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Lyrics appear in English, Urdu and Japanese, while historic Iranian samples and guzheng recordings sit alongside Green’s own meticulously processed instrumentation, woven together across recording sessions spanning LA, Tokyo, London and beyond with a significant portion of the record completed at Neil Young’s legendary Broken Arrow Ranch in California.\u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cp\u003eIt’s a record that represents the culmination of over 25 years as an artist and DJ. A reminder, if ever one was needed, of Bonobo’s enduring influence — newly felt by a generation rediscovering ’90s genres through a contemporary lens. That duality — introspective composer and club-focused selector — sits at the heart of a body of work full of depth, detail and emotion: both beautiful and driving; as ambitious and forward-thinking as ever.\u003c\/p\u003e\n\u003cp\u003eThe album’s visual world, created alongside celebrated designer Trevor Jackson, reflects this shift too. Moving away from the landscape-inspired aesthetics of earlier Bonobo records, Distance in Static instead draws on microscopic photography by renowned photomicrographer John I. Koivula, creating crystalline alien worlds that feel simultaneously natural and otherworldly. 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Gordon continues, “I dug these tracks out when I was looking for tracks to perform live, and Petrochemical just leapt out. As I’ve developed these tracks from performing across the UK and Europe, they’ve become more beat driven, so transforming this from a beautiful arpeggio-filled lullaby into something funkier was a lot of fun, and it’s still in my live set. The other track was written for the FoxFest - you can still see the original video of this on my YouTube page. I’d always meant to do something with the tracks from that set, and the first one in particular. \"The theme is very much to celebrate the workers and industry that was absolutely booming around Warrington, Widnes and Runcorn in the late 70s. From coal mining, to chemicals, to cars, the area was an absolute hive of industry. Some of those businesses are still very much in the area, but a lot has changed since then. This album, much like the first, looks back to look forward. 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As it was a residential bar, they couldn’t record late into the night for fear of bothering the neighbour and sound bleed was a glorious constraint: foot traffic to the hairdresser and the tattoo parlour next door, loud music from the bands and the kitchen crew downstairs. If anyone needed a break from the sessions, they would venture downstairs and watch a band playing. Jacklin and the band even played two unannounced shows there to try out the songs before recording them.\u003c\/p\u003e\u003cp\u003eThey thought they’d smash out the record in two weeks, like she’d always done, but that wasn’t the case. In fact, it took nearly a year of tinkering to arrive at something Jacklin could get behind. “The Gem felt like a metaphor for the whole process, because a lot of it did feel like digging. I felt like I was doing it almost in the dark, just trusting I was going to find something.” It conjures images of excavation, of reinvention, of trusting your instincts and surrounding yourself with the people and things that make life worthwhile. It’s a soaring document of the songwriter’s journey back to herself.\u003c\/p\u003e\u003cp\u003eThe band got matching tattoos on the last day of The Gem sessions: a neat little circle to represent an opal – Jacklin’s favourite gemstone. Fittingly, one of the bartenders at The Gem did it. “It did really feel like we’d done something special together. And I think as a group, it felt important to commemorate it. I’m glad we all have these little gems on us.”\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003e1. Brand New\u003c\/p\u003e\u003cp\u003e2. God Sometimes\u003c\/p\u003e\u003cp\u003e3. If I Had The Hand Of God\u003c\/p\u003e\u003cp\u003e4. The Hardest Thing\u003c\/p\u003e\u003cp\u003e5. 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Gatefold Blue Vinyl 2LP","description":"\u003cp\u003ePulp to Release Live Album and Concert Film\u003c\/p\u003e\u003cp\u003e“Live!” is out on Rough Trade Records on 28 August \/ “What Do You Do For an Encore?” to premiere worldwide on MUBI later this autumn\u003c\/p\u003e\u003cp\u003eFilm and album document the band’s 2025 show at The O2 London as they returned with No.1 album More.\u003c\/p\u003e\u003cp\u003e“A concert is an event where songs come back to life. That's why this album is called Live!” explains Jarvis Cocker of this unique record in the Pulp canon. “It's both a statement of fact (it's a recording of a live band) \u0026amp; a challenge (come on! 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