{"title":"Sale 50% Off","description":"","products":[{"product_id":"less-vinyl-lp","title":"Less: Vinyl LP","description":"\u003cp\u003eLondon slowcore band deathcrash have today announced their new album Less, due March 17th via untitled (recs). Recorded at the UK’s most remote studio in the Outer Hebrides, Less follows their critically acclaimed 2022 album, Return with a statement in reduction that turns out to be as powerful and potent as it is tender and introspective.\u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003e“The mission statement was to be super minimal,” \u003c\/em\u003esays deathcrash singer Tiernan Banks. \u003cem\u003e“Just simple and beautiful guitar parts and to be really bare. To be….less.”\u003c\/em\u003e\u003cbr\u003e\n\u003cbr\u003e\nSwiftly following Return, the band initially had no plans to make a full length. “The last thing we felt like doing was making another album,” says bassist Patrick Fitzgerald. \u003cem\u003e“It was like, ‘let's do this little EP that's aesthetically quite different and pared down’.” \u003c\/em\u003eLess was always planned to be a statement in reduction but it soon became apparent that the songs the band were writing were significant, personal and, despite the intentions to strip things back, bigger. \u003cem\u003e“As time went on, we started putting much more emotional weight into it and it became more important to us,”\u003c\/em\u003e says Banks.\u003cbr\u003e\n\u003cbr\u003e\nThe result is a record that is as powerful and potent as it is tender and introspective, with arrangements that manage to feel refined yet detailed and with a deep emotional resonance at the core of the record. Banks’ voice shifts from hushed whispers to guttural screams, one minute tapping into the kind of fragile beauty that artists like Elliott Smith managed so well, on tracks such as ‘Duffy’s’ before unleashing a doom metal growl in thundering unison with the band on ‘Empty Heavy’.\u003cbr\u003e\n\u003cbr\u003e\nThe record has confirmed early press support from a number of UK publications, including a 4-page print feature in Loud \u0026amp; Quiet, a feature in Line of Best Fit, and early indications of support from Stereogum and a number of other U.S. publications too. A radio campaign will also be run for the second single ‘Duffy’s’ and we expect support from BBC 6 Music, Apple Music and other tastemaker stations.\u003c\/p\u003e\n","brand":"deathcrash","offers":[{"title":"Default Title","offer_id":44593466835224,"sku":"UR12","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/Deathcrash_-_Less_-_Mockup_281_29.png?v=1759501623"},{"product_id":"homework-remixes-limited-edition-vinyl-2lp","title":"Homework Remixes: Limited Edition Vinyl 2LP","description":"\u003cp\u003eDaft Punk's \u003cem\u003eHomework Remixes\u003c\/em\u003e double album.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eThe release includes remixes from I:Cube, Roger Sanchez \u0026amp; Junior Sanchez, Motorbass, DJ Sneak, Masters At Work, Todd Terry, Slam, Ian Pooley and many more.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n","brand":"Daft Punk","offers":[{"title":"Default Title","offer_id":44659760136472,"sku":"505419717789","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-142302.jpg?v=1751999820"},{"product_id":"you-will-be-the-death-of-me-exclusive-splatter-vinyl-lp","title":"You Will be The Death Of Me: Exclusive Splatter Vinyl LP","description":"\u003cp\u003eTime fortifies the bonds between us. Since emerging in 2018, Light The Torch have grown stronger in lockstep together as a band and as friends. Through this growth, the Los Angeles, CA trio—Howard Jones [vocals], Francesco Artusato [guitar], and Ryan Wombacher [bass]—only enhanced every aspect of their signature sound. Upheld by head-spinning seven-string virtuosity, yet also anchored to skyscraping melodies, the group crafted twelve no-nonsense and no-holds-barred metallic anthems on their 2021 second full-length album, You Will Be The Death of Me [Nuclear Blast].\u003c\/p\u003e\n\u003cp\u003e“The past few years have helped me to become much more personal in my writing,” explains Howard. “Even though I’m kind of a loner, this band became real family. My experiences with Ryan and Fran inside and outside of the band truly bonded us. I think it shows in this album, it truly represents who we are as a group.”\u003c\/p\u003e\n\n\u003cp\u003e“Every second on this record was thought-out,” adds Fran. “Howard’s performance gives me chills, because it feels so alive. There’s so much emotion in it. I know the guy very well at this point, and our friendship is a big part of Light The Torch.”That friendship cemented over the course of the past three years. The group shot out of the gate as a contender on their full-length debut, Revival. It bowed at #4 on the Billboard US Independent Albums Chart and at #10 on the Hard Rock Albums Chart in addition to receiving acclaim from Revolver, Outburn, and many more. “Calm Before the Storm” racked up a staggering 14.5 million Spotify streams, while “The Safety of Disbelief” remains one of SiriusXM Octane’s all-time most requested songs. They also crisscrossed North America and Europe on tour with the likes of Trivium, Avatar, In Flames, Ice Nine Kills, Killswitch Engage and August Burns Red to name a few.\u003c\/p\u003e\n\n\u003cp\u003eIn late 2019, an idea for the title track “Death of Me” kickstarted the creative process. The guys returned to Sparrow Sound in Glendale, CA to once again work with the production team of Josh Gilbert and Joseph McQueen [Bullet for My Valentine, As I Lay Dying, Suicide Silence].This time around, they also welcomed Whitechapel’s Alex Rudinger on drums. “He’s incredible,” says Fran. “He was exactly what we needed.”Now, they kick down the door for You Will Be The Death of Me with the single “Wilting In The Light.” Howard’s instantly recognizable vocals soar over a sweeping riff and rolling beat before culminating on a massive luminous hook, “Over and over again we struggle.  We’re wilting in the light, and we stumble in the dark.”“It has a different vibe and a very interesting riff,” observes Howard. “I love it when listeners can take what they want from a song. This was a special one for us.”