{"title":"Sale 60% Off","description":"\u003cp\u003e\u003cstrong\u003eGet 60% off all of the following releases, whilst stocks last.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiscount applied at checkout.\u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"less-vinyl-lp","title":"Less: Vinyl LP","description":"\u003cp\u003eLondon slowcore band deathcrash have today announced their new album Less, due March 17th via untitled (recs). Recorded at the UK’s most remote studio in the Outer Hebrides, Less follows their critically acclaimed 2022 album, Return with a statement in reduction that turns out to be as powerful and potent as it is tender and introspective.\u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003e“The mission statement was to be super minimal,” \u003c\/em\u003esays deathcrash singer Tiernan Banks. \u003cem\u003e“Just simple and beautiful guitar parts and to be really bare. To be….less.”\u003c\/em\u003e\u003cbr\u003e\n\u003cbr\u003e\nSwiftly following Return, the band initially had no plans to make a full length. “The last thing we felt like doing was making another album,” says bassist Patrick Fitzgerald. \u003cem\u003e“It was like, ‘let's do this little EP that's aesthetically quite different and pared down’.” \u003c\/em\u003eLess was always planned to be a statement in reduction but it soon became apparent that the songs the band were writing were significant, personal and, despite the intentions to strip things back, bigger. \u003cem\u003e“As time went on, we started putting much more emotional weight into it and it became more important to us,”\u003c\/em\u003e says Banks.\u003cbr\u003e\n\u003cbr\u003e\nThe result is a record that is as powerful and potent as it is tender and introspective, with arrangements that manage to feel refined yet detailed and with a deep emotional resonance at the core of the record. Banks’ voice shifts from hushed whispers to guttural screams, one minute tapping into the kind of fragile beauty that artists like Elliott Smith managed so well, on tracks such as ‘Duffy’s’ before unleashing a doom metal growl in thundering unison with the band on ‘Empty Heavy’.\u003cbr\u003e\n\u003cbr\u003e\nThe record has confirmed early press support from a number of UK publications, including a 4-page print feature in Loud \u0026amp; Quiet, a feature in Line of Best Fit, and early indications of support from Stereogum and a number of other U.S. publications too. A radio campaign will also be run for the second single ‘Duffy’s’ and we expect support from BBC 6 Music, Apple Music and other tastemaker stations.\u003c\/p\u003e\n","brand":"deathcrash","offers":[{"title":"Default Title","offer_id":44593466835224,"sku":"UR12","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/Deathcrash_-_Less_-_Mockup_281_29.png?v=1759501623"},{"product_id":"uk-grim-limited-silver-vinyl-lp","title":"UK Grim: Limited Silver Vinyl LP","description":"\u003cp\u003eAs the Nottingham duo's most dancefloor friendly release to date, \u003cem\u003eUK GRIM\u003c\/em\u003e is an urgent and sage-like look at life, living and the gritty reality of our era.  \u003c\/p\u003e\u003cp\u003eThe video for lead track \u003cem\u003eUK GRIM\u003c\/em\u003e is directed by British Collage Artist and Satirist Cold War Steve, who has created a series of original savage yet satirical artworks for the collaboration. This is his debut music video and debut animation having previously illustrated covers for Time Magazine \u0026amp; The New Statesman.\u003c\/p\u003e\u003cp\u003eTruly the sound of now, not only in terms of the ideas and issues Jason Williamson's strong words invoke, but also thanks to the innovative and immersive production of Andrew Fearn, which on this release has seen the pair collaborate on songs with Jane's Addiction's creative powerhouse, Perry Farrell and Dave Navarro, and with Florence Shaw, the distinct and vital voice at the heart of British band Dry Cleaning.\u003c\/p\u003e\u003cp\u003eSpeaking of the forces that have triggered the poetic protest at the heart of this record, as with their musical forebears like The Clash or The Jam, Sleaford Mods reveal that the outrage they feel is underscored by love for the people and places around them, making ‘UK GRIM’ as much a celebration of individuals and the idealists as it is an attack on ruling classes who pursue their own self-serving agendas with increasing desperation.  \u003c\/p\u003e\u003cp\u003e“Maybe we are proud of the country. Maybe we are proud to be English,” explains Williamson. “Maybe I’m proud of the horrible grey streets and the shit weather and the stupid fashions I find myself investing in. It’s just that the English we’re proud of being is absolutely nothing like the English the authorities want to try and promote.” \u003c\/p\u003e\u003cp\u003eAngry yet artful, innovative yet possessing an instinctual energy that irresistibly moves bodies and minds, \u003cem\u003eUK GRIM\u003c\/em\u003e is an erudite electronic vision that truly engages with times that have been anything but 'precedented'. \u003c\/p\u003e","brand":"Sleaford Mods","offers":[{"title":"Default Title","offer_id":44594618433816,"sku":"RT391LPE","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/Sleaford_Mods-UK_Grim-1920x1080-Silver49.png?v=1759787643"},{"product_id":"men-s-needs-women-s-needs-whatever-black-vinyl-lp","title":"Men’s Needs, Women’s Needs, Whatever: Black Vinyl LP","description":"\u003cp\u003eThe Cribs' first three classic albums are returning to stores on black vinyl which feature never-before heard songs, demos, covers and remixes.\u003c\/p\u003e\n\n\u003cp\u003eThe reissue collection includes the band's legendary 2007 album ‘Men’s Needs, Women’s Needs, Whatever', which features hit singles like 'Men's Needs' \u0026amp; 'I'm a Realist', back on vinyl for the first time in five years.