{"title":"Sale 60% Off","description":"\u003cp\u003e\u003cstrong\u003eGet 60% off all of the following releases, whilst stocks last.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiscount applied at checkout.\u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"less-vinyl-lp","title":"Less: Vinyl LP","description":"\u003cp\u003eLondon slowcore band deathcrash have today announced their new album Less, due March 17th via untitled (recs). Recorded at the UK’s most remote studio in the Outer Hebrides, Less follows their critically acclaimed 2022 album, Return with a statement in reduction that turns out to be as powerful and potent as it is tender and introspective.\u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003e“The mission statement was to be super minimal,” \u003c\/em\u003esays deathcrash singer Tiernan Banks. \u003cem\u003e“Just simple and beautiful guitar parts and to be really bare. To be….less.”\u003c\/em\u003e\u003cbr\u003e\n\u003cbr\u003e\nSwiftly following Return, the band initially had no plans to make a full length. “The last thing we felt like doing was making another album,” says bassist Patrick Fitzgerald. \u003cem\u003e“It was like, ‘let's do this little EP that's aesthetically quite different and pared down’.” \u003c\/em\u003eLess was always planned to be a statement in reduction but it soon became apparent that the songs the band were writing were significant, personal and, despite the intentions to strip things back, bigger. \u003cem\u003e“As time went on, we started putting much more emotional weight into it and it became more important to us,”\u003c\/em\u003e says Banks.\u003cbr\u003e\n\u003cbr\u003e\nThe result is a record that is as powerful and potent as it is tender and introspective, with arrangements that manage to feel refined yet detailed and with a deep emotional resonance at the core of the record. Banks’ voice shifts from hushed whispers to guttural screams, one minute tapping into the kind of fragile beauty that artists like Elliott Smith managed so well, on tracks such as ‘Duffy’s’ before unleashing a doom metal growl in thundering unison with the band on ‘Empty Heavy’.\u003cbr\u003e\n\u003cbr\u003e\nThe record has confirmed early press support from a number of UK publications, including a 4-page print feature in Loud \u0026amp; Quiet, a feature in Line of Best Fit, and early indications of support from Stereogum and a number of other U.S. publications too. A radio campaign will also be run for the second single ‘Duffy’s’ and we expect support from BBC 6 Music, Apple Music and other tastemaker stations.\u003c\/p\u003e\n","brand":"deathcrash","offers":[{"title":"Default Title","offer_id":44593466835224,"sku":"UR12","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/Deathcrash_-_Less_-_Mockup_281_29.png?v=1759501623"},{"product_id":"uk-grim-limited-silver-vinyl-lp","title":"UK Grim: Limited Silver Vinyl LP","description":"\u003cp\u003eAs the Nottingham duo's most dancefloor friendly release to date, \u003cem\u003eUK GRIM\u003c\/em\u003e is an urgent and sage-like look at life, living and the gritty reality of our era.  \u003c\/p\u003e\u003cp\u003eThe video for lead track \u003cem\u003eUK GRIM\u003c\/em\u003e is directed by British Collage Artist and Satirist Cold War Steve, who has created a series of original savage yet satirical artworks for the collaboration. This is his debut music video and debut animation having previously illustrated covers for Time Magazine \u0026amp; The New Statesman.\u003c\/p\u003e\u003cp\u003eTruly the sound of now, not only in terms of the ideas and issues Jason Williamson's strong words invoke, but also thanks to the innovative and immersive production of Andrew Fearn, which on this release has seen the pair collaborate on songs with Jane's Addiction's creative powerhouse, Perry Farrell and Dave Navarro, and with Florence Shaw, the distinct and vital voice at the heart of British band Dry Cleaning.\u003c\/p\u003e\u003cp\u003eSpeaking of the forces that have triggered the poetic protest at the heart of this record, as with their musical forebears like The Clash or The Jam, Sleaford Mods reveal that the outrage they feel is underscored by love for the people and places around them, making ‘UK GRIM’ as much a celebration of individuals and the idealists as it is an attack on ruling classes who pursue their own self-serving agendas with increasing desperation.  \u003c\/p\u003e\u003cp\u003e“Maybe we are proud of the country. Maybe we are proud to be English,” explains Williamson. “Maybe I’m proud of the horrible grey streets and the shit weather and the stupid fashions I find myself investing in. It’s just that the English we’re proud of being is absolutely nothing like the English the authorities want to try and promote.” \u003c\/p\u003e\u003cp\u003eAngry yet artful, innovative yet possessing an instinctual energy that irresistibly moves bodies and minds, \u003cem\u003eUK GRIM\u003c\/em\u003e is an erudite electronic vision that truly engages with times that have been anything but 'precedented'. \u003c\/p\u003e","brand":"Sleaford Mods","offers":[{"title":"Default Title","offer_id":44594618433816,"sku":"RT391LPE","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/Sleaford_Mods-UK_Grim-1920x1080-Silver49.png?v=1759787643"},{"product_id":"guy-exclusive-signed-recycled-vinyl-lp","title":"Guy: Exclusive Signed Recycled Vinyl LP","description":"\u003cp\u003eJayda G, the Grammy-nominated writer, producer, DJ, environmental toxicologist, campaigner and broadcaster, is set to return with her new full length album ‘Guy’. Co-produced with Jack Peñate (who has previously worked with the likes of SAULT, David Byrne and Adele), with contributions from Lisa-Kaindé Diaz (of Ibeyi), Ed Thomas (Stormzy, Nia Archives, Jorja Smith) and more.\u003c\/p\u003e\u003cp\u003eThe album arrives on the back of a busy few years that have seen her Grammy-nominated (for her mid-pandemic single “Both Of Us”, created with producer Fred again..); release a trove of high-profile remixes for the likes of Taylor Swift and Dua Lipa; tour the worlds biggest festival and stages including Glastonbury and Coachella; release a compilation for the renowned DJ Kicks series and highly praised collaboration with Aluna; appear as a guest judge on BBC’s ‘Glow Up’; marry her childhood sweetheart in her hometown of Grand Forks, BC (in the same house her parents got married decades earlier); and contribute to the immersive installation ‘Undercurrent’ (New York, June ‘21) which focussed on the Climate Crisis, alongside artists like Khruangbin, Nosaj Thing, Mount Kimbie and Bon Iver.\u003c\/p\u003e\u003cp\u003eMost recently she has embarked on a life changing journey whilst undertaking filming for the forthcoming feature-length documentary ‘Blue Carbon’ — the collective term given to seagrass meadow, mangrove and tidal marsh ecosystems that fringe every continent (excluding Antarctica) and sequester two to four times more carbon from the atmosphere per hectare than tropical forests. The film is hosted by Jayda and took her to the front lines of the climate crisis to meet with those communities already affected by the looming catastrophe. Created by the BAFTA and Emmy-winning director Nicolas Brown (The Serengeti Rules) and executive producer Fernando Meirelles (City Of God, The Two Popes) it also features Brazilian artist Seu Jorge and original music from Wu-Tang’s RZA. The film will be released later this year in conjunction with CNN.\u003c\/p\u003e\u003cp\u003eThe new album ‘Guy’ brings Jayda’s own voice and words more prominently into focus than ever before, across 13 tracks that draw on her House, Disco, RnB and Soul roots while emphasizing her pop songwriting sensibilities, interspersed with archival recordings of her late father, the eponymous William Richard Guy.\u003cbr\u003e\u003cbr\u003e*\u003cstrong\u003eIncludes limited signed 12” photo insert.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e*\u003cstrong\u003eTo offset the production, proceeds from the sales of the album will be donated to various climate initiatives that Jayda visited during the filming of Blue Carbon.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Jayda G","offers":[{"title":"Default Title","offer_id":44605364896024,"sku":"ZEN287SIG","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/ZEN287SIG-mup-a.jpg?v=1759761067"},{"product_id":"wait-til-i-get-over-limited-blue-jay-vinyl-lp","title":"Wait Til I Get Over: Limited Blue Jay Vinyl LP","description":"\u003cp\u003eDurand Jones’s Wait ‘Til I Get Over is a memoir and a love letter. It is the story of Jones’s life, his growth and revelations, the wisdom of his hometown and the wisdom he could only gain once he left. In it, he writes through Hillaryville’s contradictions: the pristine beauty and the ragged roads; his teenage desire to leave and his adult desire to honor his tangled roots; the plantation history and the ups and downs of the Black community that made homes of this reparation town. “Hometowns have a way of keeping a part of you,” says Jones, “and if I’m making something young-me would be proud of, Hillaryville is a big part of that.” Jones finds something transformative in his memories there and the life he has led since, ultimately claiming and embracing his whole self.\u003cbr\u003e\n\u003cbr\u003e\nThe result is vulnerable, personal, touching on Jones’s relationship to church life, to his mother, to his queerness, to his worth. “I wish I could tell my younger self ‘you don’t have to stick to the dreams people have for you,’” says Jones, “’you can dream bigger. You are more than capable, you are more than able. 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Featuring ten new songs written by Alex Turner, produced by James Ford and recorded at Butley Priory, Suffolk, La Frette, Paris and RAK Studios, London.