully observed, “any self-respecting death metalhead knows the name well.” \u003c\/p\u003e\n\n\u003cp\u003eDECAPITATED’s music is a weapon forged by four young men from a historic medieval-fortified town in Poland, which catapulted them to the top of a worldwide subculture. Like a rose in the devil’s garden, the DECAPITATED story builds triumph from tragedy. The gleeful grotesquery of extreme metal imagery and rifftastic bludgeoning beckons listeners to uncover broader truths.Upon the release of 2017’s Anticult, Metal Hammer declared DECAPITATED “a serious successor to the likes of Pantera and Lamb Of God – a band who can draw new legions into the metal world as its new champions.” Their diverse follow-up, 2022’s Cancer Culture, delivers on that promise. \u003c\/p\u003e\n\n\u003cp\u003eInstantly recognizable devastation and deceptively sinister hooks abound. Freshly minted DECAPITATED anthems like “Last Supper,” “Hello Death,” “Just Cigarette,” “No Cure,” “Iconoclast,” and “Cancer Culture” shimmer with sonically sharp production and unrelenting bombast. There’s also a newly increased emphasis on melody, even venturing into darkly romantic territory. Wacław \"Vogg\" Kiełtyka (guitar), Rafał \"Rasta\" Piotrowski (vocals), Paweł Pasek (bass), and James Stewart (drums) are at the top of their game, delivering the goods at peak performance. Jinjer vocalist Tatiana Shmayluk and Machine Head frontman Robb Flynn make guest appearances. \u003c\/p\u003e\n \n\u003cp\u003eSet on the descending plains of a mountain range amid a dense forest, Krosno boasts a 14th-century Gothic church, a Subcarpathian museum, and stunning artisan glassware. In this Polish town, teenage music student Wacław \"Vogg\" Kiełtyka discovered records from bands like Morbid Angel, Cannibal Corpse, Metallica, and Machine Head. The guitarist and his younger brother, drummer Witold “Vitek” Kiełtyka, cofounded DECAPITATED in 1996, inspired by a wide range of technical death, blackened thrash, and local heroes, like KAT and the world-renowned Vader. Death and black metal reigned supreme in the Polish scene of the 1990s, where Behemoth originated as well. In fact, a Vader song called “Decapitated Saints” inspired the band’s moniker.\u003c\/p\u003e\n\n\u003cp\u003eThe organic musical chemistry between the Kiełtykas was akin to the brotherly connectivity and vibe driving Pantera, Gojira, and the classic era of Sepultura. In 2006, Kerrang! praised the first three DECAPITATED albums - Winds of Creation (2000), Nihility (2002), and The Negation (2004) – as “superbly conceived and executed eruptions of technical brilliance and razor-sharp songwriting that turned these youthful Poles into one of the genre’s most widely respected bands.” That year’s Organic Hallucinosis further perfected Vogg’s penchant for blending extremity with catchy hooks. \u003c\/p\u003e\n\n\u003cp\u003eThe rule-breaking ferocity and invention of the first four albums reinvigorated death metal, as DECAPITATED inspired a new generation of bands who followed suit. Sadly, this era came to a shocking end in late 2007. While touring Russia, the band’s bus collided with a large truck near the border with Belarus. Both Vitak and then-singer Adrian “Covan” Kowanek sustained severe head injuries. Tragically, Vitak passed away in a Russian hospital a few days later. He was just 23.Vogg summoned the courage to continue, in honor of his brother and what they created, and returned with a new incarnation of DECAPITATED and the fiercely adventurous comeback album, Carnival is Forever (2011) featuring new vocalist Rafał \"Rasta\" Piotrowski. Blood Mantra (2014) introduced bassist, Paweł Pasek. Blabbermouth declared it “perhaps the most poised and gutsy” DECAPITATED album, adding “its courageous bends make it a turbulent but pleasurable ride.” \u003c\/p\u003e\n\n\u003cp\u003eCancer Culture sounds brilliant, modern, and tasty. “There is no place for any fake, plastic, bullshit drum machine or anything like that,” Vogg insists. “It’s all organic, pure, and clear, showing the true face of the band. Vogg and company entrusted the Cancer Culture mix to David Castillo at Sweden’s Fascination Street Studios \/ Studio Gröndahl (Sepultura, Carcass, Opeth, Katatonia), and legendary American producer Ted Jensen (Metallica, Slipknot, Pantera, Machine Head, Korn). \u003c\/p\u003e\n\n\u003cp\u003eThe devoted supporters who traveled to see DECAPITATED on international tours with the likes of Lamb Of God, Meshuggah, Soulfly, Fear Factory, and Suffocation over the years will recognize the ever-present pummeling backbone. Longtime fans and newcomers alike will connect to the variety of atmospheric depth throughout Cancer Culture’s ten boundlessly energetic and creative tracks.\u003c\/p\u003e\n\n\u003cp\u003e“If you told me 25 years ago, in my neighborhood in the South of Poland, that I would be in Machine Head, sharing riffs with Robb Flynn,” Vogg marvels. “It’s simply incredible. It means that everything is possible in your life. That gives me the faith to believe that I can achieve even more in my career. The dreams we have when we are kids, things we can barely imagine, can happen.” Flynn contributes a hauntingly beautiful vocal to the Cancer Culture track “Iconoclast.” “Clean vocal singing is a really new thing in DECAPITATED,” Vogg notes. “It’s really unique and amazing.” \u003c\/p\u003e\n\n\u003cp\u003eDriven by Vogg’s passion and integrity, the dual emphasis on creative invention and technical prowess maintains DECAPITATED’s stature as genre-leaders in 2022 and beyond. The band’s supporters continually demonstrate confidence and absolute certainty DECAPITATED will deliver. \u003c\/p\u003e","brand":"Decapitated","offers":[{"title":"Default Title","offer_id":45064577876248,"sku":"406562960528","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-132629.png?v=1759757177"},{"product_id":"foregone-vinyl-2lp","title":"Foregone: Vinyl 2LP","description":"\u003cp\u003eIn Flames represent the best of metal’s past, present, and future. In Flames are as vital and even more energized today than when they unleashed classics like Come Clarity and Clayman in decades past. \u003c\/p\u003e\n\n\u003cp\u003eThe band built a stunning reputation with devastating, crowd-moving, inspired performances around the world at every major rock and metal festival imaginable, headlining multiple treks, and touring with the likes of Slipknot, Megadeth, Judas Priest, Killswitch Engage, Within Temptation, and Lamb Of God. They regularly headline some of the biggest stages and festivals in the world. \u003c\/p\u003e\n\n\u003cp\u003eForegone, the furious fourteenth studio album, combines the greatest aggressive, metallic, and melodic strengths of their landmark records with the seasoned songwriting of their postmodern era.\u003c\/p\u003e\n\n\u003cp\u003eThe melodic guitars, crushing riffs, and high-speed tempos that define much of the In Flames catalog first crystalized on their second album, The Jester Race (1996), complete with hints of the catchy choruses to come. Whoracle (1997) is the rawest and arguably heaviest In Flames album from the 90s. Metal Hammer declared melodeath masterpiece Colony (1999) “an undisputed fireball of an album.”\u003c\/p\u003e\n\n\u003cp\u003eClayman (2000) introduced synths and more prominent clean vocals, without sacrificing the band’s intensity. Reroute to Remain (2002) took the groove element further. Soundtrack to Your Escape (2004) expanded the rock bombast. Come Clarity (2006) is a perfect metalcore slab. A Sense of Purpose (2008) delivered some of the band’s best and most eclectic songs. The gothic groove metal of Sounds of a Playground Fading (2011) paved the way for the unapologetic Active Rock hooks of Siren Charms (2014) and Battles (2016). Fans of the aggressive side of In Flames praised I, the Mask (2019). Foregone masterfully, if improbably, manages to serve all sides of the In Flames fanbase, with powerful force.\u003c\/p\u003e\n\n\u003cp\u003eA sense of pride, accomplishment, and continued vitality are evident every time the band takes the stage, and all over Foregone. Melodic death metal pioneers and innovative purveyors of groove, the artistry, influence, stature, and future of In Flames loom as large as the heavy metal horizon itself. \u003c\/p\u003e","brand":"In Flames","offers":[{"title":"Default Title","offer_id":45064658452760,"sku":"406562965141","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-141250.png?v=1752000786"},{"product_id":"hate-uber-alles-limited-edition-trifold-double-black-vinyl-2lp","title":"Hate Über Alles: Limited Edition Trifold Double Black Vinyl 2LP","description":"\u003cp\u003eWorld renowned extreme Metal titans KREATOR are back. 5 Years after their incredibly successful “Gods Of Violence” album (2107, #1 in the German album charts, #4 in Austria, #7 in Czech Republic and Finland + chart entries in numerous other territories), the genre-defining band presents their most political effort to date. “Hate Über Alles” (in tradition of US punk icons DEAD KENNEDYS’ “California Über Alles”) is a bold statement against hate and the division of society in today’s world. While perfecting their signature sound of thrash metal that inspired countless other bands over the past 4 decades, KREATOR have managed to close the gap between the old and new school, still reaching new audiences, playing sold out shows to even bigger crowds as they move on.\u003c\/p\u003e\n\n\u003cp\u003eHate Über Alles” features 11 tracks that once again show who’s boss in this game that many begin but only few ultimately last in. The crushing frenzy of the title track, the pounding “Strongest Of The Strong” featuring world famous vegan strongman Patrik Baboumian, the nostalgia of “Become Immortal” or the extravaganza of “Midnight Sun” make the band’s 14th album their most diverse and thrilling so far. “Hate Über Alles” will be accompanied by massive online and out-of-home campaigns, leading up to the band’s European co-headlining tour with Grammy-nominated US powerhouse LAMB OF GOD in November\/December 2022. The album is available in various lavish vinyl editions featuring a beautiful, yet grim trifold artwork by famous artist Eliran Kantor (TESTAMENT, SOULFLY, HELLOWEEN, HEAVEN SHALL BURN, HATEBREED among others) as well as in a noble CD Digibook and bold box set including an extended Making-Of Book, a live album of the band’s 2021 Bloodstock Open Air appearance, an art print of the cover and a pin of the band’s iconic logo.