\u003c\/p\u003e\n\n\u003cp\u003eProduced by Alex Kapranos, the album is full of enduring anthems and is still considered by many as one of the defining indie rock albums of the noughties. In the USA, Rolling Stone made it one of their records of the year, calling it a “tour de force”.\u003c\/p\u003e\n","brand":"The Cribs","offers":[{"title":"Default Title","offer_id":44594624889112,"sku":"COOP812LPB","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/cribsmens.png?v=1749668679"},{"product_id":"first-two-pages-of-frankenstein-black-vinyl-lp","title":"First Two Pages Of Frankenstein: Black Vinyl LP","description":"\u003cp\u003eAnchored by evocative melodies and an enthralling lyrical narrative, \u003cem\u003eFirst Two Pages of Frankenstein \u003c\/em\u003esignals a thrilling new chapter in the band’s beloved discography.\u003cstrong\u003e \u003c\/strong\u003eThe 11-song album was produced by The National at Long Pond Studios in upstate New York and features guest appearances by Taylor Swift, Phoebe Bridgers and Sufjan Stevens.\u003c\/p\u003e\n\n\u003cp\u003eThe follow-up to 2019’s top five hit album\u003cem\u003e \u003c\/em\u003e\u003cem\u003eI Am Easy To Find\u003c\/em\u003e, \u003cem\u003eFirst Two Pages of Frankenstein \u003c\/em\u003ewas initially stalled while lead singer Matt Berninger navigated “a very dark spot where I couldn’t come up with lyrics or melodies at all, and that period lasted for over a year. Even though we’d always been anxious and argued quite a lot whenever we were working on a record, this was the first time it ever felt like maybe things really had come to an end.”Instead, The National “managed to come back together and approach everything from a different angle, and because of that we arrived at what feels like a new era for the band,” according to guitarist\/pianist Bryce Dessner, whose bandmates also include his brother Aaron (guitar\/piano\/bass) as well as brothers Scott Devendorf (bass, guitar) and Bryan Devendorf (drums).\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eFirst Two Pages of Frankenstein \u003c\/em\u003echannels the group’s revitalized chemistry into a body of work that beautifully balances elegant musicality with the National’s more idiosyncratic impulses. Tracks such as “Grease in Your Hair” and “Ice Machines” were road-tested in 2022 before they were recorded, allowing the band to hone the material in real time (another song, “Weird Goodbyes” featuring Bon Iver’s Justin Vernon, was released as a standalone track last August). “To me the power of this record has to do with the intentionality and structure of the music meeting with a lot of accidental magic,” says Aaron Dessner.\u003c\/p\u003e\n\n\u003cp\u003eSwift duets with Berninger on the luminous “The Alcott,” continuing her recent string of collaborations with members of The National on her chart-topping albums \u003cem\u003efolklore\u003c\/em\u003e and \u003cem\u003eevermore\u003c\/em\u003e and Aaron Dessner’s Big Red Machine project. The song finds Berninger and Swift inhabiting the roles of a couple attempting to resurrect a troubled relationship, forging a finely drawn story nearly novelistic in scope. “It’s about two people with a long history returning to a place and trying to relive a certain moment in time,” says Berninger. “It’s got the feeling of a last-ditch effort to hold onto the relationship, but there’s a hint of something positive where you can see the beginnings of a reconnection.”\u003c\/p\u003e\n","brand":"The National","offers":[{"title":"Default Title","offer_id":44594630656280,"sku":"4AD566LP","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/Nationalblack.png?v=1749598121"},{"product_id":"guy-exclusive-signed-recycled-vinyl-lp","title":"Guy: Exclusive Signed Recycled Vinyl LP","description":"\u003cp\u003eJayda G, the Grammy-nominated writer, producer, DJ, environmental toxicologist, campaigner and broadcaster, is set to return with her new full length album ‘Guy’. Co-produced with Jack Peñate (who has previously worked with the likes of SAULT, David Byrne and Adele), with contributions from Lisa-Kaindé Diaz (of Ibeyi), Ed Thomas (Stormzy, Nia Archives, Jorja Smith) and more.\u003c\/p\u003e\u003cp\u003eThe album arrives on the back of a busy few years that have seen her Grammy-nominated (for her mid-pandemic single “Both Of Us”, created with producer Fred again..); release a trove of high-profile remixes for the likes of Taylor Swift and Dua Lipa; tour the worlds biggest festival and stages including Glastonbury and Coachella; release a compilation for the renowned DJ Kicks series and highly praised collaboration with Aluna; appear as a guest judge on BBC’s ‘Glow Up’; marry her childhood sweetheart in her hometown of Grand Forks, BC (in the same house her parents got married decades earlier); and contribute to the immersive installation ‘Undercurrent’ (New York, June ‘21) which focussed on the Climate Crisis, alongside artists like Khruangbin, Nosaj Thing, Mount Kimbie and Bon Iver.\u003c\/p\u003e\u003cp\u003eMost recently she has embarked on a life changing journey whilst undertaking filming for the forthcoming feature-length documentary ‘Blue Carbon’ — the collective term given to seagrass meadow, mangrove and tidal marsh ecosystems that fringe every continent (excluding Antarctica) and sequester two to four times more carbon from the atmosphere per hectare than tropical forests. The film is hosted by Jayda and took her to the front lines of the climate crisis to meet with those communities already affected by the looming catastrophe. Created by the BAFTA and Emmy-winning director Nicolas Brown (The Serengeti Rules) and executive producer Fernando Meirelles (City Of God, The Two Popes) it also features Brazilian artist Seu Jorge and original music from Wu-Tang’s RZA. The film will be released later this year in conjunction with CNN.