\u003c\/p\u003e\n\n\u003cp\u003e“More Than Dreaming” opens up the record with gut-punching guitar and another knockout hook. Elsewhere, airy keys wrap around chugging distortion on the title track “Death Of Me.” Regarding the latter, the frontman goes on, “Most people have some source of grief in their lives. It’s relatable, and it was appropriate for the song.”After the melodic melancholia of “Come Back To The Quicksand,” Light The Torch recharge the 1987 Terence Trent D’Arby classic “Sign Your Name” as the record’s climax. Shimmering keys bleed into an overpowering verse before it snaps into the immortal chorus beefed up with thick distortion. “Howard stayed at my house with me and my wife for the entire recording of the album,” recalls Fran. “I like to cook, and one night during the first week of pre-production I made everyone dinner.  A compilation with ‘Sign Your Name’ started playing, and I thought, ‘I can do a version that would sound awesome!’ Howard knew and loved the song too. For as crazy as it sounded, it worked so well.”\u003c\/p\u003e\n\u003cp\u003eIn the end, the bond between Light The Torch burns brighter than ever in the music as they deliver a definitive statement with You Will Be The Death Of Me.\u003c\/p\u003e\n\n\u003cp\u003e“We wanted to make a fully listenable and fun album that doesn’t let up,” Howard leaves off. “At the same time, we’re showing some heart, passion, and connection. It’s what we’ve always intended to do with this band.”\u003c\/p\u003e\n","brand":"Light The Torch","offers":[{"title":"Default Title","offer_id":44746617585944,"sku":"727361586898","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-117605.jpg?v=1759749384"},{"product_id":"the-feminine-divine-exclusive-midnight-blue-vinyl-lp","title":"The Feminine Divine: Exclusive Midnight Blue Vinyl LP","description":"\u003cp\u003eDexys are back! 11 years since the release of their last album of original music, the acclaimed One Day I'm Going to Soar, the band return with a stunning new record, The Feminine Divine, out July 28th on 100% Records.\u003cbr\u003e\n\u003cbr\u003e\nThe Feminine Divine’s arrival is heralded by today’s release of the glorious first single ‘I’m Going To Get Free’, soaked in horns and with a heavy dance-hall feel. \"The character is optimistically breaking free from internalised trauma, depression and guilt,\" Kevin Rowland said of the track.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e1. 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From 1993’s Wounded Land debut onwards, the enduring creative core of guitarist Karl Groom and keyboard maestro Richard West constructed a unique new strain of heavy, progressive music, combining incisive melodies, thought-provoking lyrics and intricate but thunderous arrangements. Whether fronted by current vocalist Glynn Morgan, who first sang with Threshold on 1994’s Psychedelicatessen, the late, great Andrew ‘Mac’ McDermott (a member from 1998 to 2007), or three-time alumnus Damian Wilson, Threshold have marched inexorably forward across three decades of creative fervour, arguably hitting a new peak of potency on the conceptual and musical splurge of 2017’s Legends Of The Shires. With Glynn Morgan back in the fold, the Brits’ enduring line-up of Groom, West, drummer Johanne James and bassist Steve Anderson somehow pushed themselves to new heights, receiving widespread acclaim and finding themselves in more demand than ever before. Despite the unavoidable setback of a global pandemic, Threshold arrive in 2022 in the best of health.\u003c\/p\u003e\n\n\u003cp\u003eFollowing up a newly-minted classic was always going to present Threshold with a challenge, but the band’s twelfth studio album swiftly confirms that the challenge has been met. Darker, heavier and even more adventurous than its predecessor, Dividing Lines reveals a band with a lot on their collective mind, while also boasting some of the most wildly inventive and melodically potent material they have ever recorded.\u003c\/p\u003e\n\n\u003cp\u003eDespite its many tense and tumultuous moments, Dividing Lines is also a showcase for just how much fun Threshold are having right now. Whether finding new ways to break hearts and touch souls on the streamlined, direct likes of Haunted, Silenced and Lost Along The Way, or exploring all kinds of new territory and re-tooled trademarks on elaborate epics The Domino Effect and Defence Condition, these ageless veterans are plainly in the form of their lives.\u003c\/p\u003e\n\n\u003cp\u003eWhile Legends Of The Shires presented a self-contained narrative that enabled Threshold to let their imaginations run wild, Dividing Lines eschews the conceptual approach in favour of a more traditional group of songs, linked by a hazy but unmistakable common theme.\u003c\/p\u003e\n\n\u003cp\u003eA collection of emotionally potent monuments to humanity’s eternal turmoil, Dividing Lines may be a dark record for dark times, but at its heart lies a message of hope for better times.\u003c\/p\u003e\n\n\u003cp\u003eIf the future of this planet looks bleak, at least the soundtrack will be spectacular. Dividing Lines is an album of shadows and light, of despair and hope; the human experience, rendered in dazzling, widescreen colours and performed with all the intensity and passion that has typified Threshold’s more than three decades of active service. The UK’s kings of prog metal are back, and ready to conquer the world all over again.\u003c\/p\u003e\n","brand":"Threshold","offers":[{"title":"Default Title","offer_id":45064584003864,"sku":"727361489908","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-138020.png?v=1759794186"},{"product_id":"rashomon-cd","title":"Rashomon: CD","description":"\u003cp\u003eSay the name TRIVIUM and reverence follows. That’s because in the annals of modern metal there are few stories more illustrious or celebrated than the one that began with that group of impossibly young Floridian misfits dreaming of the lighted stage over 20 years ago. In the time since those heady days, their career has been burnished by the kind of triumphs wrought by the sweaty toil of relentless touring and the steady anvil-beat of landmark releases that have won them a legion of fans around the world. Just as TRIVIUM have tirelessly forged their careers, so too have those ceaseless hammer-blows shaped Matt Heafy who, with each passing year, has taken shape as an artist, songwriter and thrilling frontman on stage, and one of metal’s most compelling voices when he’s off.