\u003c\/p\u003e\n","brand":"Kreator","offers":[{"title":"Default Title","offer_id":45064685945112,"sku":"406562962861","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-130958.png?v=1751998770"},{"product_id":"hate-uber-alles-limited-edition-trifold-double-crystal-clear-vinyl-2lp","title":"Hate Über Alles: Limited Edition Trifold Double Crystal Clear Vinyl 2LP","description":"\u003cp\u003eWorld renowned extreme Metal titans KREATOR are back. 5 Years after their incredibly successful “Gods Of Violence” album (2107, #1 in the German album charts, #4 in Austria, #7 in Czech Republic and Finland + chart entries in numerous other territories), the genre-defining band presents their most political effort to date. “Hate Über Alles” (in tradition of US punk icons DEAD KENNEDYS’ “California Über Alles”) is a bold statement against hate and the division of society in today’s world. While perfecting their signature sound of thrash metal that inspired countless other bands over the past 4 decades, KREATOR have managed to close the gap between the old and new school, still reaching new audiences, playing sold out shows to even bigger crowds as they move on.\u003c\/p\u003e\n\n\u003cp\u003eHate Über Alles” features 11 tracks that once again show who’s boss in this game that many begin but only few ultimately last in. The crushing frenzy of the title track, the pounding “Strongest Of The Strong” featuring world famous vegan strongman Patrik Baboumian, the nostalgia of “Become Immortal” or the extravaganza of “Midnight Sun” make the band’s 14th album their most diverse and thrilling so far. “Hate Über Alles” will be accompanied by massive online and out-of-home campaigns, leading up to the band’s European co-headlining tour with Grammy-nominated US powerhouse LAMB OF GOD in November\/December 2022. The album is available in various lavish vinyl editions featuring a beautiful, yet grim trifold artwork by famous artist Eliran Kantor (TESTAMENT, SOULFLY, HELLOWEEN, HEAVEN SHALL BURN, HATEBREED among others) as well as in a noble CD Digibook and bold box set including an extended Making-Of Book, a live album of the band’s 2021 Bloodstock Open Air appearance, an art print of the cover and a pin of the band’s iconic logo.\u003c\/p\u003e\n","brand":"Kreator","offers":[{"title":"Default Title","offer_id":45064693154072,"sku":"406562962863","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-130957.png?v=1752000804"},{"product_id":"hate-uber-alles-limited-edition-trifold-double-white-black-marbled-vinyl-2lp","title":"Hate Über Alles: Limited Edition Trifold Double White + Black Marbled Vinyl 2LP","description":"\u003cp\u003eWorld renowned extreme Metal titans KREATOR are back. 5 Years after their incredibly successful “Gods Of Violence” album (2107, #1 in the German album charts, #4 in Austria, #7 in Czech Republic and Finland + chart entries in numerous other territories), the genre-defining band presents their most political effort to date. “Hate Über Alles” (in tradition of US punk icons DEAD KENNEDYS’ “California Über Alles”) is a bold statement against hate and the division of society in today’s world. While perfecting their signature sound of thrash metal that inspired countless other bands over the past 4 decades, KREATOR have managed to close the gap between the old and new school, still reaching new audiences, playing sold out shows to even bigger crowds as they move on.\u003c\/p\u003e\n\n\u003cp\u003eHate Über Alles” features 11 tracks that once again show who’s boss in this game that many begin but only few ultimately last in. The crushing frenzy of the title track, the pounding “Strongest Of The Strong” featuring world famous vegan strongman Patrik Baboumian, the nostalgia of “Become Immortal” or the extravaganza of “Midnight Sun” make the band’s 14th album their most diverse and thrilling so far. “Hate Über Alles” will be accompanied by massive online and out-of-home campaigns, leading up to the band’s European co-headlining tour with Grammy-nominated US powerhouse LAMB OF GOD in November\/December 2022. The album is available in various lavish vinyl editions featuring a beautiful, yet grim trifold artwork by famous artist Eliran Kantor (TESTAMENT, SOULFLY, HELLOWEEN, HEAVEN SHALL BURN, HATEBREED among others) as well as in a noble CD Digibook and bold box set including an extended Making-Of Book, a live album of the band’s 2021 Bloodstock Open Air appearance, an art print of the cover and a pin of the band’s iconic logo.\u003c\/p\u003e\n","brand":"Kreator","offers":[{"title":"Default Title","offer_id":45064705278232,"sku":"406562963934","price":42.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-130955.jpg?v=1752000796"},{"product_id":"omens-vinyl-lp","title":"Omens: Vinyl LP","description":"\u003cp\u003eAcross their career Lamb Of God grew from basement shows and grimy DIY venues to headline arenas. The New Wave of American Heavy Metal architects earned a reverence akin to musical forefathers (and road companions) Metallica, Slayer, and Megadeth. \u003c\/p\u003e\n\n\u003cp\u003e\"For millions of headbangers, Lamb Of God are simply the most important contemporary metal band in the world,\" Guitar World observed. Timeless songs like \"Laid to Rest,\" \"Redneck,\" \"Walk with Me in Hell,\" and \"Now You've Got Something to Die For\" became anthems in the heavy metal songbook, with gargantuan vocals born from both righteous anger and devotion, and unrivaled riffs for the ages. \u003c\/p\u003e\n\n\u003cp\u003eNow, the Grammy-nominated goliath follows 2020's self-titled slab with a vicious new testament. Riding high on an insatiable drive, a focused collective camaraderie, and a creative renaissance saluted by the likes of Rolling Stone and NME, Lamb Of God returned to longtime producer Josh Wilbur (Megadeth, Korn, Avenged Sevenfold) and carved the gloriously unhinged Omens into sonic stone. \u003c\/p\u003e\n\nEven as D. Randall Blythe (vocals), Mark Morton (lead guitar), Willie Adler (guitar), John Campbell (bass), and Art Cruz (drums) enjoy one another's company and chemistry like never before, Omens is possibly the angriest Lamb Of God album yet. Densely muscular, soaked in unnerving spite, with a pessimistic eye toward inner struggles and global affairs alike, Omens is a furious entry in the catalog. \n\n\u003cp\u003eMost of the album was recorded live in the studio, including Blythe's vibrantly unhinged vocal attack. Morton and Adler's riffs threaten, challenge, and devastate. Cruz and Campbell's unstoppable rhythms lurch and beckon. Having shined on 2020’s Lamb Of God, Cruz injects even more nuance and personality into his playing across Omens’ songs. \u003c\/p\u003e\n\n\u003cp\u003eIt's a potent, palpable energy Lamb Of God first tapped when they shoved heavy metal into the new millennium with New American Gospel (2000). As the Palaces Burn (2003) joined Rolling Stone's Top 100 Greatest Metal Albums of All Time. Ashes of the Wake (2004) was the first Lamb Of Gold album certified gold by the RIAA, a feat once all but impossible for a contemporary extreme metal band. \u003c\/p\u003e\n\n\u003cp\u003eSacrament (2006), Revolver's Album of the Year, went gold as well. The raw and organic malice of Wrath (2009) began the band's enduring relationship with Wilbur. Both the diverse Resolution (2012) and the explosive VII: Sturm und Drang (2015) debuted in the Top 5 of the Billboard 200. \u003c\/p\u003e\n\n\u003cp\u003eThe 2020 self-titled set, their first new material in five years, added instant classics \"Memento Mori\" and \"Resurrection Man\" to the repertoire, alongside eight more monster tracks. Revolver, Metal Hammer, Loudwire, and Consequence included Lamb Of God on their year-end Best Albums lists. The momentum continues with Omens, arguably the band's most aggressive and ambitious yet. \u003c\/p\u003e\n\n\u003cp\u003eThe hardcore fire at the heart of Lamb Of God still burns as hot as the 12-foot flames blazing the stages on their co-headlining trek with Megadeth, appropriately called \"The Metal Tour of the Year.\" Even as the state of the world descends, the state of the union for Lamb Of God remains strong. \u003c\/p\u003e","brand":"Lamb of God","offers":[{"title":"Default Title","offer_id":45065095577880,"sku":"406562965701","price":30.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-136355.jpg?v=1747954083"},{"product_id":"opvs-contra-natvram-vinyl-lp","title":"Opvs Contra Natvram: Vinyl LP","description":"\u003cp\u003eIn the annals of metal there is no band more synonymous with an unswerving commitment to the single-minded defiance of expectation than BEHEMOTH. Over the course of their remarkable 31-year career, these Polish hellraisers – spearheaded by Adam Darski, aka Nergal – are more than just the architects of their country’s legendary extreme metal scene. Over the course of three decades and previous 11 albums, Nergal’s singular vision has forged BEHEMOTH into something far more than a mere black metal band. Beyond any confines of genre, they have grown to become nothing less than the personification of rebellion, individuality and unflinching self-expression informed by a literate worldview and worldliness that’s resulted in a locking of horns with everything from the mainstream press to the Polish Catholic church – most notably manifesting in Nergal’s trial for blasphemy in 2010 that only served to expose the deep-seated hypocrisies that his music seeks to challenge. It also highlighted the distinct lack of fucks that he has to give.\u003c\/p\u003e \n\n\u003cp\u003eNow world-renowned and yet exuberantly underground in their convictions, BEHEMOTH are perhaps the unlikeliest of success stories, but if their stratospheric ascent and hard-won commercial achievement can be attributed to anything, it’s a cast-iron unwillingness to compromise. As Opvs Contra Natvram, their 12th studio release heralds from the rooftops – their longevity is down to a resolute commitment to find new ways to enthrall and inspire their ever-growing legion of latter-day heretics, a determination which shows no signs of erosion. It’s changing times and new battles to fight to which Nergal attributes BEHEMOTH’s unique ability to sound fresh despite their incredible tenure. Therein lies the inspiration for the album’s title and striking cover artwork.