\u003c\/p\u003e\u003cp\u003eThe new album ‘Guy’ brings Jayda’s own voice and words more prominently into focus than ever before, across 13 tracks that draw on her House, Disco, RnB and Soul roots while emphasizing her pop songwriting sensibilities, interspersed with archival recordings of her late father, the eponymous William Richard Guy.\u003cbr\u003e\u003cbr\u003e*\u003cstrong\u003eIncludes limited signed 12” photo insert.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e*\u003cstrong\u003eTo offset the production, proceeds from the sales of the album will be donated to various climate initiatives that Jayda visited during the filming of Blue Carbon.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Jayda G","offers":[{"title":"Default Title","offer_id":44605364896024,"sku":"ZEN287SIG","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/ZEN287SIG-mup-a.jpg?v=1759761067"},{"product_id":"wait-til-i-get-over-limited-blue-jay-vinyl-lp","title":"Wait Til I Get Over: Limited Blue Jay Vinyl LP","description":"\u003cp\u003eDurand Jones’s Wait ‘Til I Get Over is a memoir and a love letter. It is the story of Jones’s life, his growth and revelations, the wisdom of his hometown and the wisdom he could only gain once he left. In it, he writes through Hillaryville’s contradictions: the pristine beauty and the ragged roads; his teenage desire to leave and his adult desire to honor his tangled roots; the plantation history and the ups and downs of the Black community that made homes of this reparation town. “Hometowns have a way of keeping a part of you,” says Jones, “and if I’m making something young-me would be proud of, Hillaryville is a big part of that.” Jones finds something transformative in his memories there and the life he has led since, ultimately claiming and embracing his whole self.\u003cbr\u003e\n\u003cbr\u003e\nThe result is vulnerable, personal, touching on Jones’s relationship to church life, to his mother, to his queerness, to his worth. “I wish I could tell my younger self ‘you don’t have to stick to the dreams people have for you,’” says Jones, “’you can dream bigger. You are more than capable, you are more than able. 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Thinking about my time in New York while in the bubble of Los Angeles and my home. Thinking about how restless I was, and now settled down and stable. Thinking about how Aaron Dessner took a chance on me after I messaged him with a fury of demos. He could see through the hiss and crappy vocals on my GarageBand demos, and that I had something to say. He gave me the confidence to be loud and to scream my rage and feel founded and justified in my own pain. He gave me more tools to find catharsis in my work. I have carried that with me ever since.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eBeing on the west coast the last two years, I look back on my community in New York and am forever grateful. I had so many friends and peers step up and help me unfold these demos. The album that it became. Doug Keith and Ben Lord from my original touring band, Logan Cole, Peter Silberman from The Antlers, Jessica Larrabee from She Keeps Bees, Thomas Bartlett of Doveman, Rob Moose of yMusic, Jenn Wasner of Wye Oak, Julianna Barwick, Zach Condon of Beirut, Matt Barrick (of the Walkmen), Clarice Jensen, Ben Lanz, Bryce Dessner, and Bryan Devendorf (of The National).\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eI had almost forgotten about a song titled \"This Is Too Right\" that didn’t make it onto the record. It was one of the first guitar “riffs” I had ever written and Jenn Wasner sang on it with me. A song about not believing how good I had it, like the other shoe was about to drop. I hope everyone that helped make this record and supported it, feel the love and admiration that I continue to hold for all of you. I hope that in sharing this record again, with a new video and this forgotten track, that new listeners are brought into this album and find meaning and relevance in it today. All of the musicians on this album helped me come to life and perform in ways I never had before.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eMay these songs find you well. Sending all my love, Sharon.\u003c\/p\u003e\n","brand":"Sharon Van Etten","offers":[{"title":"Default Title","offer_id":44659250692376,"sku":"JAG201LPC2","price":31.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/JAG201LP-C2.jpg?v=1748043001"},{"product_id":"the-car-cd","title":"The Car: CD","description":"\u003cp\u003eThe Car is the seventh studio album from Arctic Monkeys. 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There was more room for experimentation in these songs, for toying with arrangements and intricacies of individual parts, than on their debut.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eWith Antics, Interpol has delivered a disc even more engaging than its celebrated predecessor, without sacrificing any of the depth that has made them such an important band for so many. The songs are at once catchier and more variegated, revealing themselves over time to a degree heard on few current releases, and nothing is ever obvious. 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That top to bottom rigour, the complete vision is what makes the second album from Working Men’s Club such a stunning and unique achievement.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eTheir critically acclaimed self-titled debut album, released in summer 2020, was the sound of singer and songwriter Syd Minsky-Sargeant processing a teenage life in Todmorden in the Upper Calder Valley. He was 16 when he wrote some of those songs, now 20, he had to get up and out of the Valley. “The first album was mostly a personal documentation lyrically, this is a blur between personal and a third-person perspective of what was going on.” Fear Fear documents the last two years. Yes, there is bleakness – but there is also hope and empathy. “I like the contrast of it being happy, uplifting music and really dark lyrics. It’s not a minimal record, certainly compared to the first one. 