\u003c\/p\u003e\n\n\u003cp\u003eGiven the close intertwining of Matt and TRIVIUM’s stories, you’d have thought the two would be inseparable, but not so, because IBARAKI – the name for a terrifying Japanese demon taken from feudal legend – is more than a solo record. As he tells it, it’s the end-result of a journey to find his voice. It’s personal, it’s deep, and as he explains, its inspirations include everything from an adoration for the extremes of black metal, to the exuberant storytelling of Gerard Way, to the adventuresome worldliness of tragic bon viveur Anthony Bourdain. It’s a reflection of his multifaceted interests as well as a profound affirmation of his Japanese-American identity, and one that led him to confront one of his family’s most tragic moments. Like the artist behind it, there is much to the story of IBARAKI and it began with a timid email to one of black metal’s most revered and influential figures.\n\tIt was Matt’s exposure to Ihsahn’s solo work that would inspire the gradual craftsmanship that would eventually become IBARAKI. It was also the beginning of a friendship and creative collaboration that would eventually compel Ihsahn to take a leap of his own into a newfound role as producer on the project. While much of the material for IBARAKI was assembled over those months and years – as much a songwriting process as an exchange of ideas between friends – it wasn’t until the pandemic that the space was created and the idea could really flourish. “It was very loose,” says Ihsahn. “We just had rough demos for a very long time because we’re arguably pretty busy people, but suddenly everything was cancelled and we had time on our hands for the first time, so it was like, ‘OK, let’s do this.’ We never got to work in the same room; he’d track guitars and send them to me, I’d run them through my studio and send them back. It was a new way of working, but it was like he was there on the other side of the glass. Matt is a very, very positive energetic and passionate music fan – we have similar attitudes to music and open mindedness. We hit it off, and it’s been really rewarding to me. I’ve always been on the artist's side, but Matt made it so easy for me because there’s no ego and he’s so open to new perspectives and he isn’t afraid of changing directions. He has such a wide range of musical influences. We talked about that and it was very obvious for me that he could extend his talents to a wider range. In all extreme genres there’s always a very small stereotypical framework of what you're supposed to do.”\u003c\/p\u003e\n\t\u003cp\u003eBut IBARAKI was more than just an expression of Matt and Ihsahn’s deep creative resonance. He got by with a little help from his friends, too. While primarily written by Matt, Ihsahn engineered and produced and contributed some song structures, plus TRIVIUM drummer Alex Bent and bassist Paolo Gregoletto and guitarist Corey Beaulieu contributed to various tracks. Ihsahn’s wife Heidi even sampled some natural sounds from the forest near their home and his entire family and Gerard Way contributed guest vocals to the song “Ronin”. “We got Nergal doing guest vocals on ‘Akumu’, too, which was just amazing,” says Matt\u003c\/p\u003e\t.\n\t\u003cp\u003eAs pivotal as Matt’s interactions with novice producer Ihsahn would be, it wasn’t just his perspective on music that was about to change. The shift that would imbue IBARAKI with its unique culturdentity – aside from its joyous musical eccentricities and creative sojourns which really have to be heard to be believed – but it’s the inspirational personal journey behind it that makes it a true standalone. That’s because just as Ihsahn encouraged Matt to break with the limiting musical conventions of the genre, he also motivated him to seek out new avenues for lyrical inspiration.\u003c\/p\u003e\n\t\u003cp\u003eMore than an album simply inspired by Japanese mythology and folklore, to Matt, IBARAKI is – like so many things from the land of the rising sun – an album that exists on two levels. The imaginary and the literal. The layers of meaning also abound, as do demons both real and imagined.So it wasn’t just the rich mythology and folklore of Japan that would give IBARAKI its unique aesthetics and influences – it would provide Matt with the catalyst to contemplate his own identity and to consider how recent tragedies stateside have highlighted the need for better representation in metal. The rise in anti-Asian violence and bigotry was something that Matt was keen to confront.\u003c\/p\u003e\n","brand":"Ibaraki","offers":[{"title":"Default Title","offer_id":45065402745112,"sku":"727361572525","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-131544.png?v=1747953558"},{"product_id":"a-color-of-the-sky-exclusive-coke-bottle-clear-vinyl-lp-signed-art-print-alternate-artwork","title":"A Color of the Sky: Exclusive Coke Bottle Clear Vinyl LP + Signed Art Print [Alternate Artwork]","description":"A Color of the Sky is the third album by Lightning Bug - the project of musicians and friends Audrey Kang, Kevin Copeland, Logan MIley, Dane Hagen and Vincent Puleo. A Color of the Sky is an album of many firsts: the band’s first album with their new label home, Fat Possum, the band’s first time recording together as a live band, and the first time Lightning Bug, initially a three-piece, is rounded out by Hagen and Puleo as full-time band members. Recorded in a rundown home-turned makeshift studio in the Catskills, A Color of the Sky finds Lightning Bug sounding more organic, dynamic and lush than ever, while also finding the band’s songwriter Audrey Kang sounding bolder than before.","brand":"Lightning Bug","offers":[{"title":"Default Title","offer_id":45213965156632,"sku":"FP17705","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-116602.png?v=1759749375"},{"product_id":"being-waves-signed-black-white-marble-vinyl-lp","title":"Being Waves: Signed Black + White Marble Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eSigned Exclusive Black + White Marble Vinyl LP, strictly limited edition of 200 copies worldwide.