\u003c\/p\u003e  \n\n\u003cp\u003eNever being fully satisfied and never getting comfortable is the basis of the ferocious sounds to be found on Opvs…, too, and as Nergal explains, our viral armageddon afforded him the perfect opportunity to luxuriate in the one thing that BEHEMOTH’s growing empire has never afforded him - time.\u003c\/p\u003e   \n\n\u003cp\u003e“This is the most thoughtful, the most thought-through, the most mature thing we’ve done – it’s quintessentially BEHEMOTH” he says. “It’s just bangers – all meat, no fat.”\u003c\/p\u003e  \nRenowned for his meticulous attention to detail and absolute creative control of BEHEMOTH’s world, the depressurised environment afforded by the pandemic meant that for nearly the first time since the band’s inception there was no deadline to observe, allowing for a nearly unprecedented level of attention to the process of writing and recording.   \n\n\u003cp\u003eThe 12 chapters of fury that make up Opvs Contra Natvram were written and recorded over the course of a very strange year for the world, a situation which only heightened the level of craft seen in these 43 minutes and 15 seconds of honed, searing wrath. As with previous studio outings, Opvs… was produced by BEHEMOTH with engineering duties undertaken by acclaimed Meshuggah, Dimmu Borgir and In Flames producer Daniel Bergstrand. Mixing, however, involved a new player on the chessboard who you’d be hard-pressed to guess - famed producer and mixer Joe Barresi, a studio legend with a breathtaking credits list which includes Queens of the Stone Age, Nine Inch Nails, Alice in Chains and Tool just to name a few. He was chosen for his celebrated ability to simultaneously preserve a studio recording’s organic feel and identity, and the inspiration for the decision comes from a place you’d least expect.\u003c\/p\u003e   \n\n\u003cp\u003e“So much sounds flat,” says Nergal. “It’s not about how professional you sound, because everything sounds professional and overproduced these days, but you don’t need to make everything perfect – just let it breathe. When you listen to David Bowie, every song has identity – I asked, ‘does the scene really need another album that sounds like everything else?’ Every record I’ve made is me standing in front of motherfucking Mount Everest. Do I make it? Well I have to try.”\u003c\/p\u003e  \n\n\u003cp\u003eAnd from the sound of Opvs… there is no doubting the artistic summit that Nergal and BEHEMOTH are aiming for. From the colossal energy of opener Post-God Nirvana to the epic and righteous indignation of Ov My Herculean Exile and album-closer Versvs Christvs - a riveting extended track featuring piano and clean vocals which are destined to turn heads BEHEMOTH’s latest is the ultimate soundtrack to these strange and troubled times.\u003c\/p\u003e  \n","brand":"Behemoth","offers":[{"title":"Default Title","offer_id":45065102852376,"sku":"727361598310","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-135163.png?v=1746745164"},{"product_id":"the-agony-ecstasy-of-watain-vinyl-lp","title":"The Agony \u0026 Ecstasy of Watain: Vinyl LP","description":"\u003cp\u003eWatain crawled out of Satan's c**t in 1998, and has since then ascended and grown into one of the world's most well known and notorious Black Metal bands. Their legacy is often referred to with fear, love, confusion or awe, but seldom with indifference.\u003c\/p\u003e\n\n\u003cp\u003eTheir infamous live shows have become a worldwide phenomenon; inimitable ceremonies of wild Black Metal fanatism where the sacred and solemn collides with raw unadulterated force.\u003c\/p\u003e\n\n\u003cp\u003eWith their greatly anticipated seventh studio album, Watain continues to arouse and electrify their audience with an unmistakable, adventurous brand of Black Metal Magic, processed and distilled over the course of a 25-year long history.\u003c\/p\u003e\n\n\u003cp\u003eRecorded live inside an old church on the Swedish countryside, \"The Agony \u0026amp; Ecstasy of Watain\" takes the listener one step closer to the innermost heart of a band that despite always being surrounded by rumors and controversy has always strived for the most sincere and genuine ways of expression. \u003c\/p\u003e\n\n\u003cp\u003eWith 10 songs written by the founding trinity of Watain (E. 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Motorhead recorded their own version and released it as a single from their 1992 March ör Die album ..\" was one of four songs from NO MORE TEARS co-written by Ozzy with Lemmy the others are \"Mama I'm Coming Home\" and \"I Don't Want to Change the World\".\u003c\/p\u003e\n\n\u003cp\u003e“I hope everyone enjoys the song,” Ozzy says ..“This is just a small way to honour my friend Lemmy. Sharon and I talk a lot about how much we miss him.\"\u003c\/p\u003e\n","brand":"Ozzy Osbourne","offers":[{"title":"Default Title","offer_id":45215529042200,"sku":"19439938691","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-129076.png?v=1749787691"},{"product_id":"killing-machine-vinyl-lp","title":"Killing Machine: Vinyl LP","description":null,"brand":"Judas Priest","offers":[{"title":"Default Title","offer_id":45215936348440,"sku":"88985390811","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-104381.jpg?v=1749598791"},{"product_id":"point-of-entry-vinyl-lp","title":"Point of Entry: Vinyl LP","description":null,"brand":"Judas Priest","offers":[{"title":"Default Title","offer_id":45216711213336,"sku":"88985390851","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-104382.jpg?v=1749599055"},{"product_id":"ram-it-down-vinyl-lp","title":"Ram It Down: Vinyl LP","description":null,"brand":"Judas Priest","offers":[{"title":"Default Title","offer_id":45216786022680,"sku":"88985390871","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-147832.png?v=1749787637"},{"product_id":"stained-class-vinyl-lp","title":"Stained Class: Vinyl LP","description":null,"brand":"Judas Priest","offers":[{"title":"Default Title","offer_id":45220492869912,"sku":"88985390791","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-104379.jpg?v=1747087457"},{"product_id":"the-quest-vinyl-2lp-2cd","title":"The Quest: Vinyl 2LP + 2CD","description":"\u003cp\u003eThe Quest is the latest studio album from legendary progressive rock band Yes, and their first for new label home InsideOutMusic. 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This immersive album highlights a continuation from previous releases and a constant evolution which has been evident since their formation.\u003c\/p\u003e\n\n\u003cp\u003eIn 2016, they released their critically-acclaimed score for ‘No Man’s Sky’, the most anticipated game in the world at that time. Their generative, infinitely long, in-game score was experienced uniquely by each of the game’s millions of players.\u003c\/p\u003e\n \n\u003cp\u003eThis crash course in algorithmic music led to the band building their own procedural musical systems and generative soundscapes, crafting custom synths, live coding and writing software to make music for (and against) them. This new way of working they called “Decomposition Theory” — decomposing from the infinite possibilities their systems churned out instead of composing from the ground up, a dialectic between the band and their machines.\u003c\/p\u003e\n \n\u003cp\u003eFrom the eventual smouldering wreckage of their broken software systems and entropic algorithms, the band realised their next record needed to be the opposite. An album born from the debris, but stripped down to its most focussed, intentional form. \u003c\/p\u003e\n\n\u003cp\u003ereplicr, 2019 is the album carved from the wreckage. Forty two minutes of dread. A record that stares head on into the abyssal futures of late capitalism and refuses to blink. A melancholic, tireless soundtrack of acceleration. A feeling of frayed-nerved, time-smudged, light-speed drifting through cities built upon cities. Neon seen through rain-riddled windowpanes. replicr, 2019 is a stark, angular, stripped back slab of focussed noise. It wastes no time because there is no time left to waste.\u003c\/p\u003e","brand":"65daysofstatic","offers":[{"title":"Default Title","offer_id":45221619630360,"sku":"19075972601","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-93137.jpg?v=1746482122"},{"product_id":"distant-memories-live-in-london-limited-edition-4lp-3cd-box-set","title":"Distant Memories – Live in London: Limited Edition 4LP + 3CD Box Set","description":"Distant Memories – Live in London brings together selections from 2019’s Distance Over Time, in concert with the full and complete performance of 1999’s Metropolis Pt. 2: Scenes from a Memory, in what was one of the most anticipated and historic evenings in Dream Theater history, ultimately becoming this instant classic. The entirety of the band’s The Distance Over Time Tour: Celebrating 20 Years of Scenes From a Memory is a testament to their fans’ long-term appreciation and love for the band as the members themselves recount, expressing that the “tour has been really incredible for all of us in so many ways. We have been supporting our latest work which has been embraced by DT fans all around the world in a way that we are incredibly grateful for, and the two nights we recorded and filmed in London were definitely amongst the best shows of the tour.” Petrucci continues, “Whether you had a chance to see this tour in person and want to relive what was hopefully an awesome concert experience, or are enjoying the performance on video for the first time, Distant Memories very accurately and very beautifully captures the energy and excitement we all felt together at the Apollo this past February.”  