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Arctic Monkeys","offers":[{"title":"Default Title","offer_id":44659280740632,"sku":"WIGCD455","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-140207.jpg?v=1746483684"},{"product_id":"fear-fear-limited-edition-pink-vinyl-lp","title":"Fear Fear: Limited Edition Pink Vinyl LP","description":"\u003cp\u003eSongs created in the shadow of terror and loss, but that crackle and pop with defiance Fear Fear is a record made for agitating and dancing, for heart and soul, for here, now and tomorrow. It’s a record that explores juxtaposition; that of life and death, acceptance and isolation, environment and humanity, hope and despair, the real world and the digital world. That top to bottom rigour, the complete vision is what makes the second album from Working Men’s Club such a stunning and unique achievement.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eTheir critically acclaimed self-titled debut album, released in summer 2020, was the sound of singer and songwriter Syd Minsky-Sargeant processing a teenage life in Todmorden in the Upper Calder Valley. He was 16 when he wrote some of those songs, now 20, he had to get up and out of the Valley. “The first album was mostly a personal documentation lyrically, this is a blur between personal and a third-person perspective of what was going on.” Fear Fear documents the last two years. Yes, there is bleakness – but there is also hope and empathy. “I like the contrast of it being happy, uplifting music and really dark lyrics. It’s not a minimal record, certainly compared to the first one. That’s because there’s been a lot more going on that needed to be said.”\u003c\/p\u003e\n\n\u003cp\u003eMaking the busy feel finessed and the dreadful feel magical – Fear Fear manages those feats, and then some. Or, as Syd Minksy-Sargeant puts it: “We just set out to make the best-sounding album we could.”\u003c\/p\u003e\n\n\u003cp\u003eFear Fear was produced by Ross Orton (Arctic Monkeys, MIA, Tricky) and recorded at Orton’s studio in Sheffield.\u003c\/p\u003e\n","brand":"Working Men’s Club","offers":[{"title":"Default Title","offer_id":44659381174552,"sku":"HVNLP203C","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-132754.jpg?v=1759760945"},{"product_id":"profound-mysteries-i-vinyl-2lp","title":"Profound Mysteries I: Vinyl 2LP","description":"\u003cp\u003eLimited edition double album pressed on heavyweight black vinyl.\u003c\/p\u003e\n","brand":"Röyksopp","offers":[{"title":"Default Title","offer_id":44659734544664,"sku":"DOG51LP","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-139771.png?v=1752067506"},{"product_id":"typical-music-super-limited-red-blue-transparent-vinyl-2lp","title":"Typical Music: Super Limited Red \u0026 Blue Transparent Vinyl 2LP","description":"\u003cp\u003e\nHas there been a busier musician over the last two years? A more prolific artist? More creative? More heroic?\n\u003c\/p\u003e\nTim Burgess – as self-effacing a band leader, solo star, label runner, repeat memoirist and all-round caffeinated can-do kid as you’ll find – would certainly shrink from the latter accolade. “A hero??” he’d likely mutter with a shake of his boyish mop. “For playing some records?”\n\nYes, Tim, we would say that. And not just because with the May 2020, mid-lockdown appearance of I Love The New Sky, his fifth solo album, he undauntedly pushed on with releasing an album that brought much-needed sunshine to a world enveloped in gloom.\n\nOver the course of the first year of the pandemic, Tim’s Twitter Listening Parties were a lifeline to many. At a time when the world shut down, we all retreated indoors, alone, and cancelled gigs were the least of our worries, the North Country Boy’s idea of utilising social media to unite us round a digital turntable was inspired.\n\nMeanwhile, Burgess was writing. And writing. And writing. From September 2020 to summer 2021, ideas poured out of Burgess. He’d been encouraged by Simon Raymonde, boss of his record label Bella Union ¬– and, of course, a former Cocteau Twin. He applied a musician’s logic: if you can’t tour your last album, write a new one. Then, when you can tour again, you’ll have two albums’ worth of songs to play.\n\nWell, now, arguably, Burgess has three albums’ worth of songs to perform live. Typical Music is a 22-track double, a blockbuster set of songs that are as expansive and diverse as they are rich. As fun as they are funky. That embrace heartache and love. That run the gamut, from ABBA (in the shape of guest vocalist Pearl Charles, whose own brilliant Magic Mirror album is the sound of the magic Swedes doin' disco) to Zappa (free-form studio experimentation is go!).\n","brand":"Tim Burgess","offers":[{"title":"Default Title","offer_id":44659776192792,"sku":"BELLA1311V","price":30.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-138177.jpg?v=1752047823"},{"product_id":"on-the-sunny-side-of-the-ocean-vinyl-lp","title":"On The Sunny Side Of The Ocean: Vinyl LP","description":"\u003cp\u003eDavid Tattersall, the Wave Pictures guitarist and frontman releases a solo album of interpretations of John Fahey tunes, recorded live in the studio. \"I have been a fan of John Fahey's music since I was very young; it has always been with me and I can't remember a time when I wasn't affected by it. It is weird music, and very good. Of course, Fahey is an important cult figure in the history of music: as the first man to find a language for steel string guitar that can stand proudly alongside the established tradition of nylon string classical guitar; as one of many men who rediscovered obscure old blues musicians and recorded them for a new generation in the 1960s; as one uniquely able to reconcile 20th century avant-garde music with folk tradition; as an early indie-label DIY pioneer. For me personally, Fahey went beyond technique, and to some extent beyond historical or intellectual justifications for his work. He explored his emotions through his instrument of choice, and in so doing made the case for the guitar as the ultimate conduit for emotional expression. While there are many imitators who try to play ''like Fahey'', I avoided using his fingerpicking style or sense of rhythm, and tried instead to use his music to explore my own emotions, my own dreams and memories. I was more interested in the lyrical and expressive aspects of Fahey's music than in the techniques of it. I tried to find myself within his compositions and without composing anything I feel that I have managed to make a David Tattersall record that says as much about me as any of the many albums that I have written. John Fahey's beautiful discography shows that the guitar can carry as much mystery and soul as the human voice, and simply put, I wanted in on a little of this action. This is my second all-instrumental solo acoustic album, and where this differs from my first attempt, Little Martha, is that here I improvised freely. I used Fahey's originals only as guides. I'm not sure what I was looking for, perhaps something beyond explanation, but I tried to be as free as possible, and I am delighted by the spontaneous results. Hopefully, they will make the listener feel happy and dreamy, just like the effect that Fahey's many albums have on me. One of the most important things that Fahey ever said was his advice to guitarists to try to feel the emotions that each chord they play on a guitar brings forth. He is telling guitarists to not only play the guitar, but to let the guitar play them. I did my best to follow this advice.\u003c\/p\u003e\n\n\u003cp\u003eI think Fahey was a genius of the kind that creates a whole genre single-handedly. There could be thousands, millions, of reinterpretations of his compositions. In fact, there probably already are. And long may this continue. 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The result is her dynamite third studio LP, featuring ten songs that vibrate with energy and is set for release on 28th July.\u003c\/p\u003e\n\n\u003cp\u003eEuphoric follows Georgia’s club-coercing last record, the universally adored and critically acclaimed Seeking Thrills which well and truly cemented her as one of the UK’s premier producers and songwriters. Since then, Georgia has collaborated with the likes of Mura Masa, Gorillaz, Shygirl, Baby Tate, Dan Carey and David Jackson, most recently writing with Years and Years’ Olly Alexander and on Shania Twain’s #1 album Queen Of Me. All of this experience has been poured into her forthcoming album.\u003c\/p\u003e\n\n\u003cp\u003eHaving written her last two albums within a three-metre radius of her bedroom, it was important for Georgia to find a new physical and emotional space in which to write: “I wanted an adventure! 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World crises notwithstanding, they return reborn, re-arranged and revitalised after assimilating dub reggae, the motorik spirals of Can, the modal meander of Philip Glass and The Cure’s dreamier pop sounds; plus the twice removed symphonic ambience of Spiritualized and Talking Heads under heavy manners from Brian Eno. By osmosis their period of transition since 2019’s much darker ‘Are You A Dreamer?’ has hatched new eclectic electronica anthems riddled with melody lines, and layered for lush love. Forming in Malmö, Sweden, Death And Vanilla gravitated towards vintage musical equipment; from vibraphone, organ and mellotron, to tremolo guitar and Moog synthesisers. Soaking up soundtracks from the 60s and 70s, listening to library music, kosmiche, French Ye-ye pop and 60s psych, Marleen Nilsson, Anders Hansson and Magnus Bodin were fashioned by the city’s austere industrial past and flat pack present, and all in the shadow of the Orsesund Bridge that links their dreamworld to mainland Europe and a darker reality.\u003c\/p\u003e\n\n\u003cp\u003eDeath And Vanilla at once sound like everything is possible; but nothing else at all. 