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It is weird music, and very good. Of course, Fahey is an important cult figure in the history of music: as the first man to find a language for steel string guitar that can stand proudly alongside the established tradition of nylon string classical guitar; as one of many men who rediscovered obscure old blues musicians and recorded them for a new generation in the 1960s; as one uniquely able to reconcile 20th century avant-garde music with folk tradition; as an early indie-label DIY pioneer. For me personally, Fahey went beyond technique, and to some extent beyond historical or intellectual justifications for his work. He explored his emotions through his instrument of choice, and in so doing made the case for the guitar as the ultimate conduit for emotional expression. While there are many imitators who try to play ''like Fahey'', I avoided using his fingerpicking style or sense of rhythm, and tried instead to use his music to explore my own emotions, my own dreams and memories. 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What I learned from one fed directly into the other. \u003cem\u003eEnclosure\u003c\/em\u003e is presently my last word on the musical statement which began with PBX.”\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eShining Desert\u003cbr\u003e\nSleep\u003cbr\u003e\nRun\u003cbr\u003e\nStage\u003cbr\u003e\nFanfare\u003cbr\u003e\nCinch\u003cbr\u003e\nZone\u003cbr\u003e\nCrowded\u003cbr\u003e\nExcuses\u003c\/p\u003e\n","brand":"John Frusciante","offers":[{"title":"Default Title","offer_id":45086892917016,"sku":"RCM72541LP","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/enclosurelp.png?v=1751959278"},{"product_id":"a-beginners-mind-vinyl-lp","title":"A Beginner's Mind: Vinyl LP","description":"\u003cp\u003eA Beginner’s Mind began when the two musicians and Asthmatic Kitty labelmates decamped to a friend’s cabin in upstate New York for a monthlong songwriting sabbatical. Watching a movie to unwind after each day’s work, they soon found their songs reflecting the films and began investigating this connection in earnest.\u003c\/p\u003e\n\u003cp\u003eThe resulting album is 14 songs (loosely) based on (mostly) popular films—highbrow, lowbrow and everything in between. They wrote in tandem—one person writing a verse, the other a chorus, churning out chord progressions and lyrics willy-nilly, often finishing each other’s sentences in the process. Rigorous editing and rewriting ensued. The results are less a “cinematic exegesis” and more a “rambling philosophical inquiry” that allows the songs to free-associate at will. Plot-points, scene summaries, and leading characters are often displaced by esoteric interpolations that ask the bigger question: what does it mean to be human in a broken world?\u003c\/p\u003e\n\u003cp\u003eStevens and De Augustine wrote everything with a deliberate sense of shoshin—the Zen Buddhist concept for which the record is named and an idea that empowered the pair to look for and write about unlikely inspiration without preconceived notions of what a film had to say (The I-Ching and Brian Eno’s Oblique Strategies also served as incentives along the way). The movies became rhetorical prompts, with the songwriters letting their distinct reactions and creative instincts govern their process. The underlying objective was empathy and openness, absent of judgment: to observe with the eyes of a child.\u003c\/p\u003e\n","brand":"Sufjan Stevens","offers":[{"title":"Default Title","offer_id":45213959946520,"sku":"AKR143LP","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-121670.png?v=1749164813"},{"product_id":"acr-epr-limited-edition-storm-grey-vinyl-lp","title":"ACR:EPR: Limited Edition Storm Grey Vinyl LP","description":"\u003cp\u003eACR:EPR is the last of a trilogy of EPs by A Certain Ratio.\u003c\/p\u003e \n\n\u003cp\u003eRecorded with the internal brief of anything goes, ACR complete their trilogy of Eps with these four tracks, the mesmerising $ouls In The City is made up of Part 2 and Part 1, in that order, followed by the insanely catchy Night People, Big Boy Pants which was named after Joe Biden when he won the US election as it was mixed on the same day and the final track Downtime Vibes, which is a hypnotic piece of repetitive rhythms built up around a set of chimes that Jez found in the back of his car.\u003c\/p\u003e \n","brand":"A Certain Ratio","offers":[{"title":"Default Title","offer_id":45214088069400,"sku":"12MUTE633","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-119583.jpg?v=1759795803"},{"product_id":"agor-vinyl-lp","title":"Agor: Vinyl LP","description":"\u003cp\u003eLewis Roberts aka Koreless announces his much-anticipated debut album ‘Agor’\u003c\/p\u003e\n \n\u003cp\u003eAn album over five years in the making, ‘Agor’ is announced with the single ‘Joy Squad’, a track that has a life of its own already.   Played by Caribou, Jamie xx and TNGHT in their BBC Radio1 Essential Mixes, with further support from Oli XL and HAAi, ‘Joy Squad’ now finally sees its proper release. The video was directed by Mau Morgo and Koreless, features dancer Alex Thirkle and was choreographed by Sharon Eyal.\u003c\/p\u003e \n \n\u003cp\u003eThere is an idea of hidden depths suggested by the title of Koreless’ debut album. ‘Agor’ is the Welsh word for open and it’s an apt name for a recording which exists at sensory thresholds, helping guide the listener from one realm to another less visited. It straddles various worlds of trance, ambient, contemporary classical, sound design, vaporwave and garage, while not sounding like an example of any of them.