He progresses, highlighting the “incredible touring and production crew, along with our amazing film crew, all of whom have really delivered the goods and made it possible for us to be presented in our best light. We are beyond proud to offer this release with brilliant sound, visuals and artistic presentation, thanks to our talented mix engineer, director, visual artist and art director who we all value beyond words.” The momentous performance Distant Memories – Live In London is available as a Limited Deluxe 3CD\/2Blu-Ray\/2DVD 44-page artbook, Limited Edition 4LP + 3CD Boxset, Special Edition 3CD+2Blu-ray Digipak, 3CD+2DVD Mulitbox \u0026amp; as a Digital Audio Album. 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The idea was born out of the rubble of the live music industry in these frankly unprecedented times, and in Schmier’s own words “This might help us to keep the spirit, bring back some joy and great memories.”.\u003c\/p\u003e\n\n\u003cp\u003e‘Born To Thrash – Live In Germany’ marks the band’s first live release as a four-piece since their classic 1989 record ‘Live Without Sense’ and maintains the ferocious, raw authenticity displayed on that album. It’s a powerful fragment of the band’s career as it stands in 2020 and will allow their fans to reconnect with what made them love Destruction to begin with.\u003c\/p\u003e\n\n\u003cp\u003eFormed in 1982, and originally named Knight Of Demon, Destruction solidified their position as one of the big four of German thrash alongside Kreator, Sodom and Tankard thanks to their immense sound that drew as much from thrash as it did early black metal. Thanks to world beating records such as ‘Infernal Overkill’, ‘Eternal Devastation’ and ‘Release From Agony’ the band have managed to maintain their position as one of Europe’s most influential metal bands for almost four decades.\u003c\/p\u003e\n","brand":"Destruction","offers":[{"title":"Default Title","offer_id":45331906691352,"sku":"727361554217","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-102958.jpg?v=1751958765"},{"product_id":"blue-lightning-limited-edition-blue-splatter-vinyl-2lp","title":"Blue Lightning: Limited Edition Blue Splatter Vinyl 2LP","description":"\u003cp\u003eYngwie Malmsteen's album Blue Lightning will be reissued on Blue Splatter Vinyl on July 23, 2021. The vinyl includes 2 bonus tracks not available on the CD!\nTo call Yngwie Malmsteen a 'maestro' or 'virtuoso' is to state the obvious. But such terms don't do sufficient justice to either his talent or impact. There are innumerable guitarists who have copied a small part of the vast musical spectrum that defines him, but nobody comes close to achieving what he has over a period of nearly four decades.\nNow, with 'Blue Lightning', the man highlights not only his enduring dexterity and diversity, but also pays homage to those from the blues world who have fuelled his artistic spirit for so long. Anyone who is expecting Malmsteen to copy exactly the way the original versions sound is in for a shock. Because that is not what he has done. He has masterfully transformed classics like Smoke On The Water, Purple Haze and While My Guitar Gently Weeps into his idiom, and wrote and recorded 4 new tracks for this album.\u003c\/p\u003e\n","brand":"Yngwie Malmsteen","offers":[{"title":"Default Title","offer_id":45331987398936,"sku":"810020504828","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-119571.jpg?v=1751960276"},{"product_id":"dancing-into-oblivion-limited-edition-clear-vinyl-lp","title":"Dancing Into Oblivion: Limited Edition Clear Vinyl LP","description":"\u003cp\u003eAfter the release of ‘Kuarahy’ concurred with the blast of the worldwide pandemic and all the consequences it has generated, WHITE STONES - Martín Mendez’s project (OPETH’s bass player) - are ready to launch their second record.\u003c\/p\u003e \n\n\u003cp\u003eWhen WHITE STONES released ‘Kuarahy’ they became the first Spanish band signed to Nuclear Blast Records, cementing their first album as an unprecedented milestone. Now, with ‘Dancing Into Oblivion’, the band returns with a more compact sound, having been hard at work ensuring the utmost attention to every detail for a result that is even better than the first record.\u003c\/p\u003e\n\n\u003cp\u003eThe topics covered on this second album draw on the feelings that Martín himself affirms he has lived through during the lockdown imposed by the covid-19 pandemic. “I started it very calmed in March when »Kuarahy« was released and the lockdown started. I wrote the new record and it just flowed so well. It’s my point of view, of the feelings I had during the lockdown period, in this weird year. I took advantage of the moment and I feel excited about it”, reveals the musician.\u003c\/p\u003e\n\n\u003cp\u003eThe most outstanding musical elements on this new record are the disparate genres that manage to co-exist. There is an element of aggression, that can be seen rearing its head in an instrumental frenzy, as well as soft and delicate intricacies that develop an atmosphere which surrounds the listener. There are distinct dynamics among the songs, with interludes allowing the listening to take a breath and appreciate what they’re hearing.\u003c\/p\u003e\n\n\u003cp\u003eThe writing process of ‘Dancing Into Oblivion’ has been pretty similar to the previous ‘Kuarahy’ but with some clear changes. Martín composed all of the instrumentals for the album but, as he says, “I’ve left sections open to the interpretation of each of the other musicians, both in the drums and in the vocals. Eloi wrote the lyrics this time and we then workshopped them together whilst working out the vocal parts to get the final result in the studio”.\u003c\/p\u003e\n\n\u003cp\u003eWHITE STONES once again recorded at Farm Of Sounds Studios (Barcelona), owned by their singer Eloi. They were satisfied with the sound of ‘Kuarahy’ and the experience of the recording of that album and the comfort of making everything with their own tools made it all easier. “Everything has been ‘homemade’ because it’s a way of working and a philosophy I like. You have more control and you can better enforce your ideas”, Méndez explains -who also created the cover for ‘Dancing Into Oblivion’ together with Sandra, his partner for many years.\u003c\/p\u003e\n\n\u003cp\u003eThe final mix and mastering of this second album was done by Jaime Gómez Arellano at Orgone Studios (UK) because the band were more than satisfied with the work he did on ‘Kuarahy’ and they wanted to repeat that great experience. Eloi, as the singer and also the guy who recorded the music sent to Orgone Studios, acknowledges “the recording had more experience and a better sound quality because we made better decisions during the pre-production thanks to a higher level of self-awareness of ourselves as a band. Jaime knew us better too, so that simplified the process and in turn helped to make »Dancing Into Oblivion« as good as it can be”.\u003c\/p\u003e\n\n\u003cp\u003eThe line-up has been enhanced with the participation of the multifaceted Joan Carles Marí Tur on drums (who also plays in other bands like FACE THE MAYBE). The guitar solos were the job of Joao Sassetti (who was already a member of the touring line-up of WHITE STONES). Sassetti lives in Portugal and he couldn’t be in the studio in Barcelona, so he recorded his solos and digitally sent them over for integration into the final songs. The recording of the instruments has been more organic and as Boucherie says. “The original sound has been retained as much as posible in each and every element” and it has brought a natural\/raw touch for ‘Dancing Into Oblivion’ just as the band had hoped and expected.\u003c\/p\u003e\n","brand":"White Stones","offers":[{"title":"Default Title","offer_id":45332054343960,"sku":"727361587512","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-121082.png?v=1749598990"},{"product_id":"in-cauda-venenum-english-version-limited-edition-vinyl-2lp","title":"In Cauda Venenum (English Version): Limited Edition Vinyl 2LP","description":"\u003cp\u003e\"Sweden’s Opeth are preparing to release their most important record to date with “In Cauda Venenum”. Certainly, fans and critics will have their opinion, but few records in the Swedes’ oeuvre are as engaging, delicate, panoramic, intense, and musical as Opeth’s lucky thirteenth. Sporting a clever Travis Smith cover—replete with inside jokes and a nod to King Diamond—a masterful Park Studios (The Hellacopters, Graveyard) production, Opeth’s usual five-star musicianship, and lyrics entirely in Swedish, “In Cauda Venenum” raises the bar markedly. While a record in Swedish is a first—there’s also an English version—for frontman and founding member Mikael Åkerfeldt, the 10 songs on offer feel and sound completely natural. As if years of listening to and being a fan of Swedish rock and hard rock has paid off. In a way, Opeth have come home. But the Swedish lyrics of the primary edition of “In Cauda Venenum” shouldn’t distract from the quality presented in Opeth’s new songs, the lot of which sneak up and take control after repeated listens. “In Cauda Venenum” is like that, tricky in its complicated simplicity, resourceful in its ability to charm with delightful if wistful melodies. Really, it’s just Opeth being Opeth.\u003c\/p\u003e\n\n\u003cp\u003e“This is me,” Åkerfeldt says. “This is Opeth. I think by now fans will recognize—at least I hope they do—my writing style, our sound, what we do as a band. There are a lot of surprises on “In Cauda Venenum”, from the strings and Swedish samples to Fredrik’s [Åkesson] solos and the Swedish lyrics. But I knew I wanted a Latin title early on. I wanted a Latin title that would work for both versions. I didn’t want a Swedish title for the Swedish version and an English title for the English version. Since the death metal days of Opeth, I’ve always wanted a Latin title. Nothing ever worked. We had one Latin titled song on the first record though, “Requiem,” the instrumental. I’ve always wanted something like that but it turned out harder than I thought when coming up with a title. With Latin, it can mean something really cool but look like shit or be very difficult to read. I couldn’t find a source for “In Cauda Venenum”. I thought, “Well, that looks cool.” I remember Travis and I were working on the cover. We had this little insect, a scorpion, with the five heads of the band members. So, when I came across the phrase ‘In Cauda Venenum”,’ I thought, ‘Well, that’s weird. Here we have a scorpion and ‘“In Cauda Venenum”’ can relate to scorpions. Besides being a cool phrase, it works with the artwork, and the lyrics. In many ways, the stars aligned with the title.”