{"title":"Last Chance Signed","description":"\u003cp\u003eLast chance copies of signed albums and books, only 10 copies or less left in stock!\u003c\/p\u003e","products":[{"product_id":"guy-exclusive-signed-recycled-vinyl-lp","title":"Guy: Exclusive Signed Recycled Vinyl LP","description":"\u003cp\u003eJayda G, the Grammy-nominated writer, producer, DJ, environmental toxicologist, campaigner and broadcaster, is set to return with her new full length album ‘Guy’. Co-produced with Jack Peñate (who has previously worked with the likes of SAULT, David Byrne and Adele), with contributions from Lisa-Kaindé Diaz (of Ibeyi), Ed Thomas (Stormzy, Nia Archives, Jorja Smith) and more.\u003c\/p\u003e\u003cp\u003eThe album arrives on the back of a busy few years that have seen her Grammy-nominated (for her mid-pandemic single “Both Of Us”, created with producer Fred again..); release a trove of high-profile remixes for the likes of Taylor Swift and Dua Lipa; tour the worlds biggest festival and stages including Glastonbury and Coachella; release a compilation for the renowned DJ Kicks series and highly praised collaboration with Aluna; appear as a guest judge on BBC’s ‘Glow Up’; marry her childhood sweetheart in her hometown of Grand Forks, BC (in the same house her parents got married decades earlier); and contribute to the immersive installation ‘Undercurrent’ (New York, June ‘21) which focussed on the Climate Crisis, alongside artists like Khruangbin, Nosaj Thing, Mount Kimbie and Bon Iver.\u003c\/p\u003e\u003cp\u003eMost recently she has embarked on a life changing journey whilst undertaking filming for the forthcoming feature-length documentary ‘Blue Carbon’ — the collective term given to seagrass meadow, mangrove and tidal marsh ecosystems that fringe every continent (excluding Antarctica) and sequester two to four times more carbon from the atmosphere per hectare than tropical forests. The film is hosted by Jayda and took her to the front lines of the climate crisis to meet with those communities already affected by the looming catastrophe. Created by the BAFTA and Emmy-winning director Nicolas Brown (The Serengeti Rules) and executive producer Fernando Meirelles (City Of God, The Two Popes) it also features Brazilian artist Seu Jorge and original music from Wu-Tang’s RZA. The film will be released later this year in conjunction with CNN.\u003c\/p\u003e\u003cp\u003eThe new album ‘Guy’ brings Jayda’s own voice and words more prominently into focus than ever before, across 13 tracks that draw on her House, Disco, RnB and Soul roots while emphasizing her pop songwriting sensibilities, interspersed with archival recordings of her late father, the eponymous William Richard Guy.\u003cbr\u003e\u003cbr\u003e*\u003cstrong\u003eIncludes limited signed 12” photo insert.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e*\u003cstrong\u003eTo offset the production, proceeds from the sales of the album will be donated to various climate initiatives that Jayda visited during the filming of Blue Carbon.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Jayda G","offers":[{"title":"Default Title","offer_id":44605364896024,"sku":"ZEN287SIG","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/ZEN287SIG-mup-a.jpg?v=1759761067"},{"product_id":"godspeed-signed-exclusive-pink-vinyl-lp","title":"Godspeed: Signed Exclusive Pink Vinyl LP","description":"\u003cp\u003eGLASVEGAS return with their triumphant fourth album ‘Godspeed’, which will be released digitally on 2nd April 2021 – the music we all need right now. The latest single Shake The Cage (für Theo) sums up the dazzlingly eclectic sound of Godspeed perfectly – this is an electronic barrage with devastatingly powerful spoken word lyrics which call to mind I’m Gonna Get Stabbed from the band’s astonishing debut.\u003c\/p\u003e \n\n\u003cp\u003eThe single is perfectly positioned at the end credits of Alan McGee’ new movie ‘Creation Stories’, written by Irvine Welsh and executively produced by Danny Boyle. Hand picked as the only current track to grace the music mogul’s biopic, it is a kind of dystopian, free-associative ‘Choose life’ sermon (’Stand on a wave \/ calculate quantum mechanics \/ Surf, dance \/ Believe in chance”) set to the escalating dread and claustrophobia of a John Carpenter murder-chase.