\u003c\/p\u003e\n","brand":"Koreless","offers":[{"title":"Default Title","offer_id":45214106648856,"sku":"YT214LP","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-120405.png?v=1749668549"},{"product_id":"back-to-mono-white-vinyl-lp","title":"Back to Mono: White Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003ePlease Note: All signed copies have sold out - this is an unsigned copy of the album\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLimited Edition of 1000 only - 180g Heavy White Vinyl with bonus CD copy of the album\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBoyd Rice \/ NON announces the release of a new album, Back To Mono, in October 2012. Back To Mono is a return to Boyd Rice’s noise roots, and the first new album since 2002’s Children Of The Black Sun.\u003c\/p\u003e\n\n\u003cp\u003eHailed as an influence by the likes of Marilyn Manson, Marc Almond and Wes Eisold from Cold Cave, Rice’s contributions are both seismic and unquantifiable. Boyd Rice \/ NON’s first release was what is known as the Black Album (1975). \u003ci\u003e\"When I started to compose and perform noise music in the ‘70s there simply were no other noise groups.\"\u003c\/i\u003e As noise became more commonplace, Rice moved into more subtle and complex recordings.\u003c\/p\u003e\n\n\u003cp\u003eCredited with having developed a pioneering sampler; the ‘Noise Manipulation Unit’ Boyd delved into California’s avant-garde scene in the late 1970s.\u003c\/p\u003e \n\n\u003cp\u003eSays Rice, \u003ci\u003e\"I was doing sample-based music about a decade before the advent of samplers, when everyone else was using bass, guitars, keyboards and drums.  It has been said that I invented the first sampler.  Perhaps I did. At the time I called it the N.M.U. (or noise manipulation unit). It allowed me to essentially sample numerous tracks of noise and mould them into rudimentary rhythms.  This was my principle instrument for a good many years and can be heard on Back to Mono, in the late 70’s archival recordings.\"\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003eRice was to become the one of the first signings to Miller’s revolutionary Mute label and a 30-year partnership began with the issue of ‘Knife Ladder.’ By including a version of Warm Leatherette on ‘Back To Mono’ Rice has completed his Noise odyssey: \u003ci\u003e\"I bought that single fifteen minutes before meeting Daniel. 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The album—entirely written, produced and performed by the South Korean-born and now LA-based the producer, rapper, singer, and DJ—follows the release of her hugely successful ‘How can I’ EP and comes on the heels of a string of collaborations, working with the likes of Clams Casino \u0026amp; Take A Daytrip (“Y DON’T U”), Blood Orange (“CALL ME (Freestyle)”) and Nosaj Thing (“CLOUDS”), plus a remix from Galcher Lustwerk (“Can you”).\u003cbr\u003e\n\u003cbr\u003e\nHer debut album follows an incredible few years for the young artist, with a string of releases that have seen her garner strong support from the likes of Rolling Stone, Pitchfork, Jezebel, FADER, DAZED, i-D, E!, Resident Advisor, Exclaim!, Hypebeast and many more. She was additionally featured in numerous ‘Best Of 2020’ lists from Billboard, The Guardian, NYLON and others, included in the NME 100 list of ‘Essential emerging artists for 2021’ \u0026amp; V Mag's 'Generation V’ series, and highlighted by British GQ and Stereogum as ‘One to Watch’. The EP’s lead single, ’Like this’—hailed by Mixmag as one of the “best tracks of 2020” and featured on the FIFA 2021 soundtrack—was supported across BBC Radio 1 and 6 Music (where it was playlisted for multiple weeks) with plays from Annie Mac, Clara Amfo, Lauren Laverne, Phil Taggart and many more. In the US the track was #1 of ‘Top Electronic’ in the NACC Charts (North American College and Community Radio), and in the ‘Top 200’ overall, with further support from KEXP, KCRW, SiriusXMU and more.\u003c\/p\u003e\n","brand":"박혜진 Park Hye Jin","offers":[{"title":"Default Title","offer_id":45214329569560,"sku":"ZEN277X","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-121669.jpg?v=1759796645"},{"product_id":"birdbrain-limited-30th-anniversary-edition-mint-green-vinyl-lp","title":"Birdbrain: Limited 30th Anniversary Edition Mint Green Vinyl LP","description":"\u003cp\u003eBeggars Arkive is excited to announce a limited edition 30-year Anniversary edition of Buffalo Tom’s epic second album Birdbrain. Available on mint green vinyl, the album has been out of print for years.\u003cbr\u003e\n\u003cbr\u003e\nBuffalo Tom (Bill Janovitz, Chris Colbourn and Tom Maginnis) formed at the University of Massachusetts at Amherst in 1984 - a breeding ground of post punk guitar bands like Dinosaur Jr. and Pixies. The three longstanding bandmates recognize the achievement of their longevity as a creative unit. Initially offering a raw, propulsive sound that emphasized Janovitz’s imposing guitar squall on such early releases as 1989’s Buffalo Tom and 1990’s Birdbrain, Buffalo Tom’s early approach gave way to a more melodic, yet no less distinctive, style on 1992’s Let Me Come Over (including the hit ballad “Taillights Fade”), 1993’s Big Red Letter Day (including the hit “Soda Jerk”) and 1995’s Sleepy Eyed.\u003cbr\u003e\n\u003cbr\u003e\nTheir friendship with J. 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Their most recent album Quiet and Peace, came out in 2018.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n","brand":"Buffalo Tom","offers":[{"title":"Default Title","offer_id":45214433345816,"sku":"BBQ2179LP","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-111846_30809831-fa4e-4f7e-b836-0039bfb3a890.png?v=1759796284"},{"product_id":"busy-guy-heavyweight-180g-vinyl-lp","title":"Busy Guy: Heavyweight 180g Vinyl LP","description":"\u003cp\u003eAfter an absence of 13 years Stephen Fretwell has announced news of his long-awaited third album, Busy Guy, released 16th July via Speedy Wunderground.