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Played by Caribou, Jamie xx and TNGHT in their BBC Radio1 Essential Mixes, with further support from Oli XL and HAAi, ‘Joy Squad’ now finally sees its proper release. The video was directed by Mau Morgo and Koreless, features dancer Alex Thirkle and was choreographed by Sharon Eyal.\u003c\/p\u003e \n \n\u003cp\u003eThere is an idea of hidden depths suggested by the title of Koreless’ debut album. ‘Agor’ is the Welsh word for open and it’s an apt name for a recording which exists at sensory thresholds, helping guide the listener from one realm to another less visited. It straddles various worlds of trance, ambient, contemporary classical, sound design, vaporwave and garage, while not sounding like an example of any of them.\u003c\/p\u003e\n","brand":"Koreless","offers":[{"title":"Default Title","offer_id":45214106648856,"sku":"YT214LP","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-120405.png?v=1749668549"},{"product_id":"back-to-mono-white-vinyl-lp","title":"Back to Mono: White Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003ePlease Note: All signed copies have sold out - this is an unsigned copy of the album\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLimited Edition of 1000 only - 180g Heavy White Vinyl with bonus CD copy of the album\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBoyd Rice \/ NON announces the release of a new album, Back To Mono, in October 2012. Back To Mono is a return to Boyd Rice’s noise roots, and the first new album since 2002’s Children Of The Black Sun.\u003c\/p\u003e\n\n\u003cp\u003eHailed as an influence by the likes of Marilyn Manson, Marc Almond and Wes Eisold from Cold Cave, Rice’s contributions are both seismic and unquantifiable. Boyd Rice \/ NON’s first release was what is known as the Black Album (1975). \u003ci\u003e\"When I started to compose and perform noise music in the ‘70s there simply were no other noise groups.\"\u003c\/i\u003e As noise became more commonplace, Rice moved into more subtle and complex recordings.\u003c\/p\u003e\n\n\u003cp\u003eCredited with having developed a pioneering sampler; the ‘Noise Manipulation Unit’ Boyd delved into California’s avant-garde scene in the late 1970s.\u003c\/p\u003e \n\n\u003cp\u003eSays Rice, \u003ci\u003e\"I was doing sample-based music about a decade before the advent of samplers, when everyone else was using bass, guitars, keyboards and drums.  It has been said that I invented the first sampler.  Perhaps I did. At the time I called it the N.M.U. (or noise manipulation unit). It allowed me to essentially sample numerous tracks of noise and mould them into rudimentary rhythms.  This was my principle instrument for a good many years and can be heard on Back to Mono, in the late 70’s archival recordings.\"\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003eRice was to become the one of the first signings to Miller’s revolutionary Mute label and a 30-year partnership began with the issue of ‘Knife Ladder.’ By including a version of Warm Leatherette on ‘Back To Mono’ Rice has completed his Noise odyssey: \u003ci\u003e\"I bought that single fifteen minutes before meeting Daniel. And that meeting changed my life.\"\u003c\/i\u003e\u003c\/p\u003e","brand":"Non \/ Boyd Rice","offers":[{"title":"Default Title","offer_id":45214281236760,"sku":"STUMM338","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-32616.jpg?v=1746831044"},{"product_id":"before-i-die-deluxe-edition-hot-pink-vinyl-lp-7","title":"Before I Die: Deluxe Edition Hot Pink Vinyl LP + 7”","description":"\u003cp\u003e박혜진 Park Hye Jin has today announced her highly-anticipated debut album ‘Before I Die’, set for release on 10th September on Ninja Tune. The album—entirely written, produced and performed by the South Korean-born and now LA-based the producer, rapper, singer, and DJ—follows the release of her hugely successful ‘How can I’ EP and comes on the heels of a string of collaborations, working with the likes of Clams Casino \u0026amp; Take A Daytrip (“Y DON’T U”), Blood Orange (“CALL ME (Freestyle)”) and Nosaj Thing (“CLOUDS”), plus a remix from Galcher Lustwerk (“Can you”).\u003cbr\u003e\n\u003cbr\u003e\nHer debut album follows an incredible few years for the young artist, with a string of releases that have seen her garner strong support from the likes of Rolling Stone, Pitchfork, Jezebel, FADER, DAZED, i-D, E!, Resident Advisor, Exclaim!, Hypebeast and many more. She was additionally featured in numerous ‘Best Of 2020’ lists from Billboard, The Guardian, NYLON and others, included in the NME 100 list of ‘Essential emerging artists for 2021’ \u0026amp; V Mag's 'Generation V’ series, and highlighted by British GQ and Stereogum as ‘One to Watch’. The EP’s lead single, ’Like this’—hailed by Mixmag as one of the “best tracks of 2020” and featured on the FIFA 2021 soundtrack—was supported across BBC Radio 1 and 6 Music (where it was playlisted for multiple weeks) with plays from Annie Mac, Clara Amfo, Lauren Laverne, Phil Taggart and many more. In the US the track was #1 of ‘Top Electronic’ in the NACC Charts (North American College and Community Radio), and in the ‘Top 200’ overall, with further support from KEXP, KCRW, SiriusXMU and more.\u003c\/p\u003e\n","brand":"박혜진 Park Hye Jin","offers":[{"title":"Default Title","offer_id":45214329569560,"sku":"ZEN277X","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-121669.jpg?v=1759796645"},{"product_id":"busy-guy-heavyweight-180g-vinyl-lp","title":"Busy Guy: Heavyweight 180g Vinyl LP","description":"\u003cp\u003eAfter an absence of 13 years Stephen Fretwell has announced news of his long-awaited third album, Busy Guy, released 16th July via Speedy Wunderground.\nDescribed by Fretwell as “a song cycle of sorts,” the album examines the seasons of a life, exploring fatherhood, grief and rebirth, with Fretwell’s trademark eloquence and wit.\u003c\/p\u003e \n \n\u003cp\u003eBusy Guy was produced by Fretwell’s close friend and Speedy Wunderground label boss, Dan Carey. They recorded the whole thing one hot July afternoon in just two hours. “I was so fired up, I just rattled off the songs,” Fretwell says. “I assumed it was the run-through, but Dan said he thought we’d got it.” The next day, Carey assembled “a palate of sound” involving keyboards and an electric guitar. “Dan said, ‘I’m just going to react to the songs over the next few hours’, and that’s the finished record, besides some cello.” The album title was also Carey’s idea. Fretwell explains: “Years ago, Dan asked why I always carried a copy of The Guardian, a notebook and a pen when all I did was go to the pub. I said: if you go to the pub at 11am with a newspaper, a notebook and pen, you look like a busy guy rather than a pisshead. It became a joke between us. The joke too is that I didn’t do any music for years.\u003c\/p\u003e \n \n\u003cp\u003eThe album was recorded at Dean Street Studios in Soho, not far from where Fretwell now lives, and London looms large on the record, in titles like ‘Oval’ and ‘Embankment’: stops on the Tube, and urban images shimmer as Fretwell captures a city full of pride and secrets. He wrote most of the lyrics for Busy Guy sitting in the British Library, “taking the songs to pieces and reassembling them, refining the words, thinking about the stories.\u003c\/p\u003e\n","brand":"Stephen Fretwell","offers":[{"title":"Default Title","offer_id":45214554751256,"sku":"SWP4VS","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-117453.jpg?v=1747953781"},{"product_id":"contact-limited-edition-mint-green-vinyl-lp","title":"Contact: Limited Edition Mint Green Vinyl LP","description":"Loneliness, isolation, alienation, the need for connection and community. The salient themes of our times resonate with a haunting, predictive and vital power on the third album from London four-piece Landshapes. Released through Bella Union this November, Contact is an album that digs deep into the past, looks ahead to the future and burns with vivid life in the present, where its mind-expanding soundscapes, beguiling melodies and resonating emotions exude a tremendous in-the-moment vibrancy. ","brand":"Landshapes","offers":[{"title":"Default Title","offer_id":45214699356440,"sku":"BELLA1079V","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-108102.png?v=1759763165"},{"product_id":"deacon-vinyl-lp","title":"DEACON: Vinyl LP","description":"\u003cp\u003eserpentwithfeet is not only imagining, but exploring a world wherein Black love is paramount. His new album, DEACON, is “a study rather than a story,” delving into Black, gay love and the tenderness present in the best companionships, romantic or otherwise. Fully self-actualized and more devoted than ever to personal fulfilment, DEACON highlights his growth as a songwriter, which he credits to taking a more straightforward approach to expression. Spending time with pop songwriters and observing how they traverse language encouraged serpent to take more risks lyrically, resulting in more purity.\u003c\/p\u003e\n\n\u003cp\u003eRaised by religious parents in Baltimore, serpent’s flair for theatrical themes and gospel sensibilities can be traced to the Black church, a place where the artist had his earliest experiences with glamour and the ornate. Well-executed vocal flourishes and the implementation of a quickening vibrato are just a few of the skills he picked up during his time in a Pentecostal choir. He proudly follows in the tradition of R\u0026amp;B artists whose gifts were helmed in the church, and he approached DEACON with an undeniable passion and reverence for the genre.\u003c\/p\u003e\n\n\u003cp\u003eIn his love for love, serpentwithfeet is offering a look into the soul of a man who articulates his passion in a warmer, gentler way. He’s become wholly confident in his gift and messaging on DEACON, which is to be expected when one gives vent to maturity. Through his music, he allows compassion to be the backbone of his art, as he communes with his most loving self.