\u003c\/p\u003e   \n\n\u003cp\u003eLaunched on their own label Go Wow Records, Godspeed takes place, “all on the same night, just as the sun’s going down,” The album presents a fragmented portrait of a single evening’s events, one James half-jokingly compares to‘American Graffiti’, director George Lucas’ 1973 coming-of-age classic, “where everything happens in one night, and nothing major goes down plot-wise, but you still love the characters and the world.” Each song in its own right as diverse as the next, pulling James Allan into each world with free reign to experiment in this latest masterpiece.\u003c\/p\u003e  \n\n\u003cp\u003eJames Allan is first and foremost an artist and his refusal to be bound by convention, by rules, by accepted limitations, by society or by boundaries of any kind makes Glasvegas a band who at times defy categorisation. What other band could be responsible for such diverse tracks as Shake The Cage (für Theo), Keep Me A Space and My Body Is A Glasshouse (A Thousand Stones Ago), taking examples only from the Godspeed singles you’ve heard so far?\u003c\/p\u003e  \n\n\n\u003cp\u003eSimply, none. There can be only one – and they are Glasvegas.\u003c\/p\u003e \n\n \n\n\u003cp\u003eFor James, who has spent an agonising seven years crafting this album, from writing to demoing, recording to producing and engineering, starting when he was living in Sweden, and finished it in lockdown in his spare-room studio in Glasgow’s east end. That ethos of listening only to what his heart and soul tell him is the key to everything. It’s the only rule he will even consider listening to. He said: “If you follow your heart and your instincts, it might be difficult and you’ll trip yourself up at times - but usually, it works out. Making this album has probably made me understand myself a bit better as a person, to be honest. And it’s the hardest I’ve ever worked on anything in my life.”\u003c\/p\u003e  \n\n \n\n\u003cp\u003eFrom strident techno to joyous singalong anthems, Godspeed captures that quintessential Glasvegas essence – incomparable, uncategorisable, and ultimately music that actually means something.\u003c\/p\u003e  \n\n \n\n\u003cp\u003eFor that alone, welcome back Glasvegas – we really need you right now.\u003c\/p\u003e","brand":"Glasvegas","offers":[{"title":"Default Title","offer_id":44659334119704,"sku":"GOWOW61","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/products\/SharedImage-122052.png?v=1686619546"},{"product_id":"a-head-full-of-ideas-transparent-blue-vinyl-box-set-signed-poster","title":"A Head Full Of Ideas: Transparent Blue Vinyl Box Set + Signed Poster","description":"\u003cb\u003eDeluxe 30th Anniversary Edition Vinyl Box Set includes 6 discs, a 12-page 12\" Album booklet with previously unseen photos, a fold-out original poster signed by the band. First pressing on Limited Edition Transparent Blue coloured vinyl.\u003c\/b\u003e\n\nTHE CHARLATANS proudly announce their (Covid) delayed release of their 30th Anniversary tour and a career spanning best of entitled “A Head Full of Ideas’ Released on Then Recordings through Republic Of Music. ‘A Head Full of Ideas’ sums up their remarkable progress from 1990 Manchester scene hopefuls to one of the UK’s most enduring and best-loved bands. The accompanying tour begins at Belfast, Limelight 22\/11\/21 and finishes in Aberdeen on 20\/12\/21. \n\nThe band have notched up 13 Top 40 studio albums - three of them number ones - alongside 22 hit singles, four of them top 10. The rollercoaster highs have been accompanied by some shattering lows, any which one of them could have felled a less resilient band, from nervous breakdowns to near bankruptcy and the deaths of two founder members. \n\nSomehow, they have not just carried on but adapted and transformed. The classic Charlatans sound - driving Hammond organ, Northern Soul and house-influenced rhythms, swaggering guitars and Tim Burgess’s sunny yet somehow yearning vocal - is instantly recognisable. And in spite of everything they have been through their music is now more relevant than ever, The Guardian described their last album, Different Days as “one of their best ever”. \n\nAs well as a very limited 6 Vinyl box set, there will also be Limited Coloured Triple vinyl LP version and 2CD deluxe of the box set featuring the hits albums plus a bonus live album ‘Trust is For Believers’, and finally a CD or Double LP Vinyl of just the hits albums. \n","brand":"The Charlatans","offers":[{"title":"Default Title","offer_id":44659635323160,"sku":"THEN1LPXX","price":109.