\nDescribed by Fretwell as “a song cycle of sorts,” the album examines the seasons of a life, exploring fatherhood, grief and rebirth, with Fretwell’s trademark eloquence and wit.\u003c\/p\u003e \n \n\u003cp\u003eBusy Guy was produced by Fretwell’s close friend and Speedy Wunderground label boss, Dan Carey. They recorded the whole thing one hot July afternoon in just two hours. “I was so fired up, I just rattled off the songs,” Fretwell says. “I assumed it was the run-through, but Dan said he thought we’d got it.” The next day, Carey assembled “a palate of sound” involving keyboards and an electric guitar. “Dan said, ‘I’m just going to react to the songs over the next few hours’, and that’s the finished record, besides some cello.” The album title was also Carey’s idea. Fretwell explains: “Years ago, Dan asked why I always carried a copy of The Guardian, a notebook and a pen when all I did was go to the pub. I said: if you go to the pub at 11am with a newspaper, a notebook and pen, you look like a busy guy rather than a pisshead. It became a joke between us. 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Fully self-actualized and more devoted than ever to personal fulfilment, DEACON highlights his growth as a songwriter, which he credits to taking a more straightforward approach to expression. Spending time with pop songwriters and observing how they traverse language encouraged serpent to take more risks lyrically, resulting in more purity.\u003c\/p\u003e\n\n\u003cp\u003eRaised by religious parents in Baltimore, serpent’s flair for theatrical themes and gospel sensibilities can be traced to the Black church, a place where the artist had his earliest experiences with glamour and the ornate. Well-executed vocal flourishes and the implementation of a quickening vibrato are just a few of the skills he picked up during his time in a Pentecostal choir. He proudly follows in the tradition of R\u0026amp;B artists whose gifts were helmed in the church, and he approached DEACON with an undeniable passion and reverence for the genre.\u003c\/p\u003e\n\n\u003cp\u003eIn his love for love, serpentwithfeet is offering a look into the soul of a man who articulates his passion in a warmer, gentler way. He’s become wholly confident in his gift and messaging on DEACON, which is to be expected when one gives vent to maturity. 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Such is the jump Shame have made from the riotous post-punk of their debut to the sprawling adventurism and twitching anxieties laid out here. The South Londoner’s blood and guts spirit, that wink and grin of devious charm, is still present, it’s just that it’s grown into something bigger, something deeper, more ambitious and unflinchingly honest.\n\nThe genius of Drunk Tank Pink is how these lyrical themes dovetail with the music. Opener Alphabet dissects the premise of performance over a siren call of nervous, jerking guitars, its chorus thrown out like a beer bottle across a mosh pit. \n\nSongs spin off and lurch into unexpected directions throughout here, be it March Day’s escalating aural panic attack or the shapeshifting darkness of Snow Day. There’s a Berlin era Bowie beauty to the lovelorn Human For A Minute while closer Station Wagon weaves from a downbeat mooch into a souring, soul-lifting climax in which Steen elevates himself beyond the clouds and into the heavens. Or at least that’s what it sounds like. \n\nFrom the womb to the clouds (sort of), Shame are currently very much in the pink.","brand":"Shame","offers":[{"title":"Default Title","offer_id":45214969790744,"sku":"DOC204LP","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-112388.jpg?v=1746745685"},{"product_id":"earth-to-dora-gatefold-vinyl-lp","title":"Earth To Dora: Gatefold Vinyl LP","description":"\u003cb\u003e\n-180g black vinyl\n\n-Gatefold (left pocket glued shut)\n\n-Printed inner sleeve \n\u003c\/b\u003e\n\nEELS have had one of the most consistently acclaimed careers in music. The ever-changing project of principal singer\/songwriter E (Mark Oliver Everett), EELS have released 12 studio albums since their 1996 debut, Beautiful Freak. In 2008, E published his highly-acclaimed book Things the Grandchildren Should Know and starred in the award-winning Parallel Worlds, Parallel Lives documentary about the search to understand his quantum physicist father, Hugh Everett III. \n\n2015 saw the release of the band’s extraordinary Royal Albert Hall live album and concert film. In the same year, the band’s “Fresh Blood” served as the theme song to HBO’s “The Jinx” and from 2016 to 2018 E appeared in Judd Apatow’s Netflix original series “Love.” EELS released their 12th studio album, and first in four years, ‘The Deconstruction’ in April 2018 and toured America and Europe in 2018 and 2019. \n\n‘Earth to Dora’ is due for release October 30th via E Works \/ [PIAS]. As well as a digital release, ‘Earth to Dora’ will be available as a standard 12” LP and limited edition double 12” LP box set on translucent red vinyl with zoetrope labels, also containing a litho print, CD Digipak, A5 sticker sheet, fridge magnets and 12” zoetrope slip-mat.\n","brand":"Eels","offers":[{"title":"Default Title","offer_id":45214991089944,"sku":"EWORKS116LP","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-108961.jpg?v=1759755078"},{"product_id":"fabric-presents-danilo-plessow-mcde-vinyl-2lp","title":"fabric presents Danilo Plessow (MCDE): Vinyl 2LP","description":"\u003cp\u003eThe mix was recorded at the end of 2020 as the planet was struggling with the second wave of the Covid-19 pandemic. 