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\nSide A\u003cbr\u003e\n1    Hyacinth     \u003cbr\u003e\n2    Same Size Shoe     \u003cbr\u003e\n3    Malik     \u003cbr\u003e\n4    Amir     \u003cbr\u003e\n5    Dawn     \u003c\/p\u003e\n\n\u003cp\u003eSide B\u003cbr\u003e\n1    Sailors' Supersition     \u003cbr\u003e\n2    Heart Storm     \u003cbr\u003e\n3    Wood Boy     \u003cbr\u003e\n4    Derrick's Beard     \u003cbr\u003e\n5    Old \u0026amp; Fine     \u003cbr\u003e\n6    Fellowship\u003c\/p\u003e\n","brand":"serpentwithfeet","offers":[{"title":"Default Title","offer_id":45214774296856,"sku":"SC396LP","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-117025.png?v=1747950394"},{"product_id":"drunk-tank-pink-vinyl-lp","title":"Drunk Tank Pink: Vinyl LP","description":"There are moments on Drunk Tank Pink where you almost have to reach for the sleeve to check this is the same band who made 2018’s Songs Of Praise. Such is the jump Shame have made from the riotous post-punk of their debut to the sprawling adventurism and twitching anxieties laid out here. The South Londoner’s blood and guts spirit, that wink and grin of devious charm, is still present, it’s just that it’s grown into something bigger, something deeper, more ambitious and unflinchingly honest.\n\nThe genius of Drunk Tank Pink is how these lyrical themes dovetail with the music. Opener Alphabet dissects the premise of performance over a siren call of nervous, jerking guitars, its chorus thrown out like a beer bottle across a mosh pit. \n\nSongs spin off and lurch into unexpected directions throughout here, be it March Day’s escalating aural panic attack or the shapeshifting darkness of Snow Day. There’s a Berlin era Bowie beauty to the lovelorn Human For A Minute while closer Station Wagon weaves from a downbeat mooch into a souring, soul-lifting climax in which Steen elevates himself beyond the clouds and into the heavens. Or at least that’s what it sounds like. \n\nFrom the womb to the clouds (sort of), Shame are currently very much in the pink.","brand":"Shame","offers":[{"title":"Default Title","offer_id":45214969790744,"sku":"DOC204LP","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-112388.jpg?v=1746745685"},{"product_id":"fabric-presents-danilo-plessow-mcde-vinyl-2lp","title":"fabric presents Danilo Plessow (MCDE): Vinyl 2LP","description":"\u003cp\u003eThe mix was recorded at the end of 2020 as the planet was struggling with the second wave of the Covid-19 pandemic. Danilo Plessow, known best for his work as Motor City Drum Ensemble, inserts statements from friends about the meaning of the music to people in these times, reaching globally for inspiration. He plays with a range of eras, locations and genres with an emphasis on instrumentation. The double vinyl format with download card features eleven full length tracks taken from the compilation. It highlights the rarer cuts across the 70s, 80s and 90s many of which have never before been digitally released. It includes ‘Nightfall’ – Danilo’s exclusive composition with jazz instrumentalists Francesco Geminiani and Peter Schlamb and ‘Taxi Mutant’ by Cabaret Voltaire that has been cut to vinyl for the first time here\u003c\/p\u003e","brand":"Motor City Drum Ensemble","offers":[{"title":"Default Title","offer_id":45215202509080,"sku":"FABRIC208LP","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-138114.jpg?v=1752046178"},{"product_id":"flu-game-signed-orange-vinyl-2lp","title":"Flu Game: Signed Orange Vinyl 2LP","description":"\u003cb\u003eEXCLUSIVE SIGNED LIMITED EDITION ORANGE DOUBLE LP\u003c\/b\u003e\n\n\u003cp\u003eFollowing the hard-hitting return single “Anxious” and a slew of mysterious ‘West Gazette' posters appearing around the UK hinting at the announcement (including Birmingham, Manchester, Glasgow, Bristol and London), West London’s AJ Tracey last night assumed the character of a rising young basketball player, appearing in a live-streamed press conference to reveal his next move: a lucrative deal with major franchise ‘Revenge Athletic’ ahead of a crucial playoff game. The broadcast ended with the true reveal: AJ’s highly-anticipated sophomore album FLU GAME will finally arrive on April 16th 2021.\u003c\/p\u003e\n\n\u003cp\u003eAlways pushing boundaries with his creative output, AJ’s campaign draws influence from the story of Michael Jordan and his Chicago Bulls team in the late 90s - with FLU GAME referencing one of MJ’s most memorable championship games - where he overcame a nasty bout of food poisoning (brought on by a dodgy takeaway pizza) and took the Bulls to the championship. Revenge Athletic are a franchise on the brink of a massive championship win, and AJ is their new star. All we know for now, is that AJ is about to take us into this new world, as he dons the number 10 jersey, and states he’s “ready to get going [and] do what I’ve always done.”\u003c\/p\u003e\n\n\u003cp\u003eFLU GAME sees AJ showcasing twelve brand new tracks, with tantalising features including Kehlani, T-Pain, SahBabii, NAV and Millie Go Lightly. On the production front, AJ calls on regular collaborators Nyge, The Elements, Kazza, AoD and Remedee. The project also features the UK top five singles “Bringing It Back” with Digga D, “West Ten'' with Mabel, and the Platinum smash “Dinner Guest” feat. MoStack. The album news and its immersive accompanying campaign is sure to whip fans into a frenzy.\u003c\/p\u003e\n","brand":"AJ Tracey","offers":[{"title":"Default Title","offer_id":45215303172376,"sku":"REVENGE1LP2","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/flugame.png?v=1758725790"},{"product_id":"former-things-signed-exclusive-vinyl-lp","title":"Former Things: Signed Exclusive Vinyl LP","description":"\u003cp\u003eBlack vinyl in printed inner in signed exclusive gatefold sleeve. 12” size 4 page lyric booklet and download card insert.\u003cbr\u003e\n\u003cbr\u003e\nFormer Things is the follow up to acclaimed 2015 album Hinterland which garnered praise from The Guardian, The Quietus, The Financial Times and more. The soundworld of Former Things was entirely crafted by LoneLady during her time spent in Somerset House Studios Rifle Range, an 18th century shooting range that has now been adapted into an experimental performance space. The album was inspired by a seismic move for LoneLady who left her native Manchester, decamping to London’s Somerset House Studios in search of a new cityscape to inspire her poised machine funk. First single “There Is No Logic” went onto the A list at BBC 6 Music. Alongside this, LoneLady is set to tour the UK in September 2021 as well as at the beginning of 2022.\u003c\/p\u003e\n","brand":"Lonelady","offers":[{"title":"Default Title","offer_id":45215314444568,"sku":"WARPLP331","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-119294.png?v=1747950695"},{"product_id":"fragments-vinyl-ep","title":"Fragments: Vinyl EP","description":"\u003cp\u003eIn Autumn 2020, Keaton released a new solo record, Monument. It was a fragile, meditative and emotional unravelling of grief in the aftermath of losing his father. For all its hushed acoustics, Monument cocooned its emotion in some beautifully tender melodies and acute observations. A warm and relatable listen. Here, the Fragments EP acts as an indirect companion piece to Monument.\u003c\/p\u003e \n\n\u003cp\u003eWritten at a similar time to the album, its lyrics stray from Monument’s poignant subject matter, but in sound and atmosphere it feels entwined. The seven tracks that form the Fragments EP orbit a sweeping kaleidoscope of sonic shapes, shades and textures. Keaton’s voice offers lyrics in an almost frozen romanticism. It’s a voice that sounds rooted in turmoil but also of strength. A happy sadness. Bleakly beautiful. Fragments EP and Monument are two fine bodies of work by this singular, unique British artist, and two empathetic records of sorrow and strength.\u003c\/p\u003e\n","brand":"Keaton Henson","offers":[{"title":"Default Title","offer_id":45215320441112,"sku":"PIASR1234LP","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-122231.png?v=1746483722"},{"product_id":"freakout-release-vinyl-2lp","title":"Freakout\/Release: Vinyl 2LP","description":null,"brand":"Hot Chip","offers":[{"title":"Default Title","offer_id":45215322145048,"sku":"WIGLP481","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-134292.jpg?v=1752000244"},{"product_id":"invisible-forces-exclusive-signed-purple-vinyl-lp","title":"Invisible Forces: Exclusive Signed Purple Vinyl LP","description":"\u003cp\u003eContemporary pianist and composer James Heather announces his second album ‘Invisible Forces’ out on the 22nd April via Ahead of Our Time, Ninja Tune founders Coldcut’s first record label. Influenced by the sensibility of electronic, ambient, orchestral and post-rock music but channelled through solo piano and his classical and jazz grounding, the album follows the release of the critically acclaimed ‘Modulations: EP2’, released in 2021.\u003c\/p\u003e\n\n\u003cp\u003eHeather’s new album is about becoming aware of invisible forces around us to help deepen understanding of self and our connection to the world, from tuning into the natural world and getting lost in its patterns and energies to gaining more knowledge around ancestral lines such as the concept of epigenetics. It’s about looking that bit deeper into things, into areas that are not instantly visible but are all around us to achieve this. “Composing these songs gave me an anchor to feel more present in life after some troubling times and sent me on a journey to rediscover a kind of wonderment with the world. I hope the Invisible Forces universe will bring warmth to other people too.”