\u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\nKinkajous return with their highly anticipated album, 'Being Waves'. Stretching genre and medium boundaries, 'Being Waves' travels through multiple realities and touches on ideas of certainty, belief and identity. With alluring couplings between electronic and instrumental sounds, Kinkajous portray fascinating scenes with unique finesse and energy, making the band truly unmatched.\u003cbr\u003e\n\u003cbr\u003e\nThe record marks an evolution from Kinkajous' acclaimed debut, 'Hidden Lines' (2019, Running Circle), which gathered the support of key tastemakers including Gilles Peterson. This release, engineered by long-term collaborator Brendan Williams, gives life to a wide aural landscape made up of rich and diverse musical influences. With its blend of acoustic and orchestral instrumentation, analogue synthesis and sampling processes, there is an elaborate yet organic feel to the music that makes 'Being Waves' the five-piece band's most introspective work to date.\u003cbr\u003e\n\u003cbr\u003e\nLed by drummer\/producer Benoit Parmentier and saxophonist\/clarinetist Adrien Cau, Kinkajous have earned a reputation for conjuring up a powerful and cinematic sound, being described by CLASH as \"a key part of the British music landscape\". Joined by Jack Doherty (synths), Maria-Chiara Argirò (keys) and Andres Castellanos (bass), their live performances are exhilarating yet intimate, reflecting the band's outstanding musicianship and versatility.\u003c\/p\u003e\n","brand":"Kinkajous","offers":[{"title":"Default Title","offer_id":45214386487576,"sku":"RNCL6MAR","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-121709.png?v=1758725380"},{"product_id":"bright-green-field-limited-glow-in-the-dark-vinyl-lp","title":"Bright Green Field: Limited Glow In The Dark Vinyl LP","description":"Whilst the album title conjures up imagery of pastoral England, in reality, it’s something of a decoy that captures the band’s fondness for paradox and juxtaposition. Within the geography of Bright Green Field lies monolithic concrete buildings and dystopian visions plucked from imagined cities. Squid’s music - be it agitated and discordant or groove-locked and flowing - has often been a reflection of the tumultuous world we live in and this continues that to some extent. “This album has created an imaginary cityscape,” says Ollie Judge, who writes the majority of the lyrics and plays drums. “The tracks illustrate the places, events and architecture that exist within it. Previous projects were playful and concerned with characters, whereas this project is darker and more concerned with place - the emotional depth of the music has deepened.”\nThese themes were further embedded and emphasised, almost serendipitously, as Judge began to read more. “Reading Douglas Coupland’s view that we’re living in the “Extreme Present” as well as Mark Fisher and Merlin Coverley’s writings on Hauntology and the slow cancellation of the future made me realise we’ve been living in a dystopian and futurist landscape for a long time.” However, for all the innovative recording techniques, evolutionary leaps, lyrical themes, ideas and narratives that underpin the album, it’s also a joyous and emphatic record. One, that marries the uncertainties of the world with a curious sense of exploration, as it endlessly twists and turns down unpredictable avenues.\n","brand":"Squid","offers":[{"title":"Default Title","offer_id":45214530797848,"sku":"WARPLP314GD","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-128364.png?v=1759748886"},{"product_id":"if-words-were-flowers-exclusive-peach-vinyl-lp","title":"If Words Were Flowers: Exclusive Peach Vinyl LP","description":"\u003cp\u003eSimply calling Curtis Harding a soul man feels reductive. Harding's voice conveys pain, pleasure, longing, tenderness, sadness and strength—a full gamut of emotions. Today his voice takes on an optimistic lilt with his his new album, If Words Were Flowers.\u003c\/p\u003e\n \n\u003cp\u003eIf Words Were Flowers is Harding's first new music since 2018, a follow up to his critically acclaimed 'Face Your Fears\" album. It features songs like \" Hopeful\" , where Harding croons with devotion over a classic soul groove, textured with infectious horn playing, background singers and modern psychedelic flourishes.\u003c\/p\u003e\n \n\u003cp\u003eHarding fuels his psychedelic sound with the essence of Soul but isn't bound by it. Instead, his songs convey an eclectic blend of genres leaping from the many musical lives he has lived from following his evangelical Gospel-singing mother on tour around the country as a child to rapping in Atlanta, forming a garage band with The Black Lips' Cole Alexander to singing back-up for Cee Lo Green. Through these experiences he fully embraces life's darkest intricacies and conjures dynamic, addictive melodies.\u003c\/p\u003e\n \n\"Old-school polemical soul and gospel\" – The Times.\n\" A surging piece of soul music touched by vintage qualities\" - Clash.\u003cbr\u003e\n","brand":"Curtis Harding","offers":[{"title":"Default Title","offer_id":45215689539864,"sku":"278763","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-125094.png?v=1759749064"},{"product_id":"let-the-morning-come-signed-exclusive-red-vinyl-lp","title":"Let The Morning Come: Signed Exclusive Red Vinyl LP","description":"\n\u003cp\u003e2020 was supposed to be Joel Wästberg’s big year. Still riding high from the release of his second album as sir Was –2019’s Holding On To A Dream – the Swedish multi-instrumentalist was booked to open for Little Dragon across Europe and the US. When the tour was cancelled due to COVID, he decided to channel all his energies into writing new music instead, but in August of 2020, he received some life-changing news. \n\n\u003c\/p\u003e\u003cp\u003eTests revealed he carried the gene for a rare, hereditary condition causing multiple strokes. This dichotomy lies at the heart of his beautifully bittersweet third LP. Meditating on love, growth, self-acceptance, forgiveness, mortality and the passing of time, Let The Morning Come, which arrives self-produced by Joel, contains his most candid writing to date. And yet, for all the heartache that comes with being cruelly confronted with one’s own mortality, the prevailing impression Wästberg leaves listeners with is one of hope, resulting in a collection that is life-affirming in the very truest sense.