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The broadcast ended with the true reveal: AJ’s highly-anticipated sophomore album FLU GAME will finally arrive on April 16th 2021.\u003c\/p\u003e\n\n\u003cp\u003eAlways pushing boundaries with his creative output, AJ’s campaign draws influence from the story of Michael Jordan and his Chicago Bulls team in the late 90s - with FLU GAME referencing one of MJ’s most memorable championship games - where he overcame a nasty bout of food poisoning (brought on by a dodgy takeaway pizza) and took the Bulls to the championship. Revenge Athletic are a franchise on the brink of a massive championship win, and AJ is their new star. All we know for now, is that AJ is about to take us into this new world, as he dons the number 10 jersey, and states he’s “ready to get going [and] do what I’ve always done.”\u003c\/p\u003e\n\n\u003cp\u003eFLU GAME sees AJ showcasing twelve brand new tracks, with tantalising features including Kehlani, T-Pain, SahBabii, NAV and Millie Go Lightly. On the production front, AJ calls on regular collaborators Nyge, The Elements, Kazza, AoD and Remedee. The project also features the UK top five singles “Bringing It Back” with Digga D, “West Ten'' with Mabel, and the Platinum smash “Dinner Guest” feat. MoStack. The album news and its immersive accompanying campaign is sure to whip fans into a frenzy.\u003c\/p\u003e\n","brand":"AJ Tracey","offers":[{"title":"Default Title","offer_id":45215303172376,"sku":"REVENGE1LP2","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/flugame.png?v=1758725790"},{"product_id":"former-things-signed-exclusive-vinyl-lp","title":"Former Things: Signed Exclusive Vinyl LP","description":"\u003cp\u003eBlack vinyl in printed inner in signed exclusive gatefold sleeve. 12” size 4 page lyric booklet and download card insert.\u003cbr\u003e\n\u003cbr\u003e\nFormer Things is the follow up to acclaimed 2015 album Hinterland which garnered praise from The Guardian, The Quietus, The Financial Times and more. The soundworld of Former Things was entirely crafted by LoneLady during her time spent in Somerset House Studios Rifle Range, an 18th century shooting range that has now been adapted into an experimental performance space. The album was inspired by a seismic move for LoneLady who left her native Manchester, decamping to London’s Somerset House Studios in search of a new cityscape to inspire her poised machine funk. First single “There Is No Logic” went onto the A list at BBC 6 Music. 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Fragments EP and Monument are two fine bodies of work by this singular, unique British artist, and two empathetic records of sorrow and strength.\u003c\/p\u003e\n","brand":"Keaton Henson","offers":[{"title":"Default Title","offer_id":45215320441112,"sku":"PIASR1234LP","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-122231.png?v=1746483722"},{"product_id":"freakout-release-vinyl-2lp","title":"Freakout\/Release: Vinyl 2LP","description":null,"brand":"Hot Chip","offers":[{"title":"Default Title","offer_id":45215322145048,"sku":"WIGLP481","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-134292.jpg?v=1752000244"},{"product_id":"invisible-forces-exclusive-signed-purple-vinyl-lp","title":"Invisible Forces: Exclusive Signed Purple Vinyl LP","description":"\u003cp\u003eContemporary pianist and composer James Heather announces his second album ‘Invisible Forces’ out on the 22nd April via Ahead of Our Time, Ninja Tune founders Coldcut’s first record label. Influenced by the sensibility of electronic, ambient, orchestral and post-rock music but channelled through solo piano and his classical and jazz grounding, the album follows the release of the critically acclaimed ‘Modulations: EP2’, released in 2021.\u003c\/p\u003e\n\n\u003cp\u003eHeather’s new album is about becoming aware of invisible forces around us to help deepen understanding of self and our connection to the world, from tuning into the natural world and getting lost in its patterns and energies to gaining more knowledge around ancestral lines such as the concept of epigenetics. It’s about looking that bit deeper into things, into areas that are not instantly visible but are all around us to achieve this. “Composing these songs gave me an anchor to feel more present in life after some troubling times and sent me on a journey to rediscover a kind of wonderment with the world. I hope the Invisible Forces universe will bring warmth to other people too.”\u003c\/p\u003e\n\n\u003cp\u003eRecorded, mixed and produced by Heather in his new home studio on a refurbished Bosendorfer 200 grand piano utilising various microphone techniques, ‘Invisible Forces’ is a love story to the instrument that was his first love. A step forward compositionally from his 2017 debut album ‘Stories From Far Away On Piano’, the songs are grander, deeper and broader in emotional range and are developed through a series of improvisation techniques rarely seen in the often notated world of classical music. He describes his music as “pulse music” with each track performed in a single take and with their roots in this live improvisation, often honed on the road where Heather moves between tender to more propulsive, trance-inducing dynamics. He memorised each movement, then subtly adapted, adding more complexities and compositional dexterity over time before committing to the final take. His approach to the new compositions, finds him playing freely, with no metronome or official notation to recall or dictate the piece but instead using just his muscle memory, feel and instinct to decide where each track will go.