\u003c\/p\u003e\n\n\u003cp\u003e“In Cauda Venenum” was written surreptitiously by Åkerfeldt when he was scheduled for sabbatical after the “Sorceress” record cycle. Tired of Gantt charts, milestones, and other Project Management Office essentials presented by management, he told his handlers it was high time for break from Opeth and its many and varied responsibilities. They complied. Almost immediately, however, Åkerfeldt was holed up in his studio, Junkmail, writing music by himself without pressure or influence. Ultimately, the Opeth songman wanted a return to the old days—think “Orchid” through “Blackwater Park”—when writing music was a creative endeavor not a factor in the business equation of being in a full-time, internationally recognized band. Described as more fun than spadework, the writing sessions were eventually exposed to the rest of the band and management. They were into Åkerfeldt’s newest creations but before anyone had a word in edgewise, “In Cauda Venenum” was, more or less, in the proverbial bag. The only thing that remained the same was Åkerfeldt writing and performing in his aging studio.\u003c\/p\u003e\n\n\u003cp\u003eThe idea to craft “In Cauda Venenum” entirely in Swedish originated while Åkerfeldt was driving his kids to school. He challenged the concept, weighed the risks and rewards, and ultimately came away with the direction he needed: Opeth’s next record would be entirely in Swedish. Precedent, after all, had been established. The special edition of 2008’s Watershed included a cover rendition of Swedish singer Marie Fredriksson’s “Den Ständiga Resan,” on which sings Åkerfeldt sings in Swedish. Then again, an entire Opeth record in Swedish was not only a first-time event, but a brave marketing move to single out the band’s predominantly English-only fanbase and indeed, all but two countries—Sweden and Finland—do not speak, read, and understand Swedish. Undeterred, Åkerfeldt continued on, writing the scenic “Ingen Sanning Ärallas” (“Universal Truth”) first. The rest of “In Cauda Venenum”, in Swedish, came as smoothly as a glass of glögg down the gullet. That an English version awaited was a no-brainer.\u003c\/p\u003e\n\n\u003cp\u003eOriginally slated to be recorded at Ghost Ward Recordings with producer\/engineer David Castillo, Opeth opted for Park Studios with Stefan Boman instead. Nestled on a quiet backstreet in a nondescript neighborhood south of Stockholm, Park Studios was built in the 1970s by blues rock guru Acke Gårdebäck (of Acke \u0026amp; Gurra fame). While the studio has changed owners several times—now co-owned by Boman—it has retained its shag carpet and platform shoes allure by offering a bevy of original old-school recording tools, the very kind used on some of Åkerfeldt most cherished records. Plus, as it turns out Boman is of the same vision as the Opeth frontman when it comes to gear. Recordings for “In Cauda Venenum” commenced in November 2018 with Boman engineering and co-producing with Åkerfeldt. The production team started first with the drums, rhythm guitars, acoustic guitars, bass, and then tailed off the tracking with guitars, keyboards, lead guitars, and additional vocals. By Christmastide, Phase I of “In Cauda Venenum” was complete.\u003c\/p\u003e\n\n\u003cp\u003eWhere Opeth go from here, it’s on tour in support of “In Cauda Venenum”. The previous touring cycle for Sorceress was two-years, so expectations for the Swedes ring the world into 2021, where they’ll play “Svekets Prins” (“Dignity”), “Hjärtat Vet Vad Handen Gör” (“Heart in Hand”), “Ingen Sanning Ärallas” (“Universal Truth”), “Banemannen” (“The Garroter”), and “Kontinuerlig Drift” (“Continuum”), are high. Clearly, once the bi-lingual brilliance of “In Cauda Venenum” is released, Opeth’s dedicated fanbase will be eager to hear, absorb, and experience the record in the flesh. As for what Åkerfeldt wants from his ardent followers is for them to appreciate the latest Opeth chapter in the same way they have 1996’s “Morningrise”, 2003’s “Damnation”, and 2014’s “Pale Communion”. \u003c\/p\u003e\n\n\u003cp\u003e\"Of course, I want everybody to love everything that we do,” Åkerfeldt says. “But it’s secondary to me. I can’t control that, and I don’t want to. I really don’t know what they’ll think about it. I don’t know how people listen to music these days. I don’t know how people feel about it music. I know how I listen to music. I provide the time to listen to music. I make time for music. I’m not doing something else while music is playing. I’d like everybody to focus on the new record. That’s no different from the Opeth records. I’ve always wanted people to focus on our music; not treat it as background music for daily chores, white noise, or whatever. If you want to get into this record, I’m hoping you’ll find, by our standards, something different.”\u003c\/p\u003e","brand":"Opeth","offers":[{"title":"Default Title","offer_id":45332322091288,"sku":"727361455712","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-92803.jpg?v=1751959140"},{"product_id":"in-cauda-venenum-swedish-version-limited-vinyl-2lp","title":"In Cauda Venenum (Swedish Version): Limited Vinyl 2LP","description":"\u003cp\u003e\"Sweden’s Opeth are preparing to release their most important record to date with “In Cauda Venenum”. Certainly, fans and critics will have their opinion, but few records in the Swedes’ oeuvre are as engaging, delicate, panoramic, intense, and musical as Opeth’s lucky thirteenth. Sporting a clever Travis Smith cover—replete with inside jokes and a nod to King Diamond—a masterful Park Studios (The Hellacopters, Graveyard) production, Opeth’s usual five-star musicianship, and lyrics entirely in Swedish, “In Cauda Venenum” raises the bar markedly. While a record in Swedish is a first—there’s also an English version—for frontman and founding member Mikael Åkerfeldt, the 10 songs on offer feel and sound completely natural. As if years of listening to and being a fan of Swedish rock and hard rock has paid off. In a way, Opeth have come home. But the Swedish lyrics of the primary edition of “In Cauda Venenum” shouldn’t distract from the quality presented in Opeth’s new songs, the lot of which sneak up and take control after repeated listens. “In Cauda Venenum” is like that, tricky in its complicated simplicity, resourceful in its ability to charm with delightful if wistful melodies. Really, it’s just Opeth being Opeth.\u003c\/p\u003e\n\n\u003cp\u003e“This is me,” Åkerfeldt says. “This is Opeth. I think by now fans will recognize—at least I hope they do—my writing style, our sound, what we do as a band. There are a lot of surprises on “In Cauda Venenum”, from the strings and Swedish samples to Fredrik’s [Åkesson] solos and the Swedish lyrics. But I knew I wanted a Latin title early on. I wanted a Latin title that would work for both versions. I didn’t want a Swedish title for the Swedish version and an English title for the English version. Since the death metal days of Opeth, I’ve always wanted a Latin title. Nothing ever worked. We had one Latin titled song on the first record though, “Requiem,” the instrumental. I’ve always wanted something like that but it turned out harder than I thought when coming up with a title. With Latin, it can mean something really cool but look like shit or be very difficult to read. I couldn’t find a source for “In Cauda Venenum”. I thought, “Well, that looks cool.” I remember Travis and I were working on the cover. We had this little insect, a scorpion, with the five heads of the band members. So, when I came across the phrase ‘In Cauda Venenum”,’ I thought, ‘Well, that’s weird. Here we have a scorpion and ‘“In Cauda Venenum”’ can relate to scorpions. Besides being a cool phrase, it works with the artwork, and the lyrics. In many ways, the stars aligned with the title.”\u003c\/p\u003e\n\n\u003cp\u003e“In Cauda Venenum” was written surreptitiously by Åkerfeldt when he was scheduled for sabbatical after the “Sorceress” record cycle. Tired of Gantt charts, milestones, and other Project Management Office essentials presented by management, he told his handlers it was high time for break from Opeth and its many and varied responsibilities. They complied. Almost immediately, however, Åkerfeldt was holed up in his studio, Junkmail, writing music by himself without pressure or influence. Ultimately, the Opeth songman wanted a return to the old days—think “Orchid” through “Blackwater Park”—when writing music was a creative endeavor not a factor in the business equation of being in a full-time, internationally recognized band. Described as more fun than spadework, the writing sessions were eventually exposed to the rest of the band and management. They were into Åkerfeldt’s newest creations but before anyone had a word in edgewise, “In Cauda Venenum” was, more or less, in the proverbial bag. The only thing that remained the same was Åkerfeldt writing and performing in his aging studio.\u003c\/p\u003e\n\n\u003cp\u003eThe idea to craft “In Cauda Venenum” entirely in Swedish originated while Åkerfeldt was driving his kids to school. He challenged the concept, weighed the risks and rewards, and ultimately came away with the direction he needed: Opeth’s next record would be entirely in Swedish. Precedent, after all, had been established. The special edition of 2008’s Watershed included a cover rendition of Swedish singer Marie Fredriksson’s “Den Ständiga Resan,” on which sings Åkerfeldt sings in Swedish. Then again, an entire Opeth record in Swedish was not only a first-time event, but a brave marketing move to single out the band’s predominantly English-only fanbase and indeed, all but two countries—Sweden and Finland—do not speak, read, and understand Swedish. Undeterred, Åkerfeldt continued on, writing the scenic “Ingen Sanning Ärallas” (“Universal Truth”) first. The rest of “In Cauda Venenum”, in Swedish, came as smoothly as a glass of glögg down the gullet. That an English version awaited was a no-brainer.