\u003c\/p\u003e","brand":"sir Was","offers":[{"title":"Default Title","offer_id":45216050282776,"sku":"MI692LPX1","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-120737.png?v=1759749305"},{"product_id":"soberish-limited-edition-milky-clear-vinyl-lp","title":"Soberish: Limited Edition Milky Clear Vinyl LP","description":"Liz Phair is pleased to announce details of, Soberish, her highly-anticipated new album, and first collection of original material in eleven years.  Produced by Phair’s longtime collaborator Brad Wood – known for helming Phair’s seminal albums Exile In Guyville, Whip-Smart, and whitechocolatespaceegg.\n\nAlmost thirty years since her peerless debut album, Exile In Guyville, was released (voted #56 on Rolling Stone’s 2020 list of the 500 Greatest albums of All Time), Phair returns with a new record that will both intrigue and satisfy her long-standing fans, and introduce her to a smart young audience whose contemporary heroes have been reading from Phair’s playbook since they first picked up a guitar.\n","brand":"Liz Phair","offers":[{"title":"Default Title","offer_id":45220359438616,"sku":"BRVV15","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-117948.jpg?v=1758725794"},{"product_id":"time-to-melt-exclusive-lava-vinyl-lp","title":"Time to Melt: Exclusive Lava Vinyl LP","description":"\u003cp\u003eSam Evian announces his highly-anticipated new album, Time to Melt, out October 29th - his third full length, and debut via Fat Possum Records. Time to Melt reckons with the weight of our time, even when it sounds largely weightless. Inspired by John Coltrane’s mixture of grace and gravitas and Marvin Gaye’s uncanny ability to turn social issues into personal anthems, Sam strove to give these otherwise-beguiling instrumentals the thoughtfulness and depth these days demand.\u003c\/p\u003e\u003cp\u003eFollowing a brief decampment to upstate New York to create his last album, You, Forever, Sam realized he could no longer resist the urge to escape the anxious city life. He and his partner, Hannah Cohen, took themselves out of the city to upstate New York, building their refuge and Sam’s studio, Flying Cloud Recordings, in the quiet of a Catskills town. That reflective, relaxing environment shaped Time to Melt, a glowing set of soulfully psychedelic pop gems and a testimonial to the life and wisdom to be found when you give yourself the mercy of space.\u003c\/p\u003e\u003cp\u003eSam is a prolific producer \u0026amp; engineer with credits including Big Thief, Blonde Redhead, Widowspeak, Anna Burch, Cass McCombs, Hannah Cohen, Cassandra Jenkins, Okkervil River and more.\u003c\/p\u003e","brand":"Sam Evian","offers":[{"title":"Default Title","offer_id":45221134106904,"sku":"FP17786","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-123317.png?v=1759749186"},{"product_id":"uppers-signed-monochrome-splatter-vinyl-lp","title":"Uppers: Signed Monochrome Splatter Vinyl LP","description":"\u003cp\u003eUppers is the visceral debut album from rising quartet TV Priest. From the outskirts of London, the band combine a pulsating, industrial synth sound with politically and socially charged lyricism to create their empowering brand of new-wave post-punk, enticing fans of IDLES, Fontaines D.C. and Protomartyr. The self-produced LP follows two initial releases championed by the likes of 6 Music's Steve Lamacq, NME, So Young and Dork.\u003c\/p\u003e\n","brand":"TV Priest","offers":[{"title":"Default Title","offer_id":45224940863768,"sku":"SP1422RSXMS","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/0024779977_10.png?v=1759748886"},{"product_id":"cosmic-dancer-live-limited-vinyl-7-single","title":"Cosmic Dancer (Live): Limited Vinyl 7\" Single","description":"Morrissey and David Bowie’s duet of T-Rex’s ‘Cosmic Dancer’, that was recorded live at the Inglewood Forum, Los Angeles on 6th February 1991, is to be released officially for the first time.\n\nThe 7-inch double A-side single featuring ‘Cosmic Dancer’ alongside Morrissey’s 2020 cover of The Jam’s ‘That’s Entertainment’ is to be released on 19th February. The sleeve front and back features photographs of David Bowie with Morrissey and were taken in New York City by Linder Sterling.\n\nAs a point to note, this version of 'That's Entertainment' is different to the commonly circulated version from 1993.\n","brand":"David Bowie and Morrissey","offers":[{"title":"Default Title","offer_id":45332051231000,"sku":"190295142254","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-112153.jpg?v=1759786868"},{"product_id":"great-spans-of-muddy-time-vinyl-lp","title":"Great Spans of Muddy Time: Vinyl LP","description":"RIYL: Brian Eno, Robyn Hitchcock, Robert Wyatt, Euros Childs, Berlin-era Bowie, Cleaners from Venus.\n\nIt’s nearly a decade since William Doyle handed a CD-R demo to the Quietus co-founder John Doran at a gig, who loved it so much he set up a label to release Doyle’s debut EP (as East India Youth). Doyle’s debut album, Total Strife Forever, followed in 2014, as did a nomination for the Mercury Music Prize. A year later, he was signed to XL, touring the world and about to release his second album – all by the age of 25.\n \nAfter self-releasing four ambient and instrumental albums, Doyle’s third full-length record – and the first under his own name – Your Wilderness Revisited arrived to ecstatic reviews in 2019: Line of Best Fit described it as “a dazzlingly beautiful triumph of intention” and Metro declared it an album not only of the year, but “of the century”. Just over a year later, as he turns 30, Doyle is back with Great Spans of Muddy Time.