\u003c\/p\u003e\n\n\u003cp\u003eRecorded, mixed and produced by Heather in his new home studio on a refurbished Bosendorfer 200 grand piano utilising various microphone techniques, ‘Invisible Forces’ is a love story to the instrument that was his first love. A step forward compositionally from his 2017 debut album ‘Stories From Far Away On Piano’, the songs are grander, deeper and broader in emotional range and are developed through a series of improvisation techniques rarely seen in the often notated world of classical music. He describes his music as “pulse music” with each track performed in a single take and with their roots in this live improvisation, often honed on the road where Heather moves between tender to more propulsive, trance-inducing dynamics. He memorised each movement, then subtly adapted, adding more complexities and compositional dexterity over time before committing to the final take. His approach to the new compositions, finds him playing freely, with no metronome or official notation to recall or dictate the piece but instead using just his muscle memory, feel and instinct to decide where each track will go.\u003c\/p\u003e\n\n\u003cp\u003eA deeply personal and autobiographical album, the first four tracks on ‘Invisible Forces’ come from inside, about life dreams that end up becoming devastatingly flawed (or not) as in ‘Meant to Be’, to complications around the sharing of grief and moving on in ‘No Time Limit to Grief’. Elsewhere, the loss of the “sixth” sense of balance in Heather’s father due to a brain tumour is addressed in ‘Balance,’ while Heather acknowledges trusting in his inner being to overcome life’s difficulties and look out once again with positivity in ‘In Your Spirit’.\u003c\/p\u003e\n\n\u003cp\u003eHeather’s profound sense of awe at the big wide world outside of the self is considered in ‘Ultraviolet’ – the realisation that everything is connected in the universe, often in unseen ways, like a magic that surrounds us while ‘Forgotten Cities’, is a dreamlike interest in lost civilisations who built at one with nature and the stars above to cities today affected by war, nostalgic for peaceful times, hoping their city won’t be forgotten. ‘Invisible Forces’, the core of the album, absorbs all the albums messages, and connects different stages of Heather’s own compositional history from childhood to now. “I feel like one of the messages in my music is an activism for peace and equality for all, it is political but just done in a minimalist way. It’s about learning to love ourselves but also to love others even more.” \u003c\/p\u003e\n\n\u003cp\u003eThroughout the closing stages of ‘Invisible Forces’, Heather questions the journey towards the end of a life, a feeling transcending perhaps even joy. A feeling of connecting back to ancestors long since gone and the realisation they might be effecting him now in subliminal ways as in ‘Ancestral Future Now’, to ‘Beginnings,’ which looks at the evolvement of the natural world around us. \u003c\/p\u003e\n\n\u003cp\u003eEmpathy and compassion are two key themes underpinning the album, in particular with the most personal song in ‘Hidden Angel’, a letter of forgiveness to a missing lorry driver who put Heather in a coma in 2008 whilst he was cycling and may not know that he miraculously survived the episode. A topic which Heather has never addressed before in song, he was given just a 5% chance of survival and he endured both the mental and physical challenge of adjusting back into life, changing him fundamentally as a person through many highs and lows as he battled back to full fitness, an experience that he now looks at as a positive. ‘I am lucky that at last my life is now filled with a joy I could never have dreamed of before, dealing with the aftermath of such trauma can take time. The driver couldn’t be located some years later and I always wanted to let him know I survived, in case he didn’t know, and to tell him I’m ok and that I hold no anger. The whole experience has given me an increased empathy to people that may be going through something heavy and to face mortality head on at such a young age, whilst a shock, has deepened my understanding of life.”\u003c\/p\u003e\n\n\u003cp\u003eThe album concludes with ‘Immortal Beloved’, a song about the treasuring of love, and a reference to the famous letter Beethoven, an early influence on Heather, wrote and never sent to someone unnamed.\u003c\/p\u003e \n\n\u003cp\u003eThe album artwork is by long-time collaborator Suki and is a representation of the many invisible layers of our inner and outer worlds. Inspired by the structure of earth, each layer or journey is connected to the next through implied space and time transcending to unknown depths. ‘Invisible Forces’ is as much about emotional growth as it is physical awareness. The album art interprets this tension through a series of contrary emotions where wonderment and solitude, awe and isolation, contemplation and silence can be found in equal measure. Informed by real world invisible forces, the art is designed using computational techniques. Procedural materials and the movement of light create hyperreal terrains that feel both familiar and unfamiliar.\u003c\/p\u003e\n\n\u003cp\u003eSince the release of his 2017 debut ‘Modulations: EP1’ and the subsequent full length, critically acclaimed album ‘Stories From Far Away on Piano’, Heather has amassed over 120 million streams on the major streaming platforms, reached number 2 on the UK Classical Album Charts in iTunes, number 14 in the Billboard Classical Crossover charts and gained major critical and fan support; notable supporters of Heather's music include James Lavelle (UNKLE), Nils Frahm, Cillian Murphy, Flying Lotus’ Brainfeeder (via his live session he did for them in 2021)  and The Cinematic Orchestra, who commissioned Heather to rework their single ‘A Caged Bird \/ Imitations Of Life’ for their 'To Believe' remix album for Ninja Tune in 2020. His high calibre 2018 ‘Reworks’ remix release, featured reworked original tracks by Sarah Davachi, DJ Seinfeld, Marry, Lattimore, Aparde, Chihei Hatakeyama and Echo Collective further cementing his position as an important figure in the modern classical scene and also highlighted his adroitness at bridging the gaps of his influences. He has collaborated with Dawn Richard, Coldcut, Mumdance and Roger Robinson (King Midas Sound). In October 2021, Heather shared a double single release with Japanese composer Ryuichi Sakamoto with a strings version of ‘And She Came Home’ in the lead up to the Coldcut '@0' ambient compilation on which he also played piano on their new version of the seminal ambient track ‘Autumn Leaves’.\u003c\/p\u003e\n","brand":"James Heather","offers":[{"title":"Default Title","offer_id":45215785025816,"sku":"AHED34","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-130773.jpg?v=1759763886"},{"product_id":"karma-desire-limited-crystal-clear-vinyl-2lp-in-silver-foil-metallic-bag","title":"Karma \u0026 Desire: Limited Crystal Clear Vinyl 2LP in Silver Foil Metallic Bag","description":"Actress, real name Darren Jordan Cunningham, known to friends as DAZ releases his new album Karma and Desire on Ninja Tune. This is his most accessible yet complex and first with featured artist to date including: Mercury Prize winner Sampha, singer and songwriter Zsela, Aura T-09 (co-runs Evar Records with John Frusciante of Red Hot Chili Peppers and Trickfinger), Italian pianist and conductor Vanessa Benelli Mosell and Copenhagen based vocalist Rebekah Christel.","brand":"Actress","offers":[{"title":"Default Title","offer_id":45215867633944,"sku":"ZEN271X","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-108153.png?v=1752046309"},{"product_id":"labyrinthitis-limited-edition-cream-vinyl-lp","title":"Labyrinthitis: Limited Edition Cream Vinyl LP","description":"\u003cb\u003e\nPlease note the image is a mock up based on the description from the distributor, the actual vinyl colour may vary.\n\u003c\/b\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45215991890200,"sku":"BELLA1293VX","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-129936.jpg?v=1759763885"},{"product_id":"lets-say-for-instance-limited-edition-vinyl-2lp-signed-art-print","title":"Let's Say For Instance: Limited Edition Vinyl 2LP + Signed Art Print","description":"\u003cp\u003eInternationally-renowned British singer-songwriter Emeli Sandé announces her forthcoming album Let’s Say For Instance, released Friday, 6 May via Chrysalis Records.\u003c\/p\u003e\n\n\u003cp\u003eHer first release on an independent label, Let’s Say For Instance marks a new era of Emeli’s expansive artistry after a decade on stage and on the airwaves. Exploring new sonic territory through shades of classical, disco, nostalgic R\u0026amp;B and more, it sees Emeli freeing herself from the expectations of others, flexing her holistic skills as a songwriter, producer and vocalist in new, versatile ways. In her words: “‘an ode to resilience, rebirth, and renewal”. The album features current hit single Brighter Days, alongside previous singles Look What You’ve Done and Family.\u003c\/p\u003e\n","brand":"Emeli Sande","offers":[{"title":"Default Title","offer_id":45216054149400,"sku":"BRVC52","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-131345.png?v=1759787765"},{"product_id":"memory-device-signed-turquoise-and-black-splatter-vinyl-lp","title":"Memory Device: Signed Turquoise and Black Splatter Vinyl LP","description":"Though most debuts are the culmination of a lifetime of influences and experiences, few artists succeed in mapping their musical journey quite as vividly as Baba Ali has on Memory Device. Tracing his Nigerian heritage, an adolescence absorbing No Wave and the hip hop on NYC’s Hot 97, time immersed in the techno scene in Berlin, and the experimental punk spirit of his current base in London, Memory Device is an enthralling introduction to a musician who resolutely defies pigeonholing.