Jailbreak (The Thousand Club) Test Pressing

Signed by the legendary – Jim Fitzpatrick

Alternative Artwork

Released in 1976, Jailbreak was Thin Lizzy’s sixth studio album and their international breakthrough. Produced by John Alcock, it brought together Phil Lynott on bass and vocals, Brian Downey on drums, and guitarists Scott Gorham and Brian Robertson. Their twin-guitar harmonies and Lynott’s character-driven songwriting gave the record a distinctive identity, with “The Boys Are Back in Town” bringing the band to a wider audience.

Pairing melodic hard rock with vivid storytelling, Jailbreak moves from the swagger of its title track to the expansive “Cowboy Song” and the dramatic closing track, “Emerald”. Its sense of adventure finds a visual counterpart in Jim Fitzpatrick’s comic-book-inspired cover artwork.

For Fitzpatrick, the cover remains a personal favourite. “While the cover of Black Rose is more iconic, it even has appeared on an Irish stamp, Jailbreak is one of my very best and the most fun.”

Its inspiration came from a shared enthusiasm with Lynott: “This is where Philip and I indulged in our love of Marvel comics” and H.G. Wells’s The War of the Worlds, which Fitzpatrick recalls as Philip’s favourite book, alongside Marvel’s Killraven.

Fifty years on, Fitzpatrick has shared a surviving paper negative of his original line artwork for the cover of this limited edition release, offering a glimpse into the photographic process behind the cover:

“Back in the day I made a paper negative of all my line artwork and this is one from back in 1976, for the cover of Thin Lizzy’s ‘Jailbreak’. Developing a print was a messy but tried and tested photographic process. Once exposed to light my photo paper was developed slowly in a red lab light in my attic, in a fluid that smelled of ammonia, washed in a dish of water then transferred to a dish of fixative. I had learned how to solarise prints long before this and in the rush I accidently solarised this one by using the fixative on it before it was fully developed. This is the result and I kept it because it was kinda cool and I liked the effect. Now, 50 years later, it sees the light of day and still looks cool, I think, there is only one negative like this so enjoy. I love showing Lizzy fans this stuff, it’s a buzz so thanks everyone and keep the flame alive.”