\n \nBorn from accident but driven forward by instinct, Great Spans was built from the remnants of a catastrophic hard-drive failure. With his work saved only to cassette tape, Doyle was forced to accept the recordings as they were – a sharp departure from his process on Your Wilderness Revisited, which took four long years to craft toward perfection. “Instead of feeling a loss that I could no longer craft these pieces into flawless ‘Works of Art’, I felt intensely liberated that they had been set free from my ceaseless tinkering,” Doyle says.\n \n“The album this turned out to be – and that I’ve wanted to make for ages – is a kind of Englishman-gone-mad, scrambling around the verdancy of the country’s pastures looking for some sense,” says Doyle. “It has its seeds in Robert Wyatt, early Eno, Robyn Hitchcock, and Syd Barrett.” Doyle credits Bowie’s ever-influential Berlin trilogy, but also highlights a much less expected muse: Monty Don, presenter of the BBC programme Gardener’s World, Doyle’s lockdown addiction.\n \n“I became obsessed with Monty Don. I like his manner and there's something about him I relate to. He once described periods of depression in his life as consisting of ‘nothing but great spans of muddy time’. When I read that quote I knew it would be the title of this record,” Doyle says. “Something about the sludgy mulch of the album’s darker moments, and its feel of perpetual autumnal evening, seemed to fit so well with those words. I would also be lying if I said it didn’t chime with my mental health experiences as well.”\n \nLead single “And Everything Changed (But I Feel Alright)” is representative of the album as a whole: eclectic and unpredictable, but also playful and properly danceable. On top of the gently pulsing electronics, soothing harmonies and glowing melodies, there’s a ripping guitar solo that ricochets around the song like a pinball. “I wanted to get back into the craft of writing individual songs rather than being concerned with overarching concepts,” Doyle says. Elsewhere there’s the synth pop strut of “Nothing At All”, pulsating static on “Semi-Bionic”, incandescent synths and enveloping soundscapes in “Who Cares”, and the ambient glitch groove of “New Uncertainties”.\n \nGreat Spans of Muddy Time is a beautiful ode to the power of accident, instinct and intuition. The result, however, is far from an anomaly: this celebration of the imperfect album is one that required years of honed craft and dedicated focus to achieve,  “For the first time in my career, the distance between what I hear and what the listener hears is paper-thin,” Doyle says. “Perhaps therein reveals a deeper truth that the perfectionist brain can often dissolve.”\n","brand":"William Doyle","offers":[{"title":"Default Title","offer_id":45332215759128,"sku":"TLV138LP","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/Great_Spans_of_Muddy_Time.png?v=1759749365"},{"product_id":"inside-every-fig-is-a-dead-wasp-exclusive-tangerine-dream-vinyl-lp-signed-art-print","title":"Inside Every Fig Is A Dead Wasp: Exclusive Tangerine Dream Vinyl LP + Signed Art Print","description":"\u003cp\u003e\u003cstrong\u003eRecordstore Exclusive Tangerine Dream Marbled Vinyl LP, limited to 300 copies worldwide, each with an art print signed by the band enclosed.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eRepasky and Geeslin met in the eighth grade and began exchanging musical efforts almost immediately, but that blessed autonomy of first cars meant they could conquer Atlanta’s sprawling suburbs and play to their adolescent hearts’ desire. The pair forged a cluster of demos — just enough to fill a set — and took to as many stages as Atlanta could offer them. Local momentum building, they added classmates Matteo DeLurgio on synth and Connor Dowd on drums to sonically match their songs’ increasingly rambunctious spirit.\u003c\/p\u003e\u003cp\u003eUpon high school’s end, Lunar Vacation released a pair of well-received EPs, Swell and Artificial Flavors, and landed support runs for the likes of Remo Drive, Sidney Gish, and SALES. The band nabbed infatuated fans across the US while racking up millions of streams on their independently released music. In more than one sense, Lunar Vacation had graduated.\u003c\/p\u003e\u003cp\u003eBack in Atlanta, Geeslin was working in a record store (Criminal Records) when Daniel Gleason of the band Grouplove came in. Following a quick connection and hours of conversation, the members of Lunar Vacation felt Gleason could be one to color in the sound they’d been honing live — melodious guitars swirling atop propulsive, often psychedelic rhythm — and capture it in the studio. The band recorded \"Unlucky\" with Gleason and released it in early 2020, the song drawing attention as “swoon-worthy” from The FADER, “shimmering … wistful, sun-kissed indie-pop” from American Songwriter, and “equal parts Mac DeMarco and Snail Mail” from Paste Magazine. Lunar Vacation continued recording with Gleason in the producer’s chair.\u003c\/p\u003e\u003cp\u003eThe band released the first song of the batch in June 2021. “Shrug” garnered praise from the likes of Paste, Brooklyn Vegan, Stereogum, Under The Radar, and NYLON who called it “a jangly guitar song with a very shoutable chorus.” Songwriter Repasky shared, “I look back now and realize that this song was a pivotal moment in delving into self-identity and ultimately identifying as a non-binary person.\" The melody is buoyant though agitated, its guitars warbling like question marks and lyrics ringing distinctly relatable. Lines like This isn’t how I want to be \/ I didn't know I could care that much and Invited but I’ll never show \/ Sit at home playing too much Wilco cut into a listener’s mind and vibrate there, like thoughts of one’s own. There’s a carefree sense of triumph in Repasky’s refrain: Why don't you just shrug it off?\u003c\/p\u003e\u003cp\u003eLunar Vacation will release their highly anticipated debut album ‘Inside Every Fig Is A Dead Wasp’ October 29 on Keeled Scales. Throughout the album, this band boasts a celebratory sound, a reckless sense of ecstasy specific to fluid youth and rock solid friendship. In spite of life’s bits that inspire these songs — some darker than others — Repasky, Geeslin, DeLurgio, and Dowd reliably find the light in the thing. Drawing from early influences like Rilo Kiley and Tame Impala, and landing a little closer to contemporary favorites like Alvvays and Slow Pulp, Lunar Vacation make bright music replete with bliss.