\n\nWritten during lockdown, and recorded with Al Doyle (LCD Soundsystem, Hot Chip) in East London, Memory Device is both a dizzyingly inventive exploration of Baba’s complex musical DNA, and a thought-provoking treatise on the collective angst of modern existence; a dance record dealing in small ‘p’ politics that, spiritually, has been three decades in the making.","brand":"Baba Ali","offers":[{"title":"Default Title","offer_id":45216235651352,"sku":"MI697LPX2","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-126557.png?v=1746745089"},{"product_id":"microtronics-volumes-1-2-reissue-vinyl-lp","title":"Microtronics - Volumes 1 \u0026 2: Reissue Vinyl LP","description":"\nMicrotronics - Volumes 1 \u0026amp; 2 - Originally released as 3\" tour only CDs  in 2003 and 2005, the albums have been compiled and remastered. 21 instrumental tracks available on a single LP, CD and digitally. \n","brand":"Broadcast","offers":[{"title":"Default Title","offer_id":45216263471384,"sku":"WARPLP335","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-130536.png?v=1747953845"},{"product_id":"mood-valiant-exclusive-dark-green-vinyl-lp","title":"Mood Valiant: Exclusive Dark Green Vinyl LP","description":"1 x 140g 12” dark green vinyl exclusive edition. 350gsm colour printed whiteboard sleeve with matte varnish finish. Black paper inner sleeve + 8 page booklet featuring lyrics and photographs. Signed print \/500. Download code included.\n\nHiatus Kaiyote return in 2021 with their new album Mood Valiant, on Brainfeeder Records\/Ninja Tune. The twice-Grammy-nominated band is comprised of Naomi “Nai Palm” Saalfield (guitar, vocals), Paul Bender (bass), Simon Mavin (keys), and Perrin Moss (drums) and the new album is the follow up to their 2015 album Choose Your Weapon, which Rolling Stone described as \"a stunning step up\" and took them from Glastonbury to Fuji Rock, from rocking the Roots Picnic to selling out the Sydney Opera House. The new project comes after being sampled on songs by The Carters (Beyonce \u0026amp; Jay-Z), Kendrick Lamar, Anderson .Paak, Chance The Rapper, and Drake—with whom Nai Palm collaborated on his Scorpion album. \n\n“The title of the album really encapsulates the whole spectrum of the journey,” Bender says. “Everyone’s been through some big challenges. I feel like we charged through the mud to get this thing done. And there’s just this valiant, victorious feeling, coming out of storm into calm waters. The sun is shining, we see the shore. We did that! I feel proud of the way this sounds, the emotional depth of it. And I hope that it brings people some sort of comfort in this hard time.” Mood Valiant is an act of love, of courage, of altered perspective, of sister-and-brotherhood.\n","brand":"Hiatus Kaiyote","offers":[{"title":"Default Title","offer_id":45216368165144,"sku":"BF112RS","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-116527.png?v=1759749312"},{"product_id":"only-smith-burrows-is-good-enough-vinyl-lp","title":"Only Smith \u0026 Burrows Is Good Enough: Vinyl LP","description":"Over nine years on from the distinctly wintery Funny Looking Angels, old mates Tom Smith and Andy Burrows return with a distinctly un-wintery follow up album ‘Only Smith \u0026amp; Burrows Is Good Enough’\n \nRecorded in Nashville with Grammy Award winning producer Jacquire King ‘Only Smith \u0026amp; Burrows Is Good Enough’ is packed with songs for all seasons including the Summer ’20 single ‘All The Best Moves’ and new single ‘Old TV Shows’.  As a whole this is uncontrived, timeless, adult pop music that wears it’s heart on it’s sleeve.\n \nThe adventure that started nine years ago as two drinking buddies popping into each other’s houses and home studios, putting down an idea here and a melody there, developed into a set of songs with a Christmas theme, then a theoretical album, then, following help from their friends a real album with a raucous tour of Xmas shows in Winter 2012.\n \nThe interim has been anything but idle with Smith on duty with Editors, and the band’s star rising to unprecedented heights since their inception at the onset of the noughties. Meanwhile Burrows has released several solo albums, seen collaborations on soundtracks including The Snowman and The Snowdog and last year composing the soundtrack for Ricky Gervais’ critically acclaimed After Life.\n","brand":"Smith \u0026 Burrows","offers":[{"title":"Default Title","offer_id":45216591151384,"sku":"PIASR5040LP","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-110100.png?v=1759762934"},{"product_id":"penelope-three-vinyl-lp","title":"Penelope Three: Vinyl LP","description":"Penelope Three is the third and final instalment of Australian-born Brighton-based musician Penelope Trappes’ trilogy. She completes her ambitious and other-worldly triptych with an album of healing, on which she looks to release herself from fear and into love, evoked in Penelope’s signature ambient gothic dreamlands that are equal parts shoegaze pop and surrealist soundscapes.\n\nCrucially, for this final part of the trilogy, Penelope has returned to focus on her voice, her first and original instrument.\n\nOn Penelope Three, Trappes wears her breadth of life experiences with pride; pain, joy, love, loss, and the freedom in accepting change and acknowledging lessons learnt. It is a celebration of womanhood and a testament to the wisdom acquired through living and allowing oneself to live. Amplifying these past themes and fusing them with the complex characters that have draped Trappes psyche – past, present and future - to challenge perceptions of female identity.”","brand":"Penelope Trappes","offers":[{"title":"Default Title","offer_id":45216685883672,"sku":"HTH144","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-116182.jpg?v=1747088568"},{"product_id":"rot-vinyl-lp","title":"Rot: Vinyl LP","description":"Luke Pretty returns with ‘Rot’, his first full-length LP, out 18th February 2022 on Counter Records. \n\nThroughout the album’s 12 tracks Luke refines the signature Tennyson sound, making his flurried beats come into focus and his already riveting hooks catchier. This is also the first project in which Luke lends his voice to almost every song, with the exception coming from a feature with singer-songwriter Rae Morris on the pained but heartfelt ‘Slow Dance’. Dramatic dynamics and emotional weight are the driving force of ‘Rot’, making for pop music fit for misfits.\n\n\nWritten during a period of distress, after developing a sudden hearing condition brought on by mold exposure, ‘Rot’ is a musical diary of a brain gone sideways; the soundtrack of a young artist on the brink of his own disaster. As an escape from these troubles, Luke found solace in what he knew best. He wrote songs on his computer, more to keep his hands busy than thoughtful expression.\n\n\n“I was working on these tiny little speakers and making what I thought was garbage,” he remembers, but when he moved back into his newly renovated room and listened back to the music, the melodies made him cry. “It sounded like what I went through,” he says.\n\nThe completion of ‘Rot’ then marks a metaphorical and artistic milestone for Luke. “I'm starting to get more of a sense of what my skill set is,” he says, “Somehow, I've gotten a pretty strong handle on controlling sound in a very specific way. I don't think it's genius or sparks or something. I think I'm just looking at the right things by luck”.\n","brand":"tennyson","offers":[{"title":"Default Title","offer_id":45216979452184,"sku":"COUNT189","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-128413.jpg?v=1749599092"},{"product_id":"sister-vinyl-lp","title":"SISTER: Vinyl LP","description":"\u003cp\u003eThe third full-length from Mina Tindle, SISTER is an album populated by mythic creatures of all kinds: lions on parade, lovers turned to cannibals, kings and Sirens and women with wings. Like any great fabulist, she threads her storytelling with a fragile wisdom, revealing essential truths about all the danger and wildness within the human heart. With each moment elevated by her spellbinding vocal work — a gift she’s shown in recording and touring as a singer for The National — SISTER ultimately makes for a transportive listen, at turns impossibly dreamlike and profoundly illuminating.\u003c\/p\u003e\n\n\u003cp\u003eMina Tindle is the project of Parisian singer\/songwriter and multiinstrumentalist Pauline De Lassus. Mostly made in New York City with producer Thomas Bartlett (Yoko Ono, Florence + the Machine), the album’s elegant detail balances the odd magic of the songs with a fierce emotional realism. “Give a Little Love,” written and produced by Sufjan Stevens, channels intense longing, its soulful melancholy magnified by Stevens’s warm background vocals. On “Belle Pénitence,” she shares a tender love letter to her husband (The National’s Bryce Dessner), twisting the mood of lovely surrender with some fantastically brutal hunting imagery rendered in her native tongue. And on “Lions,” with its shimmering grooves, De Lassus offers up a bit of soft-hearted encouragement in the face of self-doubt: “If the roads are made for a parade\/Go march with the lions.” She adds, “You need to keep going, even if sometimes you feel like you’re just pretending to be brave. It’s all about the march.”