\u003c\/p\u003e\n\n\u003cp\u003eA deeply personal and autobiographical album, the first four tracks on ‘Invisible Forces’ come from inside, about life dreams that end up becoming devastatingly flawed (or not) as in ‘Meant to Be’, to complications around the sharing of grief and moving on in ‘No Time Limit to Grief’. Elsewhere, the loss of the “sixth” sense of balance in Heather’s father due to a brain tumour is addressed in ‘Balance,’ while Heather acknowledges trusting in his inner being to overcome life’s difficulties and look out once again with positivity in ‘In Your Spirit’.\u003c\/p\u003e\n\n\u003cp\u003eHeather’s profound sense of awe at the big wide world outside of the self is considered in ‘Ultraviolet’ – the realisation that everything is connected in the universe, often in unseen ways, like a magic that surrounds us while ‘Forgotten Cities’, is a dreamlike interest in lost civilisations who built at one with nature and the stars above to cities today affected by war, nostalgic for peaceful times, hoping their city won’t be forgotten. ‘Invisible Forces’, the core of the album, absorbs all the albums messages, and connects different stages of Heather’s own compositional history from childhood to now. “I feel like one of the messages in my music is an activism for peace and equality for all, it is political but just done in a minimalist way. It’s about learning to love ourselves but also to love others even more.” \u003c\/p\u003e\n\n\u003cp\u003eThroughout the closing stages of ‘Invisible Forces’, Heather questions the journey towards the end of a life, a feeling transcending perhaps even joy. A feeling of connecting back to ancestors long since gone and the realisation they might be effecting him now in subliminal ways as in ‘Ancestral Future Now’, to ‘Beginnings,’ which looks at the evolvement of the natural world around us. \u003c\/p\u003e\n\n\u003cp\u003eEmpathy and compassion are two key themes underpinning the album, in particular with the most personal song in ‘Hidden Angel’, a letter of forgiveness to a missing lorry driver who put Heather in a coma in 2008 whilst he was cycling and may not know that he miraculously survived the episode. A topic which Heather has never addressed before in song, he was given just a 5% chance of survival and he endured both the mental and physical challenge of adjusting back into life, changing him fundamentally as a person through many highs and lows as he battled back to full fitness, an experience that he now looks at as a positive. ‘I am lucky that at last my life is now filled with a joy I could never have dreamed of before, dealing with the aftermath of such trauma can take time. The driver couldn’t be located some years later and I always wanted to let him know I survived, in case he didn’t know, and to tell him I’m ok and that I hold no anger. The whole experience has given me an increased empathy to people that may be going through something heavy and to face mortality head on at such a young age, whilst a shock, has deepened my understanding of life.”\u003c\/p\u003e\n\n\u003cp\u003eThe album concludes with ‘Immortal Beloved’, a song about the treasuring of love, and a reference to the famous letter Beethoven, an early influence on Heather, wrote and never sent to someone unnamed.\u003c\/p\u003e \n\n\u003cp\u003eThe album artwork is by long-time collaborator Suki and is a representation of the many invisible layers of our inner and outer worlds. Inspired by the structure of earth, each layer or journey is connected to the next through implied space and time transcending to unknown depths. ‘Invisible Forces’ is as much about emotional growth as it is physical awareness. The album art interprets this tension through a series of contrary emotions where wonderment and solitude, awe and isolation, contemplation and silence can be found in equal measure. Informed by real world invisible forces, the art is designed using computational techniques. Procedural materials and the movement of light create hyperreal terrains that feel both familiar and unfamiliar.\u003c\/p\u003e\n\n\u003cp\u003eSince the release of his 2017 debut ‘Modulations: EP1’ and the subsequent full length, critically acclaimed album ‘Stories From Far Away on Piano’, Heather has amassed over 120 million streams on the major streaming platforms, reached number 2 on the UK Classical Album Charts in iTunes, number 14 in the Billboard Classical Crossover charts and gained major critical and fan support; notable supporters of Heather's music include James Lavelle (UNKLE), Nils Frahm, Cillian Murphy, Flying Lotus’ Brainfeeder (via his live session he did for them in 2021)  and The Cinematic Orchestra, who commissioned Heather to rework their single ‘A Caged Bird \/ Imitations Of Life’ for their 'To Believe' remix album for Ninja Tune in 2020. His high calibre 2018 ‘Reworks’ remix release, featured reworked original tracks by Sarah Davachi, DJ Seinfeld, Marry, Lattimore, Aparde, Chihei Hatakeyama and Echo Collective further cementing his position as an important figure in the modern classical scene and also highlighted his adroitness at bridging the gaps of his influences. He has collaborated with Dawn Richard, Coldcut, Mumdance and Roger Robinson (King Midas Sound). In October 2021, Heather shared a double single release with Japanese composer Ryuichi Sakamoto with a strings version of ‘And She Came Home’ in the lead up to the Coldcut '@0' ambient compilation on which he also played piano on their new version of the seminal ambient track ‘Autumn Leaves’.\u003c\/p\u003e\n","brand":"James Heather","offers":[{"title":"Default Title","offer_id":45215785025816,"sku":"AHED34","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-130773.jpg?v=1759763886"},{"product_id":"karma-desire-limited-crystal-clear-vinyl-2lp-in-silver-foil-metallic-bag","title":"Karma \u0026 Desire: Limited Crystal Clear Vinyl 2LP in Silver Foil Metallic Bag","description":"Actress, real name Darren Jordan Cunningham, known to friends as DAZ releases his new album Karma and Desire on Ninja Tune. 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