\u003c\/p\u003e\u003cp\u003eRepasky suggested the band name Lunar Vacation to Geeslin at a show, leaning over at a loud moment to say it. It’s easy to imagine others finding out about the band in this same way.\u003c\/p\u003e","brand":"Lunar Vacation","offers":[{"title":"Default Title","offer_id":45332329005336,"sku":"KS55LPC3","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-122947.png?v=1758724797"},{"product_id":"two-years-vinyl-lp","title":"Two Years: Vinyl LP","description":"Rolling through life, an open mind like an ocean, an infinite ride that comes furiously crashing to a halt. This is Whitney K’s ‘Two Years’, a deep dive into the Canadian songwriter’s journey through vulnerability, change and ultimately letting his guard down. Whitney K is the wandering stalwart Konner Whitney, a White- horse Yukon resident who has spent time in Vancouver, Montreal, Burnaby and Los Angeles. We met the character in 2016 through his intoxicating 4-track recorded manifesto ‘Goodnight’, a head on collision into 24 hours of illusioned romance and modern day escapism. \n\nFast forward to 2021, lift those curtains, aptly titled ‘Good Morning’ is the opening track on ‘Two Years’, a different cracker, a deliberate record about transformation, where to put it simply, Whitney K has arrived. Enlisting the aid of main collaborator and bandmate Josh Boguski, the focus has been shifted, folklore and realism becoming reckoning and truthfulness, what was outsider folk is now political poetry, life in motion delivered through a freeway ridden baritone voice that transforms the mundane into extraordinary. \n\nWritten with a completely different mindset and a conscious effort to break with the traditions of a corrupt, hypocritical, and hateful society\/lineage, Konner’s pen is precise and daring, uniting the earnestness of Willie Nelson and the comedy relief of Harry Nilsson on the beautiful ‘Me Or The Party #165’, or when painting Canada’s colonial past and heartland image on the primitive rock’n’roll anthem ‘Trans-Canada Oil Boom Blues’. There is no avoidance, no excuses, whether your self portrait in the mirror resembles a five dollar caricature sold on a boardwalk, the John Cale-esque opener ‘Good Morning’, or whether you learn you are worthy of love like on the poignant vignette ‘Maryland’, the beautifully arranged album closer that echoes Tin Pan Alley with Lou Reed’s grit. ‘Two Years’ also presents plenty of fun, the perfectly stumblin’ garage rocker ‘Last Night #2’, the honky tonk blues coming-of-age episode ‘Cowboy City Rocker’ and the cello\/violin belter ‘Hit This Pipe’. \n\nOne of Whitney K’s many gems is ‘The Weekend’ a minimalist spectral ode to hope where the band’s restriction brings out the pure force and vocal command of the ramblin’ troubadour. Time to open your arms, he’s coming out of no fun city and aiming straight for you.\n","brand":"Whitney K","offers":[{"title":"Default Title","offer_id":45332656128280,"sku":"MDR38","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/products\/SharedImage-113379_35c46734-7e47-4c4d-98c1-53cb2dc054a8.png?v=1685530452"},{"product_id":"uncommon-weather-exclusive-pastel-yellow-vinyl-lp","title":"Uncommon Weather: Exclusive Pastel Yellow Vinyl LP","description":"\u003cb\u003eExclusive Pastel Yellow Vinyl LP, limited to 300 copies worldwide.\n\u003c\/b\u003e\nFrom the many musical lives of artist Glenn Donaldson emerges The Reds, Pinks and Purples, a project that sifts out the purest elements of pop music and in the process chronicles the point of view of an assiduous San Francisco-based songwriter. The Reds, Pinks and Purples’ third album, called Uncommon Weather, is both an elusive portrait of San Francisco––during one of its fluctuations as an untenable place for musicians and artists––and also a self-portrait, however inverted, of a songwriter who has dispatched another treasured collection of timeless sounding DIY-pop songs.\n \nHow The Reds, Pinks and Purples arrived here is a story with many roots, the most consequential of which is perhaps the musical aftermath of his earlier band, The Art Museums, whose brief tenure in the late ’00s coincided with an explosive period of the Bay Area rock scene and was followed by a hermetic musical period of Donaldson’s. Disenchanted with the dissolution of his band, Donaldson averted the DIY-pop sound with an instrumental, conceptual project called FWY! but meanwhile started a habitual songwriting practice, sharing nascent songs with friends in an email exchange. In 2013–2014, The Reds, Pinks and Purples took shape as the moniker for Glenn’s most direct expressions in the DIY-pop mode, enabled by this new disciplined output. By then, San Francisco was already a changed place. The tragic loss of his former bandmate in Art Museums was another source of discontinuity and rupture. You can hear in The Reds, Pinks and Purples’ earliest songs this grappling with life, anxiety, and atrophying subcultures. For an artist with an overriding interest in the aesthetic principles of discrete musical genres, this turn toward his immediate world for subject matter was a major shift, setting The Reds, Pinks and Purples apart from Donaldson’s other musical ventures.\n \nPreceding the release of Uncommon Weather was the Reds, Pinks and Purples’ 2nd album, one of the record buying joys of 2020, You Might Be Happy Someday, and, earlier, their first proper full length Anxiety Art, a title that might nod to the classic Television Personalities song “Anxiety Block.” Donaldson’s music continuously reckons with the influence of Dan Treacy, whose own forays into drum-machines, echo, and reverb in the early 1990s is an important reference point for The Reds, Pinks and Purples’ musical template. Paul Weller, Robert Smith, and Sarah Records also come to mind. But, as important, Donaldson sees his projects as visual expressions too, often blurring the lines of records and physical art objects. They could just as well be “art multiples” as well as records. The pattern for Reds, Pinks and Purples’ records is to document San Francisco’s Inner Richmond district in photographs: the muted, pastel colours and unpeopled compositions unfold in a series of images that read like counter-melodies to Donaldson’s distinctive voice, a vocal tone that always complements the colours.