\u003c\/p\u003e\n","brand":"Mina Tindle","offers":[{"title":"Default Title","offer_id":45220312088856,"sku":"37D14LP","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-104975.jpg?v=1759787536"},{"product_id":"spark-limited-milky-white-vinyl-lp","title":"SPARK: Limited Milky White Vinyl LP","description":"\u003cp\u003eJulien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, SPARK—the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? \u003c\/p\u003e\n\n\u003cp\u003eSo in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they’d play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs—so much more immediate and modern than their hazy origins—fit such big-budget reels? “We’d come to the conclusion we weren’t going to be filming Super 8 videos to this stuff anymore,” Julien remembers with a grin. “How about something more hi-fi, cinematic?” When the footage and the tunes linked, Julien and Max knew they had done it, that they’d finally found Whitney’s sound. \u003c\/p\u003e\n\n\u003cp\u003eSPARK reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What’s more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener “NOTHING REMAINS,” the devastating loss of “TERMINAL,” the sun-streaked renewal of “REAL LOVE”: However surprising it may sound, SPARK is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. SPARK maintains the warmth and ease of Whitney’s early work; these songs glow with the newness of now. \u003c\/p\u003e\n\n\u003cp\u003eListen closely, and you’ll notice frequent references to smoke and fire throughout SPARK, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. “We found a way to live while the world was burning\/Real life was caving in,” Julien sings almost merrily during “BACK THEN,” an anthem for finding out what’s on the other side of hardship. \u003c\/p\u003e\n\n\u003cp\u003eIn these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how SPARK often feels— Whitney’s circumstances were so fraught on so many levels that they hung “the past…out to dry” and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they’re already building songs for the next Whitney album. They’re both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. SPARK is not only Whitney’s best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.\u003c\/p\u003e","brand":"Whitney","offers":[{"title":"Default Title","offer_id":45220450926872,"sku":"SC437LPC1","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-136916.jpg?v=1759787524"},{"product_id":"the-neon-vinyl-lp","title":"The Neon: Vinyl LP","description":"The Neon is Erasure’s 18th studio album, following the UK Top 10 album World Be Gone, the band’s highest charting UK album in 24 years.  Written and produced by Vince Clarke and Andy Bell, the new album sees the band deliver a 10 track collection of uplifting and optimistic synth-pop, connecting their past and future and glistening with hope.  Includes the first single ‘Hey Now (Think I Got A Feeling)’.   \n","brand":"Erasure","offers":[{"title":"Default Title","offer_id":45220957880600,"sku":"STUMM455","price":20.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-104485.jpg?v=1746483142"},{"product_id":"the-third-chimpanzee-remixed-limited-transparent-orange-vinyl-lp","title":"The Third Chimpanzee Remixed: Limited Transparent Orange Vinyl LP","description":"\u003cp\u003eThe Third Chimpanzee Remixed sees Martin Gore’s recent five-track release reimagined by remixers including Rrose, JakoJako, Kangding Ray and artists from the Mute family including Chris Liebing and ANNA. Martin Gore, one of the founding members and primary songwriter of Depeche Mode, explores euphoric modular sounds and develops his career’s long relationship with electronic music through the primate-themed EP. The Third Chimpanzee follows his eponymous album MG in 2015 and SSSS, his collaboration with Erasure’s Vince Clarke for their VCMG project. The artwork was created by Pockets Warhol, a capuchin monkey based in Canada who paints for charity.\u003c\/p\u003e","brand":"Martin Gore","offers":[{"title":"Default Title","offer_id":45221064245528,"sku":"L12MUTE629","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-119441.jpg?v=1759790417"},{"product_id":"this-is-telex-limited-shrimp-pink-fern-green-vinyl-2lp","title":"This Is Telex: Limited Shrimp Pink + Fern Green Vinyl 2LP","description":"This Is Telex is a brand new compilation collecting 14 tracks from the innovative Belgium trio, covering their career from formation in 1978 up to the final album in 2006. This compilation includes the hit single Moskow Disko as well as their Eurovision Song Contest entry, aptly called Euro-vision.\n\nThere are also 2 wonderful and previously unreleased tracks unearthed from the Telex archive, a cover of The Beatles’ Dear Prudence and a reinterpretation of a Sonny \u0026amp; Cher track called The Beat Goes On\/Off. \nAll the tracks were newly mixed and remastered from the original tapes by band members Dan Lacksman and Michel Moers, keeping all the tracks in the spirit of the originals but adding a freshness to them. \nThis compilation sets the way for a comprehensive reissue campaign of the entire Telex catalogue. \n\nLimited edition double coloured vinyl (Side AB shrimp pink vinyl \/ Side CD fern green vinyl). Housed in a gatefold cover with printed inner sleeves with notes by David Stubbs. Includes high definition download code. 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Keen to uphold the manipulated elasticity of a recorded event, the majority of the eleven tracks that make up the record (with the exception of ‘Generation Game’, which saw its beginnings as part of the Speedy Wunderground 7” series, and was subsequently re-recorded), were written either just before, or throughout the duration of those fortnight sessions. \u003c\/p\u003e\n \n\u003cp\u003eA rarity for most bands, The Lounge Society functions best as a collective entity. With no core-leader, everything from the sources of inspiration, to the lyrics themselves, is handled collaboratively, and with equal merit; as they strive to create a self-sufficient creative unit, larger than the individual. Far from a documentation of disenfranchised youth, ‘Tired of Liberty’ seeks to overthrow with striking articulation. Stirringly fearless, it masterfully combines archetypal storytelling, with as many disparate principles as introspectively possible; capturing the aural shifts in time and attitudes between ‘Generation Game’, and where we join The Lounge Society now.\u003c\/p\u003e\n\n\u003cp\u003eWhether its personal growth, banded maturity, or a hearty combination of the two, ‘Tired of Liberty’ is an expertly captured documentation of four young-adults, at the baptism of their cultural-ignition. After all, you only get one opportunity at a debut record. “Anything that follows, is just an evolution from that.”- The Lounge Society.\u003c\/p\u003e","brand":"The Lounge Society","offers":[{"title":"Default Title","offer_id":45221146886424,"sku":"SWP6VX","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-134939.jpg?v=1759763765"},{"product_id":"tomorrow-in-a-year-vinyl-2lp","title":"Tomorrow, In A Year: Vinyl 2LP","description":"\u003cp\u003eThe Knife continues its 20th anniversary celebration as the duo of Karin and Olof Dreijer announces the first-ever vinyl pressing of their work Tomorrow, In A Year.\u003c\/p\u003e \n\n\u003cp\u003eIn 2009, The Knife was commissioned by the Danish performance group Hotel Pro Forma to provide music for an opera set to mark the 150th anniversary of Charles Darwin’s On the Origin of Species. Joining Karin and Olof as collaborators were Mt. Sims and Planningtorock. The studio recorded versions of the compositions were released as Tomorrow, In A Year in 2010 by Rabid Records.\u003c\/p\u003e\n","brand":"The Knife \u0026 Planningtorock \u0026 Mount Sims","offers":[{"title":"Default Title","offer_id":45221169955096,"sku":"RABID44RX","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-121801.png?v=1759754106"},{"product_id":"what-we-call-life-signed-exclusive-pistachio-green-vinyl-lp","title":"What We Call Life: Signed Exclusive Pistachio Green Vinyl LP","description":"Multi-instrumentalist, vocalist, producer, and songwriter Jordan Rakei is back with his fourth studio album, ‘What We Call Life’, released via Ninja Tune on 17th September. \n\n‘What We Call Life’ is Jordan Rakei’s most vulnerable and intimate album to date. Its lyrics concern the lessons that the New Zealand-born, Australia-raised, and London-based artist learned about himself during therapy, a journey that began two years ago when he started reading about the ‘positive psychology’ movement. These themes manifest on songs like lead single “Family”, which Rakei says is “the most personal” he’s ever been with his lyrics. “I wanted to hit my vulnerability barrier and be really honest. It’s about my parents’ divorce in my mid-teens but still having love for them no matter what,” he explains.\n\nWith so many artists being influenced by his style, it would be very easy for Jordan to stay in the same musical lane; but, as in life, he is determined to move his music forward. Such introspective subjects are a departure from Rakei’s last album, 2019’s ‘Origin’. Raising big questions about the way that technology and social media interferes with our sense of humanity, ‘Origin’ received praise from The Observer, Mixmag, Complex, and GQ, earned an unexpected shout-out from Elton John, led to a collaboration with rap legend Common, and saw Rakei give a show-stopping performance for NPR’s Tiny Desk Concert series. \n\nOn ‘What We Call Life’ Rakei dives deeper into his sound world, merging electronic with acoustic, and rugged grooves with ambient atmospheres, to create something richer, more detailed, and more textural than before. Rakei, already a practitioner of meditation and mindfulness, was curious about the potential of using therapy for further self-discovery. During the process, he began to learn more about his behaviour patterns and anxieties, and addressed his long-standing irrational phobia of birds – a fear often associated with the unpredictable and the unknown, and something explored in the album’s creative direction and visuals. “As we worked through it, it made me realise I would love to talk about the different lessons I learned from therapy in my music: about my early childhood, my relationship with my parents and siblings, becoming independent in London, being in a new marriage, understanding how my marriage compares to the relationship my parents had”, Rakei says.\n","brand":"Jordan Rakei","offers":[{"title":"Default Title","offer_id":45221433049368,"sku":"ZEN276D","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-121093.png?v=1784129585"},{"product_id":"whatever-it-is-limited-edition-pacific-blue-white-ink-spot-vinyl-lp-7","title":"Whatever It Is: Limited Edition Pacific Blue \u0026 White Ink Spot Vinyl LP + 7\"","description":"Limited Edition Pacific Blue \u0026amp; White Ink Spot LP w\/ Bonus 7” featuring new single ‘Everything Is So Hard’. CD edition includes new singles via download code. Both LP and CD packages include lyrics and behind the scenes photos.