\u003c\/p\u003e\n\n\u003cp\u003eOriginally slated to be recorded at Ghost Ward Recordings with producer\/engineer David Castillo, Opeth opted for Park Studios with Stefan Boman instead. Nestled on a quiet backstreet in a nondescript neighborhood south of Stockholm, Park Studios was built in the 1970s by blues rock guru Acke Gårdebäck (of Acke \u0026amp; Gurra fame). While the studio has changed owners several times—now co-owned by Boman—it has retained its shag carpet and platform shoes allure by offering a bevy of original old-school recording tools, the very kind used on some of Åkerfeldt most cherished records. Plus, as it turns out Boman is of the same vision as the Opeth frontman when it comes to gear. Recordings for “In Cauda Venenum” commenced in November 2018 with Boman engineering and co-producing with Åkerfeldt. The production team started first with the drums, rhythm guitars, acoustic guitars, bass, and then tailed off the tracking with guitars, keyboards, lead guitars, and additional vocals. By Christmastide, Phase I of “In Cauda Venenum” was complete.\u003c\/p\u003e\n\n\u003cp\u003eWhere Opeth go from here, it’s on tour in support of “In Cauda Venenum”. The previous touring cycle for Sorceress was two-years, so expectations for the Swedes ring the world into 2021, where they’ll play “Svekets Prins” (“Dignity”), “Hjärtat Vet Vad Handen Gör” (“Heart in Hand”), “Ingen Sanning Ärallas” (“Universal Truth”), “Banemannen” (“The Garroter”), and “Kontinuerlig Drift” (“Continuum”), are high. Clearly, once the bi-lingual brilliance of “In Cauda Venenum” is released, Opeth’s dedicated fanbase will be eager to hear, absorb, and experience the record in the flesh. As for what Åkerfeldt wants from his ardent followers is for them to appreciate the latest Opeth chapter in the same way they have 1996’s “Morningrise”, 2003’s “Damnation”, and 2014’s “Pale Communion”. \u003c\/p\u003e\n\n\u003cp\u003e“Of course, I want everybody to love everything that we do,” Åkerfeldt says. “But it’s secondary to me. I can’t control that, and I don’t want to. I really don’t know what they’ll think about it. I don’t know how people listen to music these days. I don’t know how people feel about it music. I know how I listen to music. I provide the time to listen to music. I make time for music. I’m not doing something else while music is playing. I’d like everybody to focus on the new record. That’s no different from the Opeth records. I’ve always wanted people to focus on our music; not treat it as background music for daily chores, white noise, or whatever. If you want to get into this record, I’m hoping you’ll find, by our standards, something different.”\u003c\/p\u003e","brand":"Opeth","offers":[{"title":"Default Title","offer_id":45332322156824,"sku":"727361509712","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-92734.jpg?v=1751959040"},{"product_id":"louder-than-noise-live-in-berlin-vinyl-2lp","title":"Louder Than Noise… Live In Berlin: Vinyl 2LP","description":"The Lemmy Kilmister \/ Phil Campbell \/ Mikkey Dee Motörhead line-up spent decades cracking sound barriers, bending ears and decimating lawns worldwide, consistently delivering the Motörgospel to hundreds of thousands of fans. Louder Than Noise… Live in Berlin is a thunderous performance from the band’s 2012 Kings of The Road tour, spanning fifteen classics across all four decades.\n\nThis line-up was Motörhead’s longest serving by a considerable distance, and throughout Louder Than Noise… Live in Berlin their powerful synergy boots its way through the speakers with the raucous charm and dirty, dangerous, sweaty gusto that was the Kilmister \/ Campbell \/ Dee trademark. From the unapologetically furious ‘I Know How to Die’ to a deliciously rare and raucous ‘Over the Top’, Louder Than Noise…\n\nLive in Berlin is all about the thick, raw and liberating power of Motörhead live. Further highlights include a favourably feral ‘Rock It’, a rudely raunchy ‘You Better Run’ and a classic one-two haymaker of ‘Ace of Spades’ and ‘Overkill’. Whether a collector completist or newbie to Motörhead’s music, Louder Than Noise… Live in Berlin is a welcome reminder of what real rock ‘n’ roll is truly about.\n\n","brand":"Motorhead","offers":[{"title":"Default Title","offer_id":45332415643928,"sku":"190296791826","price":31.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-116196.jpg?v=1759752245"},{"product_id":"parabellum-limited-edition-red-vinyl-2lp","title":"Parabellum: Limited Edition Red Vinyl 2LP","description":"\u003cp\u003eOn July 23, 2021 Yngwie Malmsteen will release his new album 'Parabellum' via Music Theories Recordings, the Mascot Label Group sub-label that focuses on the best that progressive rock and metal has to offer.\nThe name Yngwie Malmsteen has always stood for uncompromising excellence. In a career that now spans more than 40 years he has proven himself to be one of the greats. You can try to categorize him in any way you want, but the manner in which Malmsteen has continually developed his craft allows him to transcend any definition you attempt to impose. With a catalog of 21 solo studio albums, Malmsteen’s artistry has always incorporated a healthy dose of virtuosity, but his talent goes well beyond a comprehensive control of the guitar. One aspect of his approach has always shone through, and that is an abidingly deep respect for the music he plays. Malmsteen has constantly done whatever it takes to bring out all of the colors, shades and hues embedded in each of his songs. This has never been more focused and informed than on his new album ‘Parabellum’.\u003c\/p\u003e\n\u003cp\u003e‘Parabellum’ is the best example yet of Malmsteen’s creative spark lighting a raging fire that is surely set to burn brightly for many years to come. Yet, despite the care and attention to detail which has gone into every aspect of the album, what truly makes it remarkable is the undoubted joy radiating through each of the songs here.\nThe album will be released on 180 grams Red Double Vinyl, and a Deluxe CD that includes 3 guitar picks, 2 coasters, a postcard and a sticker, all housed in an oversized cardboard box.\u003c\/p\u003e\n","brand":"Yngwie Malmsteen","offers":[{"title":"Default Title","offer_id":45332525449496,"sku":"810020504835","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-119354.png?v=1751960252"},{"product_id":"reinventing-the-steel-limited-20th-anniversary-edition-silver-audiophile-vinyl-2lp","title":"Reinventing the Steel: Limited 20th Anniversary Edition Silver Audiophile Vinyl 2LP","description":"\u003cb\u003e\nPantera’s 9th and final studio album turns 20 this year and is celebrated with this 2LP set, pressed onto 180g audiophile silver vinyl, featuring the new Terry Date mix on one album, plus eight rare bonus tracks making their vinyl debut on the other.\n\u003c\/b\u003e\n\nPantera’s final opus, Reinventing The Steel, represented a recommitment to everything the band loved about heavy metal. Released in 2000 at the peak of nu-metal’s popularity, the album’s back-to-basics approach flew in the face of the trend and served as a potent reminder of the enduring power of primal metal. \n\nThe album received widespread critical acclaim as well as high praise from fans, who voted the album as Album of The Year 2000 as well as voting the single “Revolution is My Name” Single of The Year 2000.  The album also ranked No.2 on Guitar World’s readers’ poll for Top 10 Guitar Albums of 2000.\n\n\u003cb\u003e\nLP1: New Terry Date Mix Side One\n\u003c\/b\u003e\n\n1.   “Hellbound” \n\n2.   “Goddamn Electric” \n\n3.   “Yesterday Don’t Mean Shit” \n\n4.   “You’ve Got To Belong To It” \n\n5.   “Revolution Is My Name” \n\n\u003cb\u003e\nSide Two\n\u003c\/b\u003e\n\n1.   “Death Rattle”\n\n2.   “We’ll Grind That Axe For A Long Time” \n\n3.   “Uplift” \n\n4.   “It Makes Them Disappear” \n\n5.   “I’ll Cast A Shadow” \n \n\u003cb\u003e\nLP2: Bonus Tracks Side One\n\n\u003c\/b\u003e\n1.   “Avoid The Light”\n\n2.   “Immortally Insane”\n\n3.   “Cat Scratch Fever”\n\n4.   “Hole In The Sky”\n\n\u003cb\u003e\nSide Two\n\u003c\/b\u003e\n\n1.   “Electric Funeral”\n\n2.   “Goddamn Electric” – Radio Mix\n\n3.   “Revolution Is My Name” – Radio Edit\n\n4.   “I’ll Cast A Shadow” – Radio Edit","brand":"Pantera","offers":[{"title":"Default Title","offer_id":45332569751832,"sku":"603497846368","price":45.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/Pantera__RIS_SilverVinyl_MockUp_5000x5000_2_a5766506-47d0-476e-9693-76b5da713725_2048x2048_282_29.webp?v=1759796945"},{"product_id":"technical-ecstasy-super-deluxe-edition-5lp","title":"Technical Ecstasy: Super Deluxe Edition 5LP","description":"\u003cb\u003eTechnical Ecstasy by Black Sabbath, limited edition, remastered, new mix, 90 mins of unreleased outtakes, alt mixes, live tracks from Ozzy, Tony, Geezer and Bill plus extensive book, tour program and poster. LP set on 180g vinyl.\n\nVinyl box set includes:\n\n-\tOriginal album newly remastered\n\n-\tNew Mix LP\n\n-\tOuttakes and Alternative Mixes LP\n\n-\t2LP live concert from the World Tour 1976 - 77\n\n-\t40-page book with photos, artwork and liner notes\n\n-\tTechnical Ecstasy colour poster \n\u003c\/b\u003e\n\nIn the summer of 1976, Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward headed to Miami to record Technical Ecstasy at the famed Criteria Studios. The band was coming off a world tour for their previous album, Sabotage, that had found their live performances evolving to include keyboards and synthesizers. These newly incorporated instruments and sounds were then introduced into the recording process on Technical Ecstasy.  The new songs encompassed a wide range of styles from the hard charging “Back Street Kids” and single ballad “It’s Alright,” to the funky “All Moving Parts (Stand Still)” and progressive rock “Gypsy.” The Deluxe Edition presents a newly remastered version of the eight-track album, along with an entirely new mix of the album created by Steven Wilson using the original analogue tapes.