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-118765.png?v=1759763669"},{"product_id":"arthur-baker-presents-dance-masters-signed-140g-vinyl-box-set","title":"Arthur Baker Presents Dance Masters: SIGNED 140g Vinyl Box Set","description":"\u003cp\u003eThis latest instalment of ARTHUR BAKER Presents DANCE MASTERS finds the production\/ song-writing\/ remixing maestro taking the spotlight for a long overdue snaps\u003c\/p\u003e\n\n\u003cp\u003ehot of his own classic 12” mixes during a crucial evolution of dance music, club and pop culture.\u003c\/p\u003e\n\n\u003cp\u003e“I’ve always felt like I was on a mission to make music from the time I heard Motown, Philly and Sly and the Family Stone. My mission started as a hobby and still feels like one now. You’ve got to keep on pushing and hustling. It can be a drag sometimes but if you really love what you’re doing, it’s worth the work. I still really love what I do.”\u003c\/p\u003e\n\n\u003cp\u003eArthur Baker helped codify the remixer as artist. His genre-fluid approach to projects has resulted in a joyous myriad of classics that spans many decades. This ’80’s focused DANCE MASTERS collection offers a welcome glimpse at Baker’s illustrious career and many long out-of-print 12” versions and previously unavailable mixes.\u003c\/p\u003e\n\n\u003cp\u003eThis 35-track, six LP expanded edition includes a wide array of selections from the likes of \u003cstrong\u003eRobbie Nevil’s “\u003c\/strong\u003e\u003cstrong\u003eC’est\u003c\/strong\u003e\u003cstrong\u003e La Vie\u003c\/strong\u003e,” \u003cstrong\u003eFleetwood Mac’s “Big Love,” \u003c\/strong\u003e\u003cstrong\u003eNeneh\u003c\/strong\u003e\u003cstrong\u003e Cherry’s “Buffalo Stance”, Jeffrey Osborne “Soweto”, \u003c\/strong\u003e\u003cstrong\u003eFreeez\u003c\/strong\u003e\u003cstrong\u003e “I.O.U”, Rockers Revenge “Walking On Sunshine”\u003c\/strong\u003e and of course the juggernaut \u003cstrong\u003e“Planet Rock” \u003c\/strong\u003ewith \u003cstrong\u003eAfrika Bambaataa \u0026amp; \u003c\/strong\u003e\u003cstrong\u003eSoulsonic\u003c\/strong\u003e\u003cstrong\u003e Force\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eComplete with in-depth liner notes by Bill Coleman, track by track notes written by Arthur Baker himself, previously unseen session photos from Arthur’s personal archives and a signed insert.\u003c\/p\u003e\n\n\u003cp\u003eAll tracks remastered by Nick Robbins at Sound Mastering.\u003cbr\u003e\n \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eLP1\u003c\/p\u003e\n\n\u003cp\u003eSide One:\u003c\/p\u003e\n\n\u003cp\u003e1. Daryl Hall \u0026amp; John Oates –Out Of Touch (Club Version)\u003c\/p\u003e\n\n\u003cp\u003e2. Robbie Nevil –C’est La Vie (Extended Remix)\u003c\/p\u003e\n\n\u003cp\u003e3. Living In A Box -Living In A Box (Dance Mix)\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eSide Two:\u003c\/p\u003e\n\n\u003cp\u003e1. Fleetwood Mac –Big Love (Extended Remix)\u003c\/p\u003e\n\n\u003cp\u003e2. Artists United Against Apartheid –Sun City (Last Remix)\u003c\/p\u003e\n\n\u003cp\u003e3. The Cars –Hello Again (Remix Version)\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eLP2\u003c\/p\u003e\n\n\u003cp\u003eSide Three:\u003c\/p\u003e\n\n\u003cp\u003e1. Fine Young Cannibals –Ever Fallen In Love? (Club Senseless)\u003c\/p\u003e\n\n\u003cp\u003e2. The Colourfield–Running Away (Arthur Baker Remix)\u003c\/p\u003e\n\n\u003cp\u003e3. Deborah Harry -Sweet And Low (Swing Low Mix)\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eSide Four\u003c\/p\u003e\n\n\u003cp\u003e1. Daryl Hall –Dreamtime (Extended Remix Version)\u003c\/p\u003e\n\n\u003cp\u003e2. Carly Simon –My New Boyfriend (Remix)\u003c\/p\u003e\n\n\u003cp\u003e3. Bob Dylan –When The Night Comes Falling From The Sky (Full Length Version)\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eLP3\u003c\/p\u003e\n\n\u003cp\u003eSide Five:\u003c\/p\u003e\n\n\u003cp\u003e1. Neneh Cherry –Buffalo Stance (1\/2 Way 2 House Mix)\u003c\/p\u003e\n\n\u003cp\u003e2. Wally Jump Jr. \u0026amp; The Criminal Element –Turn Me Loose (Arthur Baker)\u003c\/p\u003e\n\n\u003cp\u003e3. Arthur Baker \u0026amp; The Backbeat Deciples Featuring Al Green –The Message Is Love (Cupid Mix)\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eSide Six:\u003c\/p\u003e\n\n\u003cp\u003e1. Roberta Flack –Uh-uh Ooh-ooh Look Out (Here It Comes) (Arthur Baker’s Dance Mix)\u003c\/p\u003e\n\n\u003cp\u003e2. Will Downing –A Love Supreme (Jazz In The House Remix)\u003c\/p\u003e\n\n\u003cp\u003e3. Al Jarreau –I Must Have Been A Fool (Extended Version)\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eLP4\u003c\/p\u003e\n\n\u003cp\u003eSide Seven:\u003c\/p\u003e\n\n\u003cp\u003e1. Jeffrey Osborne -Soweto (Remixed Version)\u003c\/p\u003e\n\n\u003cp\u003e2. Jermaine Stewart -Jody (Dance Mix)\u003c\/p\u003e\n\n\u003cp\u003e3. Atlantic Starr –One Lover At A Time (Extended Version)\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eSide Eight:\u003c\/p\u003e\n\n\u003cp\u003e1. Junie Morrison –Tease Me (Long Version)\u003c\/p\u003e\n\n\u003cp\u003e2. Jennifer Holliday –No Frills Love (Extended Dance Version)\u003c\/p\u003e\n\n\u003cp\u003e3. Cindy Mizelle-This Could Be The Night (12” Vocal\/Extended Version)\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eLP5\u003c\/p\u003e\n\n\u003cp\u003eSide Nine:\u003c\/p\u003e\n\n\u003cp\u003e1. Touchdown –Ease Your Mind\u003c\/p\u003e\n\n\u003cp\u003e2. Second Image –Star (U.S. Remix)\u003c\/p\u003e\n\n\u003cp\u003e3. Central Line -Surprise, Surprise (U.S. Remix)\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eSide Ten:\u003c\/p\u003e\n\n\u003cp\u003e1. Afrika Bambaataa \u0026amp; The Jazzy 5 With The Kryptic Krew–Jazzy Sensation (12” Bronx Version)\u003c\/p\u003e\n\n\u003cp\u003e2. Glory –Can You Guess What Groove This Is (Single Version)\u003c\/p\u003e\n\n\u003cp\u003e3. Ritz - I Wanna Get With You\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eLP6\u003c\/p\u003e\n\n\u003cp\u003eSide Eleven:\u003c\/p\u003e\n\n\u003cp\u003e1. 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(Mega-mix)\u003c\/p\u003e\n","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":45150391566616,"sku":"DEMRECBOX82","price":107.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/ABakerDMasters-6lp-3dPackshot.jpg?v=1748042234"},{"product_id":"dont-let-the-ink-dry-signed-exclusive-ink-splatter-vinyl-lp","title":"Don't Let The Ink Dry: Signed Exclusive Ink Splatter Vinyl LP","description":"\u003cb\u003eRed + Blue Ink Splatter Vinyl LP, strictly limited to 300 copies worldwide, sleeve signed by Eve Owen.\u003c\/b\u003e\n\nThe debut album from British singer\/songwriter Eve Owen, Don’t Let the Ink Dry, is a work of raw sensitivity and uncontained imagination, brought to life over the course of three transformative years. During that time, the 20-year-old artist spent her summer holidays writing and recording in New York with The National’s Aaron Dessner, immersing herself in a creative exploration that provided welcome refuge from her sometimes-troubled school life. As she discovered an entirely new sense of freedom and belonging, Owen devised a sonic language all her own: frenetic yet delicate, mercurial yet nuanced enough to capture the most ephemeral of feelings. Produced by Dessner at Long Pond Studio (a converted old farmhouse deep in the Hudson Valley), Don’t Let the Ink Dry finds Owen embracing her affinity for folk music while pursuing the endless possibilities in electronic experimentation.\n\n“I’ve often felt a bit uncomfortable in myself, and I love how that came out in the music,” says Owen. “I don’t really care for songs that flow just right or have a perfect cadence—I’d rather there be some sort of unnerving element to them. I think Aaron and I are both attracted to weirdness in music, and we instinctively went after that without really even talking about it.” For his part, Dessner reflects on the first day of their collaboration: “Eve came up to visit the studio for a day a few years ago when she was 16. I thought we would record one song but we ended up working on several in just one day. By the next morning she had written a few more songs based on her experience the previous day. This prolific songwriting continued throughout our work together. Every morning there would be new songs, written sometimes overnight. I’ve been lucky to work with some incredibly talented artists and it was clear to me immediately that Eve was deeply gifted, expressing herself with such force and sincerity on essentially her first proper recording day at Long Pond. 