\n \nRough Trade Records are excited to release the debut album by Californian group Hello Forever. Based in Topanga, California, the band live together in a pastoral setting high above the Pacific Ocean – not far from where Neil Young recorded After the Gold Rush or Captain Beefheart laid down the tracks for Trout Mask Replica, the group forever expanding and contracting, with members coming and going as they please. \n\nThey fuse elements of the 60s West Coast sound with a DIY approach to music and creativity which has spawned their remarkable debut album, the aptly titled Whatever It Is. Samuel Joseph and company have created a contemporary throwback to a vibrant era with a set of songs that establish the collective’s exquisite harmonies and colourful instrumentation.","brand":"Hello Forever","offers":[{"title":"Default Title","offer_id":45221438390552,"sku":"RT176LPE","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-106950.jpg?v=1749597719"},{"product_id":"sister-vinyl-lp-1","title":"Sister: Vinyl LP","description":"Ultraísta have announced their first new album since 2012's self-titled debut with the release of \"Tin King.\"  The trio will release Sister on March 13, 2020.  It’s a collection that defies easy categorization, and one that proves that Ultraísta — GRAMMY-winning producer\/engineer\/musician Nigel Godrich, best known for his two decades helming Radiohead’s groundbreaking studio output; celebrated drummer Joey Waronker, who’s toured and recorded with everyone from R.E.M. and Beck to Roger Waters and Elliott Smith; and singer Laura Bettinson, an acclaimed solo artist whose work combines synth-driven electropop and dreamy vocal looping — is far more than just the sum of its remarkable parts.\n\n","brand":"Ultraista","offers":[{"title":"Default Title","offer_id":45221538398488,"sku":"PTKF21721","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-98517.jpg?v=1759797197"},{"product_id":"uppers-signed-monochrome-splatter-vinyl-lp","title":"Uppers: Signed Monochrome Splatter Vinyl LP","description":"\u003cp\u003eUppers is the visceral debut album from rising quartet TV Priest. From the outskirts of London, the band combine a pulsating, industrial synth sound with politically and socially charged lyricism to create their empowering brand of new-wave post-punk, enticing fans of IDLES, Fontaines D.C. and Protomartyr. The self-produced LP follows two initial releases championed by the likes of 6 Music's Steve Lamacq, NME, So Young and Dork.\u003c\/p\u003e\n","brand":"TV Priest","offers":[{"title":"Default Title","offer_id":45224940863768,"sku":"SP1422RSXMS","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/0024779977_10.png?v=1759748886"},{"product_id":"flicker-limited-clear-vinyl-2lp","title":"Flicker: Limited Clear Vinyl 2LP","description":"‘Flicker’ is the second album from Ride guitarist and songwriter Andy Bell. Written almost as a conversation with his teenage self, it follows the triumphant solo debut that was 2020’s ‘The View From Halfway Down’.\n\nThis 18-track double album finds Andy moving towards classic songwriting, notably on the reflective lead single ‘Something Like Love’, the strident harmonies of ‘World of Echo’, the joyous refracted loops of ‘Jenny Holzer B. Goode’ and the fuzz-laden late-’60s balladeering of ‘Love Is The Frequency’. Stylistically, the four sides of ‘Flicker’ take in everything from modern psychedelia to fingerpicked folk, whimsical baroque pop, and Byrdsian 12-string beauty. It’s a breathtaking array and makes it even more abundantly clear that Andy has entered a purple patch in his songwriting, hitting a new velocity in contrast to his initial inhibitions about becoming a solo artist. He gradually overcame these after the passing of David Bowie in 2016, with the Thin White Duke’s bountiful 50 years of music providing inspiration from beyond the grave.\n\n‘Flicker’ is also an apt description for the genesis of the album. At the start of 2021, Andy returned to the stems of the recording sessions he made at Beady Eye and Oasis bandmate Gem Archer’s North London studio and added fuel to the fire, writing melodies and lyrics and turning them into fully formed songs. The same sessions were also the starting point for ‘The View From Halfway Down’ and this album picks up where that one left off, quite literally, with the very first words being “I was halfway down…”.  This is the first of several playful, possibly intentional, references to albums and song titles that litter the record like a musical breadcrumb trail.\n\nAs much as this is a modern sounding and forward-looking record, it’s also very much about looking back, something that is clear from the first glimpse of the front cover – a previously unseen outtake from Joe Dilworth’s photo sessions for the inner sleeve of Ride’s debut album, ‘Nowhere’.\n\n“When I think about ‘Flicker’, I see it as closure,” explains Andy. “Most literally, on a half-finished project from over six years ago, but also on a much bigger timescale. Some of these songs date back to the ’90s and the cognitive dissonance of writing brand new lyrics over songs that are 20-plus years old makes it feel like it is, almost literally, me exchanging ideas with my younger self.”\n\nThis conversation takes place across ‘Flicker’’s 18 tracks. Essentially it advises us to stop worrying about the future and enjoy each day as it comes, embracing the crushing, unpredictable lows of life as much as the almighty highs of being in love. Some of it remains unspoken, taking place sonically rather than verbally: the album has a reflective, meditative feeling throughout, exploring many aspects of mental health, and the beautiful stillness of first single ‘Something Like Love’ could almost be a musical salve to the heartache 19-year-old Andy poured into ‘Vapour Trail’ in 1990.\n\n“The ‘Flicker’ I’m talking about in the lyrics is that flame that makes a person who they are,” explains Andy. “I wanted to find that in myself, so I went back to the teenage me – a technique I learned in therapy and have been doing ever since – and got some advice on how to live and be happy in the 2020s.\n\n“‘The View From Halfway Down’ was about turning 50 in a very weird time of introspection. ‘Flicker’ is about gathering the tools to equip myself mentally for life in 2022 and beyond – post-pandemic, post-Brexit, post-truth.”\n","brand":"Andy Bell","offers":[{"title":"Default Title","offer_id":45332153762072,"sku":"SCR200LP","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-129924.jpg?v=1759755363"},{"product_id":"quietly-blowing-it-vinyl-lp","title":"Quietly Blowing It: Vinyl LP","description":"“I went looking for peace,” says songwriter M.C. Taylor of Hiss Golden Messenger about his new album Quietly Blowing It. “It’s not exactly a record about the state of the world or my world in 2020, but more a retrospective of the past five years of my life, painted in sort of impressionistic hues.\n\nMaybe I had the presence of mind when I was writing Quietly Blowing It to know that this was the time to go as deep as I needed to in order to make a record like this. And I got the time required in order to do that.”\n\nQuietly Blowing It was written and arranged by Taylor in his home studio his 8’ × 10’ sanctuary packed floor to ceiling with books, records, and old guitars as he watched the chaotic world spin outside his window. “Writing became a daily routine,” he explains, “and that was a ballast for me. Having spent so much time on the road over the past ten years, where writing consistently with any kind of flow can be tricky, it felt refreshing. And being in my studio, which is both isolated from and totally connected to the life of my family, felt appropriate for these songs.” Between March and June, Taylor wrote and recorded upwards of two dozen songs in most cases playing all of the instruments himself before winnowing the collection down and bringing them to the Hiss band. In July, the group of musicians, with Taylor in the production seat, went into Overdub Lane in Durham, NC, for a week, where they recorded Quietly Blowing It as an organic unit honed to a fine edge from their years together on the road.\n\nThroughout Quietly Blowing It, Taylor brings his keen eye to our “broken American moment” as he first sang on Hiss Golden Messenger’s critically acclaimed, GRAMMY®- nominated Terms of Surrender (2019) in ways that feel devastatingly intimate and human. Beginning with the wanderer’s lament of “Way Back in the Way Back,” Taylor carries the listener on a musical journey that continually returns to themes of growing up, loss, obligation, and labor with piercing clarity, and his musical influences including classic Southern soul and gospel, renegade country, and spiritual jazz have never felt more genuine. Indeed, Quietly Blowing It is a distillation of the rolling Hiss Golden Messenger groove, from the rollicking, Allman-esque “The Great Mystifier” to the chiming falsetto soul of “It Will If We Let It,” to the smoky, shuffling title track with its bittersweet guitar assist from Nashville legend Buddy Miller. The album ends with soulful lead single “Sanctuary,” a song about trying to reconcile tragedy and joy, with references to John Prine, economic disparity, and the redemptive quality of hope. Indeed, when he sings, “Feeling bad, feeling blue, can’t get out of my own mind; but I know how to sing about it,” it feels like the album’s spiritual thesis.\n","brand":"Hiss Golden Messenger","offers":[{"title":"Default Title","offer_id":45332564017432,"sku":"MRG755LP","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4297\/9608\/files\/SharedImage-118436.jpg?v=1749668281"}],"url":"https:\/\/recordstore.co.uk\/collections\/sale-60-off.oembed?page=3","provider":"Recordstore","version":"1.0","type":"link"}