\n\nWith eight previously unreleased outtakes and alternative mixes. Among those are different mixes of “You Won’t Change Me” and “Rock ’n’ Roll Doctor,” as well as both outtake and instrumental versions for “She’s Gone.” The collection concludes with 10 previously unreleased live tracks recorded during the 1976-77 World Tour. The songs touch on different eras of the band’s history with early tracks like “Black Sabbath”, “War Pigs” (from Paranoid), “Symptom Of The Universe”, “Snowblind” and “Children Of The Grave” alongside new songs “Gypsy” and “Dirty Women.”\n\nThe collection comes with an extensive hardback book featuring artwork, liner notes, rare memorabilia and photos from the era, plus a replica of the 1976-77 world tour concert book and a large colour poster of the iconic Hipgnosis (Storm Thorgerson\/Aubrey Powell\/Peter Christopherson) futuristic robots image which is perfect for framing.  \n\nBlack Sabbath embraced change in 1976 when the heavy metal innovators started managing themselves and began exploring different sounds on the band’s seventh studio album, Technical Ecstasy.\n\nBMG honours this daring album with a collection that includes a newly remastered version of the original, a brand-new mix by Steven Wilson, plus more than 90 minutes of previously unreleased outtakes, \nalternative mixes and live tracks.","brand":"Black Sabbath","offers":[{"title":"Default Title","offer_id":45332572078360,"sku":"BMGCAT518BOX","price":139.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/Bundle_1_281_29.png?v=1768381035"},{"product_id":"the-witch-of-the-north-limited-edition-vinyl-2lp","title":"The Witch of the North: Limited Edition Vinyl 2LP","description":"Swiss heavy metal coven BURNING WITCHES and Nuclear Blast Records proudly present “The Witch Of The North”, the group’s much anticipated, fourth studio album set for worldwide release on May 28th, 2021. Following 2020’s “Dance Of The Devil”, which charted in Germany at #22, and the quickly sold-out “Circle Of Five EP”, vocalist Laura, guitarists Romana and Larissa, bassist Jeanine and drummer Lala notably up the ante on “The Witch Of The North”, their most dynamic, intricate and powerful album thus far. Perfectly mixed and mastered by V.O. Pulver and produced by German thrash titan Schmier (Destruction), BURNING WITCHES stick to their irrefutable 80’s influences (Judas Priest, Iron Maiden, Dio, Accept, Warlock, WASP etc.) and inject an irresistible energy and refreshing vibe, topping it off with classic art by Claudio Bergamin (who illustrated Priest’s triumphant “Firepower”). From the epic title-track to the album’s most catchy anthem ‘We Stand As One’ over to the ballad ‘Lady Of The Woods’ and speedy riff attacks like ‘Thrall’, ‘Flight Of The Valkyries’, and ‘Nine Worlds’, “The Witch Of The North” marks a new highlight in the band’s career, with vocalist Laura brilliantly shifting from aggressive to seductive with ease. No matter if you have followed the band since its humble beginnings in 2015 or just recently fell for their charms, BURNING WITCHES are doubtlessly one of the most sensational bands in heavy metal right now.","brand":"Burning Witches","offers":[{"title":"Default Title","offer_id":45332635287832,"sku":"727361593315","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-116740.jpg?v=1759763645"},{"product_id":"too-mean-to-die-limited-vinyl-2lp","title":"Too Mean To Die: Limited Vinyl 2LP","description":"ACCEPT ARE BACK! The German kingpins of heavy metal will release their new, eagerly-awaited studio album via Nu- clear Blast on January 15th 2021. The ingenious title of the masterpiece is “Too Mean To Die”. \n\nSpeaking of heavy metal kingpins, when ACCEPT first launched at the end of the 70s, the metal genre didn’t even exist - at first the band could only be labelled with the (quality) seal “crazy loud and crazy wild”. Today we know that this was (and is) metal par excellence. And we also know that ACCEPT opened the door to thrash metal, inspiring giants such as Metallica. Guitarist Kirk Hammett recently stated in the German magazine “Gitarre \u0026amp; Bass”: “Wolf Hoffmann has a huge influence on me.“ \n\nACCEPT, who once had their origins in the city of Solingen, a city of sound, have been a worldwide music phenomenon for more than 40 years. They still impress with razor-sharp guitar licks and a steel-hard sound. The band created all-time metal classics like “Balls To The Wall”, “Metal Heart” and many more.\n\nCountless world tours and headline slots at the biggest, cutting-edge festivals cemented the band’s reputation as one of the best, hottest and loudest live acts ever. In addition, the band has sold millions of records, has achieved gold status in the USA, top 10 chart positions worldwide and a number 1 album (Germany, Finland) for “Blind Rage” (2014). \n\nNow with “Too Mean To Die” their 16th studio album is in the starting blocks - it is the fifth album that US vocalist and front man Mark Tornillo has put his incomparable vocal stamp on.Recorded in the world music capital of Nashville (USA), ACCEPT’s music was once again produced by British master producer Andy Sneap, who is responsible for the mix. Sneap, who works for Judas Priest and Megadeth among others, has also been responsible for all ACCEPT productions since 2010. \n\nSpecial circumstances often lead to very special albums. This is certainly true for “Too Mean To Die”, which of course alludes to the Corona period, although in a different way than one might assume. Hoffmann says: “Its to be expected that many musicians will address the Corona situation in their songs. There will certainly be slogans for cohesion, through which positive vibes should be spread, which is also good. But we have decided to not let ourselves be influenced by it. The fans will get a hard, direct and uncompromising metal album, but of course accompanied with a wink: We are too mean to die! Weeds do not go away! ACCEPT do not let themselves get down!” \nWolf isn’t wrong - the title track is a classic Accept cracker: dynamic and unwavering, turned up to eleven!\nZombie Apocalypse’, also relentless and hard, strikes the same note in the band’s signature style.\n\nThe first single - which will be released on October 2nd 2020 together with a remarkable video - is different. Titled ‘The Undertaker’, its a terrific midtempo number with great vocals and a built-in character that chugs along – certain to deliver some mermorable live moments! According to Wolf Hoffmann its one of the most catchy, pleasing pieces of the album. \n\nNew to the band, and thus to be heard for the first time on an ACCEPT album, is Philip Shouse (Gene Simmons Band, among others). The US guitarist fights hot duels with Hoffmann, while Uwe Lulis makes the guitar trio perfect and pro- vides the right rhythm. “Phil was part of our orchestra project and was also completely convincing live. We recognised his great talent immediately and simply didn’t let him go,” explains Hoffmann. \n\nJust how varied the ACCEPT guitar trio performs on the new album is proven by one of the secret highlights: ‘The Best Is Yet To Come’ – a beguiling ballad in which Mark Tornillo is at his best. The metal world knows that Mark can scream like no other, but here it shows once again that the frontman can also sing magnificently. “Mark sang this, for us rather unusual song stunningly well. The fantastic thing about Mark is that he not only masters the typical metal screams, but can also sing melodically and beautifully. He proves this impressively in this song”, chief guitarist Hoffmann raves. \nIn addition, ACCEPT have strengthened their team even further with newcomers Martin Motnik (bass) and Philip Shouse (guitar), thus forming an unbeatable team together with “Drum God” Christopher Williams and “Rhythm Mas- ter” Uwe Lulis. \n\nThere’s no doubt that with “Too Mean To Die” Accept are once again playing at the top of the Champions League of the genre. Wolf Hoffmann \u0026amp; Co. present the (music) world eleven masterpieces at the beginning of 2021 - eleven songs for eternity!\n","brand":"Accept","offers":[{"title":"Default Title","offer_id":45332651639064,"sku":"727361554118","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-111677.jpg?v=1751958787"},{"product_id":"torn-arteries-exclusive-yellow-black-splatter-vinyl-2lp","title":"Torn Arteries: Exclusive Yellow + Black Splatter Vinyl 2LP","description":"\u003cp\u003eFerocious and uncompromising in their execution, CARCASS’s ability to intricately dissect the innards of death metal, and display them for us to sonically understand has been their point of excellence for over three decades. Last December (2019) the band released their first single in over 5 years “Under The Scalpel Blade,” followed by a 4 song EP entitled Despicable (October 2020), setting a potent precedent for the full length album to come in 2021: TORN ARTERIES. With the album title itself referencing an old demo created by original drummer Ken Own back in the 80’s, TORN ARTERIES sits as a bookend on the modern side of the CARCASS discography, connecting directly back to where everything began over 30 years ago.\u003c\/p\u003e\n\n\u003cp\u003eThe album artwork also rings reminiscent of the grotesque photography that appears on classic CARCASS album covers like Reek Of Putrefaction of Symphonies of Sickness. Artist Zbigniew Bielak traveled outside his normal wheelhouse to bring forth a time lapsed set of photos showing vegetables shaped like a heart, rotting over time upon a white plate. This form of artwork was influenced by Japanese Kusôzu, meaning: ‘painting of the nine stages of a decaying corpse.’ \u003c\/p\u003e\n\n\u003cp\u003e“I think as our 7th album, it does stand out from the others both sonically and stylistically,” explains Walker. “You can definitely tell that it’s CARCASS; when you drop that needle on the vinyl, when you hear that guitar tone, you can tell it’s Bill Steer, but each album is always a product of its time.” \u003c\/p\u003e\n\n\u003cp\u003eThe general approach to writing hasn’t changed much over the years for CARCASS. “There’s no real designed method,” analyzes Walker, “no one’s writing a song, coming in the room, and saying: ‘this is how the song goes.’ A lot of these songs are written around a rhythm, or an idea: have we ever had a song with this type of intro? Have we ever had a song with this type of drumming? If we didn’t care, we’d do the same generic, verse-chorus song writing bullshit, but we don’t want to repeat ourselves. We’re always trying to remain creative and have a valid purpose in what we’re doing.” \u003c\/p\u003e\n\n\u003cp\u003eWith TORN ARTERIES, each track stands unique from the rest in its approach to guitar, bass, vocals and drumming, along with all the finer details. Filthy and dominating guitar work creates thick layers of tone and melody, piling on top of each other like the weight of dead flesh in tracks like “Kelly’s Meat Emporium.”\u003c\/p\u003e \n\n\u003cp\u003e“The working title for Kelly’s was originally ‘Stock Carcass,’” laughs Walker “we knew that one was a real meat and potatoes track for the album.” Meanwhile the elevated speed and catchy beat in “Dance of Ixtab” tell a robust and airier story, one that is certain to get a reaction from live crowds. “We built this song around the beat,” explains Walker, “we had an approach to each song that was a definite idea. It’s all about ‘what haven’t we done before?’”\u003c\/p\u003e\n\n\u003cp\u003eCurious about the lyrics? CARCASS bets you are, but don’t expect them to be an easy puzzle to solve. Over the years metalheads the world over have referenced CARCASS’s complex, bizarre, and gore filled lyrics with affection, humor, and fascination. This time around will require fans to actually purchase the physical album, and closely examine the artwork in order to place the lyrics in their proper order. “I’d rather people spend time actually going through the record, listening to it, taking the words out as they hear them, and from there try to draw their own conclusions of what the lyrics are, instead of delivering them on a plate,” chuckles Walker.\u003c\/p\u003e\n\n\u003cp\u003eRecording and Production for TORN ARTERIES wasn’t as simple as sitting down for a few weeks and knocking it all out, but rather spread out over the course of approximately 1 year bouncing back and forth between England and Sweden. Initially, drummer Daniel Wilding did session work in Sweden at Studio Gröndahl with David Castillo while guitars were recorded at The Stationhouse with James Atkinson in Leeds, England. Eventually needing some form of residential location to finalize vocals, bass, and other guitarwork, the band headed back to studio Gröndahl in Sweden to continue work in a very relaxed atmosphere with Castillo. “There was no real big plan to do it this way, the process just organically grew on its own,” says Walker.\u003c\/p\u003e\n\n\u003cp\u003eMost will find that the only real struggle when indulging in TORN ARTERIES is fighting the desire to start it over the second it finishes. It covers substantial new ground for a band with such a reputation, while still retaining that addictive, time honoured CARCASS sound that has come to represent the face of true death metal.\u003c\/p\u003e \n","brand":"Carcass","offers":[{"title":"Default Title","offer_id":45332651704600,"sku":"727361536886","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-120808.png?v=1751958930"},{"product_id":"torn-arteries-vinyl-2lp","title":"Torn Arteries: Vinyl 2LP","description":"\u003cp\u003eFerocious and uncompromising in their execution, CARCASS’s ability to intricately dissect the innards of death metal, and display them for us to sonically understand has been their point of excellence for over three decades. Last December (2019) the band released their first single in over 5 years “Under The Scalpel Blade,” followed by a 4 song EP entitled Despicable (October 2020), setting a potent precedent for the full length album to come in 2021: TORN ARTERIES. With the album title itself referencing an old demo created by original drummer Ken Own back in the 80’s, TORN ARTERIES sits as a bookend on the modern side of the CARCASS discography, connecting directly back to where everything began over 30 years ago.\u003c\/p\u003e\n\n\u003cp\u003eThe album artwork also rings reminiscent of the grotesque photography that appears on classic CARCASS album covers like Reek Of Putrefaction of Symphonies of Sickness. Artist Zbigniew Bielak traveled outside his normal wheelhouse to bring forth a time lapsed set of photos showing vegetables shaped like a heart, rotting over time upon a white plate. This form of artwork was influenced by Japanese Kusôzu, meaning: ‘painting of the nine stages of a decaying corpse.’ \u003c\/p\u003e\n\n\u003cp\u003e“I think as our 7th album, it does stand out from the others both sonically and stylistically,” explains Walker. “You can definitely tell that it’s CARCASS; when you drop that needle on the vinyl, when you hear that guitar tone, you can tell it’s Bill Steer, but each album is always a product of its time.” \u003c\/p\u003e\n\n\u003cp\u003eThe general approach to writing hasn’t changed much over the years for CARCASS. “There’s no real designed method,” analyzes Walker, “no one’s writing a song, coming in the room, and saying: ‘this is how the song goes.’ A lot of these songs are written around a rhythm, or an idea: have we ever had a song with this type of intro? Have we ever had a song with this type of drumming? If we didn’t care, we’d do the same generic, verse-chorus song writing bullshit, but we don’t want to repeat ourselves. We’re always trying to remain creative and have a valid purpose in what we’re doing.” \u003c\/p\u003e\n\n\u003cp\u003eWith TORN ARTERIES, each track stands unique from the rest in its approach to guitar, bass, vocals and drumming, along with all the finer details. Filthy and dominating guitar work creates thick layers of tone and melody, piling on top of each other like the weight of dead flesh in tracks like “Kelly’s Meat Emporium.”\u003c\/p\u003e \n\n\u003cp\u003e“The working title for Kelly’s was originally ‘Stock Carcass,’” laughs Walker “we knew that one was a real meat and potatoes track for the album.” Meanwhile the elevated speed and catchy beat in “Dance of Ixtab” tell a robust and airier story, one that is certain to get a reaction from live crowds. “We built this song around the beat,” explains Walker, “we had an approach to each song that was a definite idea. It’s all about ‘what haven’t we done before?’”\u003c\/p\u003e\n\n\u003cp\u003eCurious about the lyrics? CARCASS bets you are, but don’t expect them to be an easy puzzle to solve. Over the years metalheads the world over have referenced CARCASS’s complex, bizarre, and gore filled lyrics with affection, humor, and fascination. This time around will require fans to actually purchase the physical album, and closely examine the artwork in order to place the lyrics in their proper order. “I’d rather people spend time actually going through the record, listening to it, taking the words out as they hear them, and from there try to draw their own conclusions of what the lyrics are, instead of delivering them on a plate,” chuckles Walker.\u003c\/p\u003e\n\n\u003cp\u003eRecording and Production for TORN ARTERIES wasn’t as simple as sitting down for a few weeks and knocking it all out, but rather spread out over the course of approximately 1 year bouncing back and forth between England and Sweden. Initially, drummer Daniel Wilding did session work in Sweden at Studio Gröndahl with David Castillo while guitars were recorded at The Stationhouse with James Atkinson in Leeds, England. Eventually needing some form of residential location to finalize vocals, bass, and other guitarwork, the band headed back to studio Gröndahl in Sweden to continue work in a very relaxed atmosphere with Castillo. “There was no real big plan to do it this way, the process just organically grew on its own,” says Walker.\u003c\/p\u003e\n\n\u003cp\u003eMost will find that the only real struggle when indulging in TORN ARTERIES is fighting the desire to start it over the second it finishes. It covers substantial new ground for a band with such a reputation, while still retaining that addictive, time honoured CARCASS sound that has come to represent the face of true death metal.\u003c\/p\u003e \n","brand":"Carcass","offers":[{"title":"Default Title","offer_id":45332651770136,"sku":"727361536817","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-120813.png?v=1751958974"},{"product_id":"senjutsu-deluxe-heavyweight-180g-trifold-sleeve-vinyl-3lp","title":"Senjutsu: Deluxe Heavyweight 180G Trifold Sleeve Vinyl 3LP","description":"\u003cp\u003eParlophone Records is thrilled to announce the release of IRON MAIDEN’s 17th studio album Senjutsu, their first in 6 years, on September 3rd. It was recorded in Paris with longstanding producer Kevin Shirley and co-produced by Steve Harris.\u003c\/p\u003e\n \n\u003cp\u003eIt was preceded on Thursday 15th July by an already highly acclaimed animated video for the first single ‘The Writing On The Wall’ made by BlinkInk based on a concept by Bruce Dickinson with two former Pixar Executives. It followed a month-long teaser campaign \u0026amp; global ‘treasure hunt’ for clues about the track title and concept.\u003c\/p\u003e\n\n\u003cp\u003e For Senjutsu – loosely translated as ‘tactics \u0026amp; strategy’, the band once again enlisted the services of Mark Wilkinson to create the spectacular Samurai themed cover artwork, based on an idea by Steve Harris. With a running time of a little under 82 minutes, Senjutsu, like their previous record The Book Of Souls, will be a double CD\/Triple vinyl album.\u003c\/p\u003e\n","brand":"Iron Maiden","offers":[{"title":"Default Title","offer_id":45332725465368,"sku":"190295015916","price":45.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-122269.png?v=1751022821"},{"product_id":"shovel-head-kill-machine-gatefold-vinyl-2lp","title":"Shovel Head Kill Machine: Gatefold Vinyl 2LP","description":"\u003cp\u003e7th (2005) studio album from Bay Area Thrash legends, the first featuring Rob Dukes on vocals.\u003c\/p\u003e","brand":"Exodus","offers":[{"title":"Default Title","offer_id":45332731724056,"sku":"727361596910","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-121083.png?v=1751960449"},{"product_id":"en-vivo-limited-vinyl-3lp","title":"En Vivo! 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