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From those initial sessions, the record grew to encompass a wider web of musical luminaries, including Afrobeat architects Tony Allen and Dele Sosimi, legendary L.A. spoken word pioneers The Watts Prophets, and West Papuan activist Benny Wenda.\n\nAlbum collaborators include South Africa sessions with Yugen Blakrok, Nono Nkoane, Thabang Tabane, Tubatsi Moloi, Gally Ngoveni, Sibusile Xaba, Soundz of the South Collective, DJ Mabheko and London sessions with Tony Allen, Shabaka Hutchings, Dele Sosimi, Ed ‘Tenderlonious’ Cawthorne, Tamar Osborn, Miles James, Joe Armon-Jones, Afla Sackey, Wenda Family, Eska Mtungwazi, Jungle Drummer, DeeJay Random.","brand":"Keleketla!","offers":[{"title":"Default Title","offer_id":45215898468632,"sku":"AHED24","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-111714.png?v=1759763177"},{"product_id":"memory-device-signed-turquoise-and-black-splatter-vinyl-lp","title":"Memory Device: Signed Turquoise and Black Splatter Vinyl LP","description":"Though most debuts are the culmination of a lifetime of influences and experiences, few artists succeed in mapping their musical journey quite as vividly as Baba Ali has on Memory Device. Tracing his Nigerian heritage, an adolescence absorbing No Wave and the hip hop on NYC’s Hot 97, time immersed in the techno scene in Berlin, and the experimental punk spirit of his current base in London, Memory Device is an enthralling introduction to a musician who resolutely defies pigeonholing.\n\nWritten during lockdown, and recorded with Al Doyle (LCD Soundsystem, Hot Chip) in East London, Memory Device is both a dizzyingly inventive exploration of Baba’s complex musical DNA, and a thought-provoking treatise on the collective angst of modern existence; a dance record dealing in small ‘p’ politics that, spiritually, has been three decades in the making.","brand":"Baba Ali","offers":[{"title":"Default Title","offer_id":45216235651352,"sku":"MI697LPX2","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-126557.png?v=1746745089"},{"product_id":"if-i-fail-are-we-still-cool-signed-vinyl-lp","title":"If I Fail Are We Still Cool?: Signed Vinyl LP","description":"\u003cp\u003eLong before Patrick Paige II, knew how to rip bass, he knew he wanted to fly. “Since I was little I was obsessed with aviation,” he recalls. “I wanted to be in the airforce until I got older and more conscious — no, I don’t wanna drop bombs on people for no fucking reason. But flying was an obsession that started young.” It’s a fixation that permeates his forthcoming sophomore album If I Fail Are We Still Cool, a collection of tenacious affirmations stitched together with in-flight interludes and an unshakable sense of ascension.\u003c\/p\u003e\n\n\u003cp\u003eWhat initially began as the makings of an EP quickly amassed into something more like a revelation once he wrote the hook-heavy “So They Say.” “I never trusted myself to write hooks, but once I wrote that, it was like, ‘oh shit, I can do this. I’m done pretending like I can’t.’” Written on the road and recorded in Hollywood at Chalice Recording Studios with the help of friends Chris Bosmith, Sean Matsukawa and Kameron Allen, the album provided Paige with a canvas to define himself. “I wanna stand for something,” he declares on “Who Am I.” “I wanna do it for the kids who got kicked out of class, beating on tables with the pens, they had no drum pads.” These moments of freeform introspection entwine with effortless grooves, such as on “Whisper” featuring Steve Lacy, Allen Love, and Durand Bernar. Elsewhere on the album, he links with Syd, Westside McFly, Saba, Ohana Bam, and Forte Bowie.