\n \nSelf-recorded and mostly self-performed, Uncommon Weather features pinnacle versions of songs Donaldson has honed since the beginning of the project. The album arrives with grateful timing, quick on the heels of You Might Be Happy Someday, and alleviating, for a brief window at least, whatever it is that keeps us coming back to this elemental music. Donaldson imagines his listeners are just like himself: fascinated and addicted to the spiritual power of uncomplicated pop classics.\n","brand":"The Reds, Pinks and Purples","offers":[{"title":"Default Title","offer_id":45332658979096,"sku":"TLV136LP","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-114650.png?v=1759749377"},{"product_id":"wildstyle-soundtrack-exclusive-limited-blue-vinyl-lp","title":"Wildstyle Soundtrack: Exclusive Limited Blue Vinyl LP","description":"\u003cp\u003eAnimal Records – founded by Chris Stein of Blondie fame – only ever released two albums in its brief early-80s history. Wild Style remains the most seminal soundtrack in hip-hop history, a snapshot of the scene as it evolved from the streets to the recording studio. But it’s not just a vital document, it’s also a damn good listen.\u003c\/p\u003e\n\n\u003cp\u003eThe line-up is a who’s who of those who stood out from hip-hop’s nascent block party days. The Double Trouble pairing of Rodney Cee and KK Rockwell, The Chief Rocker himself, Busy Bee, the mighty line-ups of both The Cold Crush Brothers and The Fantastic Freaks. The music captures the free-form, roaming nature of the film – it’s rough at the edges, but it’s completely, utterly glorious.\u003c\/p\u003e\n\n\u003cp\u003eThe original Animal tracklisting, of which this is a reissue, is full of recurring sounds and motifs, all of them co-produced by Chris Stein and Fab Five Freddy, stepping away from breakbeats to produce a sound that reminds you of them, while being totally unique. The epic drums are courtesy of Lenny ‘Ferrari’ Ferraro, a Vietnam vet and punk drummer whose career spanned stints backing Aretha Franklin and Lou Reed.\u003c\/p\u003e\n\n\u003cp\u003eOver time, those sounds – the Charlie Chase and Grand Wizard Theodore scratches, the indelible lyrics - have become hip-hop touchstones, endlessly sampled and referenced, the bedrock of so much music to follow. That’s because the soundtrack perfectly encapsulated the essence of the film, the scene and hip-hop’s emergence from The Bronx to the attention of the wider world. Presented in this reissue with the original artwork, it remains the blueprint.\u003c\/p\u003e\n","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":45416669806872,"sku":"MRBLP247HH","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-135840.png?v=1758724632"},{"product_id":"breaking-atoms-glow-in-the-dark-vinyl-lp","title":"Breaking Atoms: Glow In The Dark Vinyl LP","description":"\u003cp\u003eThirty years after its original release, Main Source’s debut album Breaking Atoms has lost none of its capacity to surprise or delight. It remains a prime example of a classically styled hip-hop LP - two DJs, one MC, 11 tracks, no flab or filler. It wasn’t a slow burner - it was adored on release and hasn’t left the top ten of any serious rap fan ever since.\u003c\/p\u003e\n\n\u003cp\u003eWhat makes it so special? Perhaps it’s in the group’s ear for a hook and sample, with Large Professor mounting a whole, celebrated career off the back of this gem. Perhaps it’s in the way he manages to balance bragging with more political, thematic tracks such as ‘Just a Friendly Game of Baseball’ and ‘Peace is not the Word to Play’ without ever coming across as preachy.\u003c\/p\u003e\n\n\u003cp\u003eWith the Summer anthem ‘Just Hangin’ Out’ the group created a timeless feel-good slice of boom bap hip hop that dominated car stereos around the globe. However it’s arguably the posse cut ‘Live At The Barbeque’ that has maintained the album’s prestigious legacy. Featuring then-unknown guest MCs Akinyele and Joe Fatal, it was the jaw-dropping verse from a hungry Queensbridge teenager named Nas that stole the show and sparked his illustrious solo career.\u003c\/p\u003e\n\n\u003cp\u003eFew albums of this length are able to spawn four singles - all of them must-haves - while still having material galore on the album that could have been pressed as a 12”. ‘Snake Eyes’ ‘Vamos a Rapiar’ and ‘He Got So Much Soul (He Don’t Need No Music) could have been singles in their own rights, an embarrassment of riches.\u003c\/p\u003e\n\n\u003cp\u003eSample-wise, it’s all about the skillfully woven mixture of the obvious and the obscure, with a tapestry of samples approach that’s just not legally possible anymore. So while you might recognise a snatch of Donald Byrd’s ‘Think Twice’ on the timeless ‘Looking at the Front Door’, it’s layered with elements from Ken Lazarus, Detroit Emeralds, The Third Guitar and more. 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The swagger, fun and cryptic humour seem hewn from a city historian AJP Taylor once described as offering an archetypally different way of English urban life to London. Both Shaun Ryder and Paul Leveridge, known as Kermit, came from edgy-but-cool parts of the city. In Shaun’s case Salford, with Kermit originating from Moss Side. For those unfamiliar, ‘the Moss’ lay in the shadow of Manchester City’s old stadium at Maine Road, and was one of the first multi-ethnic areas in Manchester.\u003cbr\u003e\n\u003cbr\u003e\nBlack Grape are widely regarded as one of the most innovative and iconic bands of the last twenty five years. Black Grape have had 4 Top 10 singles and their debut album \u003cem\u003eIt’s Great When You’re Straight… Yeah\u003c\/em\u003e shot straight to No.1 in the UK charts upon its release in 1995 and went Platinum. 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