\u003c\/p\u003e\n \n\u003cp\u003eYet for all its surrounding community, the album remains an inherently individual journey, one that only Paige can take. If he’s already introduced us to who he is as a bassist, and later as an artist, then If I Fail Are We Still Cool introduces us to Paige as a human, with all his vulnerabilities and insatiable ambition. Taken as a whole, it pays rhapsodic homage to who he’s always been while pushing further beyond the goal posts. “It represents everything in abundance that I’m willing to work hard for, and willing to elevate in every aspect.”\u003c\/p\u003e\n","brand":"Patrick Paige II","offers":[{"title":"Default Title","offer_id":45221581357336,"sku":"FP17663","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-121923.png?v=1749668292"},{"product_id":"a-poverty-attention-limited-edition-signed-vinyl-lp","title":"A Poverty Attention: Limited Edition Signed Vinyl LP","description":"\u003cp\u003e* Live tracks are exclusive to vinyl. The new single is taken from the bands’ forthcoming mini-album ‘A Poverty Of Attention’. Recorded with David Brewis of Field Music their new record sees the band expand on previous material, stripping down the post-punk format and remodelling it for current generation. Whilst their vernacular might make The Futureheads an easy (albeit apt) comparison, there is an added breathless intensity and intricacy to their instrumentation that calls to mind the likes of Omni or Gang of Four. This is interwoven with indie-pop sensibilities and hooks that are reminiscent of XTC, Television and Modern Lovers, which is driven largely by the surreal and often dry humour that permeate frontman Tom Hawick’s vocals with lyrics that centre around the tropes of modern living.\u003c\/p\u003e\n\n\u003cp\u003eSpeaking about the new material the band says “Everyone knows how it feels to be a little lost or to be stuck in a seemingly inescapable rut. 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They have now achieved a rebirth of epic proportions, even outperforming their viciously strong last release “Apocalypse” (2018), an album that deservedly yielded their highest-ever chart entries in the USA, Germany, Canada, Japan and Switzerland.\u003c\/p\u003e\n \n\u003cp\u003eThose who hailed Primal Fear before will surely kneel before “Metal Commando”, and those who aren't already addicted to the southern German's sound, simply now have no reason to not fall for it. The songs are too strong, the hooks too merciless, the refrains too huge - their trademark phalanx of three guitars is too insurmountable and the riffs too unerring to be resisted. “We’re simply an awesome team,” Sinner laughs. The “we” he’s talking about refers to himself on bass guitar and vocals, fierce vocalist Ralf Scheepers, guitarists Tom Naumann, Alex Beyrodt and Magnus Karlsson as well as that brand-new whirlwind of a drummer, Michael Ehré.\u003c\/p\u003e\n \n\u003cp\u003eAnd he sure knows what he’s talking about: Sinner is a living heavy metal legend, someone who’s seen it all and done it all. He started his other band Sinner back in 1982 and he’s played with VOODOO CIRCLE, he’s a producer and he's also the creative genius behind the massive Rock meets Classic tours that regularly unite some of the biggest figures and legends of classic rock and more.\u003c\/p\u003e\n \n\u003cp\u003e“Metal Commando” does that and more within every note: It’s fresh, it’s furious, it’s hungry. It's a work that's almost bigger than the band itself, even 22 years deep into their career. It' also a record which sees PRIMAL FEAR return to their first label Nuclear Blast.\u003c\/p\u003e\n \n\u003cp\u003eWhere other bands would buckle under such pressure, the change of labels has helped unleashed a huge amount of sublime heavy metal for PRIMAL FEAR. Heck, we bet this seismic shock even was visible on the Richter scale! “We wrote and wrote and realised quite early on that we had a lot of good ideas going,”  the album producer says. Good ideas? Oh Mat, you master of understatement! The songs are bangers as only PRIMAL FEAR anthems can be – a sound that’s long become their trademark just got a new, shiny paint job.\u003c\/p\u003e\n \n\u003cp\u003eHighlights? Good luck choosing: Final act ‘Infinity’ maybe, the 13+ minute epic that’s not only the longest, but also certainly the most flamboyant piece of music PRIMAL FEAR have ever written. Or perhaps ‘I am alive’, the spectacularly galloping opener. 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